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Choral SATB
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John Tavener: Fear And Rejoice O People: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Chester
In this piece for unaccompanied SATB choir fervent dance-like music appears si...
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In this piece for unaccompanied SATB choir fervent dance-like music appears side by side with fear and awe producing a dramatic contrast.The work was commissioned jointly by the Dean and Chapter of Winchester Cathedral andby Mrs Ruth Daniel on behalf of St. John's College Cambridge for performances during Advent 1997. There were simultaneous first performances on 29th November 1997 given by the Choir of Winchester Cathedral conducted by DavidHill and the choir of St. John's College conducted by Christopher Robinson in Cambridge.
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Geoffrey Burgon: Conditor Alme Siderum: SATB: Vocal Score
Choral SATB
[Vocal Score]
Chester
For SATB chorus and Organ. Geoffrey Burgon - Conditor Alme Siderum by musicr...
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For SATB chorus and Organ. Geoffrey Burgon - Conditor Alme Siderum by musicroom
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Bob Chilcott Susan Knight: World Carols For Choirs: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
Celebrated choral composers Bob Chilcott and Susan Knight have searched the glob...
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Celebrated choral composers Bob Chilcott and Susan Knight have searched the globe for the most vibrant and exciting festive music representing a range of styles and cultures. This unique collection has it all - from a melismatic Armenian hymn to a percussive villancico from the Dominican Republic; a US spiritual to a Polish folk carol. The collection features: 31 pieces that are perfect for a wide range of SATB choirs New Christmas repertoire from all over the world Each piece in both English and its original language Pronunciation guides to help with singing the original texts Carols by popular andlittle-known composers This anthology not only offers a world of new and unusual music for your choir it also represents a fascinating glimpse into seasonal and musical traditions the world over.
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Alan Murray: I'll Walk Beside You: SATB: Vocal Score
Choral SATB
[Vocal Score]
Banks Music Publications
I'll Walk Beside You by Alan Murray and Edward Lockton arranged for SATB choir b...
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I'll Walk Beside You by Alan Murray and Edward Lockton arranged for SATB choir by Clarence Lucas.
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Eric Idle: Always Look on the Bright Side of Life: SATB: Parts
Choral SATB
SATB, Piano
-
Intermediate/advanced
Hal Leonard
from Spamalot-Totally cheeky and catchy this show tune from Monty Python's Spama...
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from Spamalot-Totally cheeky and catchy this show tune from Monty Python's Spamalot Always Look On The Bright Side Of Life is incredibly infectious by the end it will have everyone whistling along. This songbook contains parts for Soprano Alto Tenor and Baritone voices.
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Antonio Vivaldi: Gloria RV 589 (PA): SATB: Vocal Score
Choral SATB
[Vocal Score]
Barenreiter
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact ...
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Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact circumstances of its origin remain a riddle it was definitely conceived as a self-contained concert piece rather than as part of a complete setting of the Mass.The compositional fabric the festive character of the outside movements and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices choir and organ. Rather than imitating the orchestral writing Martin Focke?s arrangement offers a self-contained version tailor-made for this combination of instruments thereby making a pinnacleof European church music accessible to the often more modest resources of today?s churches.Standard work of the oratorio repertoireSelf-contained version for solo voices (SSA) choir (SATB) and organHighly supportive easy-to-play organ partIdeal for use in church servicesDuration: c. 30 mins.The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Emerald Green Grass - View from a Chinese Hillside: SATB: Vocal Score
Choral SATB
[Vocal Score]
Walton Music
Mu Ge-Framed by the bucolic scenery from an Asian hillside this traditional Chi...
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Mu Ge-Framed by the bucolic scenery from an Asian hillside this traditional Chinese song tells about the joy of living and the peaceful beauty of the region. This accesible setting programs easily into concert programs. The poem is notated in phonetic Chinese with English translation of the text. Visit www.waltonmusic.com/2009Sampler for spoken pronunciation guide. Duration: ca. 2:20.
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Flor De Lis (Upside Down): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Hal Leonard
Jazz Chorals-This slow samba by Brazilian singer/songwriter Djavan is artfully a...
