SATB. From Contemporary A Cappella Publishing comes this collection of some of the great jazz standards of all time in a cappella settings. Includes: Autumn Leaves Fever I Could Write a Book If I Loved You It Don't Mean a Thing (If It Ain't Got That Swing) Steppin' Out with My Baby Walkin' My Baby Back Home. Available for SATB.

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. / Choeur Mixte (SATB) Et Orchestre

Ticket To Ride-Ever since the Swingle Singers released their Beatles' tribue album in 1999 the group have been overwhelmed with requests by a cappella groups and choirs for the arrangements of that recording. And Now... ...From the classic Swingle Singers library comes this stunning volume of seventeen Lennon and McCartney favourites. The Swingle Singers are an 8-voice mixed choir that formed in Paris in 1963 founded by Ward Swingle. The group has been through numerous incarnations but their unique style and sound have remained largely unchanged. Their repertoire includes classical contemporary opera jazz standards gospel pop and even rock music! Completely unaccompanied all the sounds are made by the human voice (or other body parts!). These songs have been arranged for full SATB mixed choir and are fit for any choral occasion.

Celius Dougherty's songs are standards in the solo voice repertory. Now available in a well-crafted choral setting this cowboy classic makes an excellent feature for choirs of all levels.

Gathered from our most successful seasonal cantatas this compilation of beloved carols is designed to work as choral anthems or for choir and congregational corporate singing. Erase the boundaries between loft and pew by bringingthe church body together in the embrace of time-tested Christmas and Advent selections. Fully orchestrated by Brant Adams these arrangements will lift your sanctuary singing to new heights. Congregants sing along while the choiradds power depth and harmonic color. The final verses of these Christmas standards are among some of the most inspiring passages you will ever experience. These arrangements will be used year after year for ?Hanging of theGreen? gatherings ?Lessons and Carol? services or for festival hymn singing during the holidays. Available separately: SATB Listening CD Preview Pack (Book/CD Combo) Orchestration CD-ROM (Score and Parts forFlute 1

First published in 1926 Bye Bye Blackbird has been enduringly popular ever since. It has been recorded by numerous artists and its simplicity brings a beauty which works perfectly for SATB choir.This a cappella arrangement is simple and easy to learn and choirs of all standards will enjoy singing it.Bye Bye Blackbird is here arranged for SATB choir a cappella. Piano reduction included for easy rehearsals.

Arrangement de folkloriques textes et mélodies de la collection de Wladyslaw Skierkowski, ' Sierpc Forest dans la chanson ' (1928-1934). Texte polonais. Adapté pour les chorales standards intermédiaires. / Choeur Mixte A Cappella

Les Motets de Strathclyde sont motets de communion définissant propres de la masse pour divers dimanches et fêtes. Texte latin du Graduale Romanum. Adapté pour les chorales standards intermédiaires. / Choeur Mixte A Cappella

Paramètre sacrée des mots de St Ephraim (c. 306-373) de 1979 et a récemment été publié par le compositeur. Le texte reflète à la fois de Christ enfant et son sacrifice sur la Croix. Pour SATB avec alto divisi et certains passages de l'unisson - convenables pour les artistes interprètes ou exécutants standards intermédiaires. / Choeur Mixte (SATB) Et Orgue

Spiritual-Walter Hawkins' I'm Goin' Up A Yonder arranged by Paul Read for SATB chorus and Piano. This is an expressive gospel song that begins softly and builds in texture and dynamics climaxing at the key chane with the addition of a soaring descant. The repetition of the text I'm goin' up a yonder constructs a sense of longing and expectation.Ideal for choirs of all standards including children's choirs.

Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerizationalso ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony #2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors have been corrected. (Reinhold Kubik, taken from the preliminary note) Oh believe, my heart, oh believe:Nothing is lost with thee!Thine is what thou hast desired,What thou hast loved, what thou hast fought for!(Gustav Mahler in the Finale of Symphony #2) / Choeur Mixte (SATB) Et Piano

Le paramètre de prière de Padre Pio est après la Communion. Il a été commandé par la Fondation de la Genèse et première réalisée par The Sixteen, menée par Harry Christophers, en juin 2008 à la cathédrale de Westminster, Londres et enregistré sous le label CORO. Padre Pio (1887-1968), de son vivant un homme controversé et Saint, a été canonisée St. Pie de Pietrelcina en 2002. Il est connu officieusement comme ' le saint patron de soulagement du stress ', en accord avec son fameux dictum, ' Prier, espère et ne vous inquiétez pas. ' Un paramètre puissant par James MacMillan de sa propre version anglaise du texte du Pio d'origine italienne, le travail est adapté à l'utilisation de service et de concert. Des interprètes standards intermédiaires à avancé. / Choeur Mixte (SATB) Et Orgue

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Easter standards find a home together here in Gary Lanier's setting for a festive resurrection morning celebration. Titles include: Christ the Lord Is Risen Today and Christ Arose. Available separately: SATB ChoirTrax CD. Brass score and parts available digitally (tpt 1 tpt 2/3 hn tbn 1 tbn 2/3 perc timp). Duration: ca: 2:40.