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Jazz Chorals-This slow samba by Brazilian singer/songwriter Djavan is artfully arranged for SATB with soprano solo and rhythm section by jazz educator/arranger Paris Rutherford.
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Stephen Sondheim: West Side Story: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Boosey and Hawkes
This medley is by Len Thomas who has created a fantastic arrangment for SATB wit...
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This medley is by Len Thomas who has created a fantastic arrangment for SATB with Piano accompaniment. Titles included are: Tonight I Feel Pretty Maria America One Hand One Heart and Somewhere .
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Edgar L. Bainton: The Water-side: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
Scottish Folk-song arranged for SATB Choir A Cappella. Poem by Robert Burns.
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Jimmy McHugh: On the sunny side of the street: Mixed Choir and Accomp.: Vocal
Choral SATB
SATB
[Vocal Score]
Hal Leonard
Written as a reaction to the famous Wall Street Crash this standard has been re...
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Written as a reaction to the famous Wall Street Crash this standard has been recorded by a variety of performers from Louis Armstrong to Cyndi Lauper. Perfect for show choirs this arrangement will almost choreograph itself!Available for SATB SAB SSA Instrumental Pak (instrument parts for Trumpet I & II Tenor Sax Trombone Baritone Sax Synthesizer Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:50.
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Benjamin Harlan Jan McGuire: Beside Still Waters: SATB: Vocal Score
Choral SATB
[Vocal Score]
Brookfield Press
Gifted lyricist Jan McGuire has penned a moving text based on the Twenty-third P...
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Gifted lyricist Jan McGuire has penned a moving text based on the Twenty-third Psalm set to a timeless melody by Benjamin Harlan. The style is beautifully reminiscent of the 19th Century American hymn tunes. The SATB writing isexpressive and true to the simple and humble devotion of the lyric.
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Frank Loesser: Baby it's cold outside: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
It may be cold outside but this samba-styled chart is WHITE HOT! Fun unison sin...
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It may be cold outside but this samba-styled chart is WHITE HOT! Fun unison singing along with some smart four-part jazz writing make these vocals fun to learn and perform. The accompaniment includes horn parts that will make this cool holiday or winter piece sizzle! Duration: 2:42.
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Richard Wilberforce: Remember Bethlehem: SATB: Vocal Score
Choral SATB
[Vocal Score]
Royal School of Church Music
Remember Bethlehem was conceived after a conversation on the works of the late s...
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Remember Bethlehem was conceived after a conversation on the works of the late story-telling songsmith Jake Thackray. Thackray’s sometimes bawdy sometimes satirical and often hilarious lyrics are delivered in a lugubrious baritone and underpinned by a strong Yorkshire accent that led him to be dubbed the “North Country Noel Coward”. In his Remember Bethlehem heshows a more tender side and tells a story devoid of expletives and cutting social commentary of a “shabby little country girl” completely broken by the ardours of her journey arriving in Bethlehem as a distrusted foreigner to give birth to baby boy called Jesus. Whatstruck and moved me most about Thackray’s telling of the Nativity Narrative is the way he normalizes Mary. Rather than retrospectively beatifying her - telling her story full in the knowledge of the extraordinary thing she did (as most nativity stories do) – Thackray’s portrayal of her as young afraid and cold makes her achievement all the more astonishing. Indeed so out-of-the-ordinary is the gift given by this apparently ordinary girl that no one and no thing can ever forget it: “Even the stony old hills […] your shaggy old trees […] the sulky old sun Remembers Bethlehem.” My carol of the same name adapts a similar approach to telling Mary’s story. Musically I have only thinly veiled my affection for Peter Warlock’s miniature masterpiece Bethlehem Down and evidence of this can be seen not only in the choice of key triple metre and strophic setting but also in the resemblance of some of the cadential figures. A final strand of influence comes once more from Yorkshire and specifically Charlotte Brontë’s novel Jane Eyre. My wife is a literature scholar and pointed out to me the parallels between Mary’s plight in Thackray’s story and a scene from the novel in which Jane is lost up on the moors. Through her distrust of man she feels outcast and
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Joni Mitchell: Joni Mitchell: Both Sides Now: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Version for SATB and Piano arranged by John Coates Jnr.
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Byt' Svetem Vladla: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Pavane Publishing
This is a song composed for one of the girls' barracks in the Theresienstadt Con...
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This is a song composed for one of the girls' barracks in the Theresienstadt Concentration Camp during the Holocaust. It's intent was two-fold: first when the girls were being moved about ina group outside the barrack it was sung on lai lai lai to keep the girls together and to identify them as belonging to a certain barrack: second the text consisted of virulently anti-Nazi lyrics that could be sung in the barrack to keep Hope alive when the girls were alone.
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Brendan Graham Rolf Lovland: Sleepsong: SATB: Vocal Score
Choral SATB
[Vocal Score]
Mark Foster Music
With a melody by Rolf Lovland Brendan Graham was struggling to find a lyric and...
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With a melody by Rolf Lovland Brendan Graham was struggling to find a lyric and a theme that was sensitive enough for Rolf's gorgeous tune. Brendan's daughter was leaving home for a year's study in Sydney her first time away from home for such a spell. The night before she left Brendan sat on the side of her bed like he had done so many times when she was a child telling stories and singing her little songs. The results are this beautiful lullaby for an older child. Desmond Earley has made the choral arrangement.
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Lessons in Love and Violence (First Edition) (BENJAMIN GEORGE)
Choral SATB
SATB, Piano
[Sheet music]
Faber Music Limited
Par BENJAMIN GEORGE. Inspired by the fast-moving scenes and vulnerable, complex ...
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Par BENJAMIN GEORGE. Inspired by the fast-moving scenes and vulnerable, complex characters of Elizabethan drama, this new opera by George Benjamin and Martin Crimp considers what space, if any, exists for love and human affection inside the dangerous machinery of power. A king, compelled to choose between love and political hard-headedness, makes a fatal decision, allowing his country to slide into civil war, and setting his own wife and son implacably against him. Lessons in Love and Violence is Benjamin and Crimp?s third operatic collaboration, following Into the Little Hill and the critically acclaimed Written on Skin. This first edition vocal score is for soloists and piano reduction. / Vocal Music / Répertoire / Voix Mixtes et Piano
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Doug Brandt: The Gentlest Lady: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Craig Hella Johnson Choral Series-In this beautiful poem by Dorothy Parker Mary...
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Craig Hella Johnson Choral Series-In this beautiful poem by Dorothy Parker Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday without even knowing how few he has left. Celebrating Mary themother and Christmas Doug Brandt creates an inner voice of Mary in the Altos and Tenors while the outer voices create the ironic voice of both joy and heartbreak.
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Ugis Praulins: Missa Rigensis: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
Latvian composer U is Prauli Å¡' striking setting of the Mass has attracted co...
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Latvian composer U is Prauli Å¡' striking setting of the Mass has attracted considerable attention following a recording by The Choir of Trinity College Cambridge under Stephen Layton. (Baltic Exchange Hyperion CDA67747) Scored for SATB unaccompanied and soloists and well within the reach of most choirs it is by turn devotional bold intimate intense and ultimately thrilling from a choral tradition outside the more familiar Western forms. Ugis Praulins - Missa Rigensis by musicroom
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Opening Night: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
A New Generation of Broadway-The Lion King Wicked Spamalot The Producers ... ...
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A New Generation of Broadway-The Lion King Wicked Spamalot The Producers ... all have taken Broadway by storm. Celebrate the magic and music of several recent hits in this 14-minute dazzling medley! Songs include: Always Look on the Bright Side of Life As if We Never Said Goodbye The Avenue Q Theme Be Our Guest Circle of Life I Go to Rio My Strongest Suit One Short Day Opening Night Run Freedom Run! and You Can't Stop the Beat.Available separately: SATB SAB and 2-Part. Instrumental ePak includes parts for Trumpet 1 2 Tenor Sax/Clarinet/Flute Trombone Baritone Sax Synthesizer Guitar Bass and Drums. ShowTrax CD also available. Performance Time: Approx. 19:00
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Blandet Kor Antologi: Innlit - Choral Anthology: SATB: Vocal Score
Choral SATB
[Vocal Score]
Wilhelm Hansen
Faroese poems set to music by Peter Bruun Martin Ødegaard Hugi Gudmundsson ...
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Faroese poems set to music by Peter Bruun Martin Ødegaard Hugi Gudmundsson Svend Hvidtfelt Nielsen Britta Byström Gavin Bryars and Alwynne Pritchard. Preface: The Faroese word 'Innlit' has many meanings such as insight enlightenment perspective and understanding. It symbolises what this project is about. Since it's creation in 1998 commissioning of new vocal music has been one of the main objectives for the vocal ensemble MPIRI. We wanted to actively contribute to the Faroese repertoire of vocal sheet music and until now MPIRI has commissioned more than 50 musical pieces. Before this project however only from Faroesecomposers. With 'Innlit' we wanted an external perspective and put together a collection of poems by Faroese writers all written in the new millennium. In 2011 together with Edition Wilhelm Hansen we invited selected composers from the Nordic region and Britain to compose music using these texts and the result is a CD together with this corresponding book of sheet music published by Edition Wilhelm Hansen. A more poetic translation of the word 'innlit' is 'the colour of what is inside'. We hope that this music can help reflect the colour of Faroese culture.
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Antonio Vivaldi: Magnificat RV 610 (PA): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting v...
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Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting versions. The earlier one probably the original version (RV 610) is dominated by impressive but largely straightforward choral passages set against a few brief vocal ensembles manageable by soloists from the choir.In the later version (RV 611) the solo parts and one chorus are replaced by demanding virtuoso arias. Andreas Köhs arrangement for soloists chorus and organ allows performers to choose between these two versions and is equally suitable for use in church and concert hall.Standard repertoire work easy to performIndependent version for soloists (RV 610: SSAT;RV 611: SA) chorus (SATB) and organClear and well presented organ partSuitable for use in church and concert hallDuration: ca. 15 minutes (RV 610) or 20 minutes (RV 611)The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Duffy-Manning: Manchester Carols (The): Mixed Choir: Vocal Score
Choral SATB
SATB
Faber Music Limited
The Manchester Carols is an inspired collaboration between composer Sasha Johns...
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The Manchester Carols is an inspired collaboration between composer Sasha Johnson Manning and Poet Laureate Carol Ann Duffy. A collection of 12 carols linked with a gentle entertaining narration which reshape and modernise the Christmas story. Its creators wanted to write something that is relevant to and reflects modern society and which acknowledges the fact that even though someone might not subscribe to the religion behind the Nativity story they can still appreciate it as an inspiring magical tale. The carols are for everyone believers or not. Duffy uses the Christmas story as a metaphor for human experience giving usup-close and personal insights into the central characters of the nativity – Mary Joseph a newborn baby and a ‘golden youth’ (aka the Angel Gabriel). As Duffy herself says: 'I think the story is wonderful. There’s a lot we can take from it on a human level even if we don’t take the divine element.' There are hints too of the darker grittier side of the Nativity story – refugees poverty giving birth on the road; and looking further forward there are hints of Jesus’ fate on the cross. These carols were written in Manchester in 2007 and first performed by children from several Manchester schools at The Royal Northern College of Music (and again in 2008). All of us who worked on them – librettist composer artist conductor teachers musicians and singers – live and work in that great city. And so these are and will forever be The Manchester Carols'.
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Francis Pott: There Is No Rose Of Such Virtue: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
(Novello New Choral Series)-There is no rose of such virtue is an anonymous medi...
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(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in
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There Is No Rose Of Such Virtue
Choral SATB
Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...
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There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
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New Cathedral Psalter Chants 82: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
A collection of chants designed for use by Church choirs. A considerable number ...
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A collection of chants designed for use by Church choirs. A considerable number of Cathedral Psalter Chants which have stood the test of time have been retained and favourites form other sources have been added. Besides these many new ones by 20th century composers will be found including 43 double and 20 single chants which have been specially written for this book.Edited by Charles H. Lloyd.
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