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Choral SATB
INSTRUMENTS
INSTRUMENTS
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BASSOON
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CHORAL - VOCAL - CHOIR
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DIDGERIDOO
DJ GEAR
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FRENCH HORN
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OCARINA
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RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
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The Novello Book Of Hymns
Choral SATB
Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...
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The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
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Duffy-Manning: Manchester Carols (The): Mixed Choir: Vocal Score
Choral SATB
SATB
Faber Music Limited
The Manchester Carols is an inspired collaboration between composer Sasha Johns...
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The Manchester Carols is an inspired collaboration between composer Sasha Johnson Manning and Poet Laureate Carol Ann Duffy. A collection of 12 carols linked with a gentle entertaining narration which reshape and modernise the Christmas story. Its creators wanted to write something that is relevant to and reflects modern society and which acknowledges the fact that even though someone might not subscribe to the religion behind the Nativity story they can still appreciate it as an inspiring magical tale. The carols are for everyone believers or not. Duffy uses the Christmas story as a metaphor for human experience giving usup-close and personal insights into the central characters of the nativity – Mary Joseph a newborn baby and a ‘golden youth’ (aka the Angel Gabriel). As Duffy herself says: 'I think the story is wonderful. There’s a lot we can take from it on a human level even if we don’t take the divine element.' There are hints too of the darker grittier side of the Nativity story – refugees poverty giving birth on the road; and looking further forward there are hints of Jesus’ fate on the cross. These carols were written in Manchester in 2007 and first performed by children from several Manchester schools at The Royal Northern College of Music (and again in 2008). All of us who worked on them – librettist composer artist conductor teachers musicians and singers – live and work in that great city. And so these are and will forever be The Manchester Carols'.
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Georg Friedrich Händel: Israel In Egypt HWV 54: SATB: Score
Choral SATB
[Sheet music]
Barenreiter
Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe version...
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Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756?7 performances The distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses? Song. It was in this form that the work was given at its London premiere on 4 April 1739. Handel made extensive changes for the second performance. The reason is often said to have been the audience?s dissatisfaction with the work?s unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material. Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition. The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria ?Hope hope a pure and lasting treasure? from the second version of Esther (for both 1756 and 1757) and the aria ?Toss?d from thought to thought? from Alexander Balus (for 1757). Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere
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Frederick Swann: Blessed Be The God And Father: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Roland C30 Digital Harpsichord including stool. Experience the elegance of baroq...
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Roland C30 Digital Harpsichord including stool. Experience the elegance of baroque music.While producing authentically exquisite centuries-old harpsichord sounds and drawing inspiration from 21st century ingenuity the Roland Classic Series C30 Digital Harpsichord uses digital technology to enhance playability and expressiveness. Whether you are a virtuoso or a novice the C30 makes it possible for you to spend as much quality time as you want with the harpsichord. Taking up little space the styling of the C30 is modelled on the virginals. With an authentic wooden cabinet and a high-quality mahogany finish the traditional and simple styling will beright at home in a classic or modern interior. The period styling is enhanced by stained glass on the stand and the decorative panel on the keyboard lid. The C30 can easily switch between the built-in French and Flemish types of harpsichord. Both of these have four dispositions— 8’ I (back eight) 8’ II (front eight) 4’ (upper octave) and lute (buff mute) — and each disposition has its own dedicated selection button. You can play with a single disposition or layer more than one. The C30 also has an excellent fortepiano sound and has two admirable sampled organ options - 8' flute (ideal for solo accompaniment) and 8'+4' Principal which is ideal for use with a choir. The digital C30 doesn’t need tuning and you can simply switch the pitch from a=440 to baroque (415 Hz) and French baroque (392 Hz). If for ensemble playing you need to match the C30 to other instruments fine pitch adjustments can be made. You can easily take the C30 with you to group rehearsals and live performances. Even if the temperature and humidity vary you can be sure that the pitch will remain accurate. Time-consuming maintenance is a thing of the past. Now you can just turn on and play. As well as equal temperament you can select Werckmeister Kirnberger Vallotti and Meantone tuning
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Gareth Treseder: Never weather-beaten sail: SATB: Vocal Score
Choral SATB
SATB A Cappella
Boosey and Hawkes
Thomas Campion?s Never weather-beaten sail is a sprightly text that powerfully e...
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Thomas Campion?s Never weather-beaten sail is a sprightly text that powerfully evokes the sailor?s plea for God?s calming presence upon the sea?s unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea the mellifluous soprano melody represents the boat?s sails and the bass section?s never-changing ?A? provides the anchor. All four voices then come together in homophony urging God to ?come quickly...and take my soul to rest?. Rather than a simple repetition of thematic material in the manner of a standard hymn the texture alters through the rest ofthe work until the very end where all voices gradually fade away into the distance leaving what seems like a lone voice in the wilderness to cry ?to Thee?. Contrasting to other well-known setting of this text this new work provides a fresh interpretation suitable for intermediate choirs.
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Church Songs (Z Piesni Koscielnych) Vol.3
Choral SATB
SATB A Cappella
Boosey and Hawkes
Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko...
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Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only.The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella
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Heather Sorenson: A Christmas Communion: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: Christmas CommunionScripture: Luke 2:8-9; I Corinthians 11:23-29At the pl...
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Uses: Christmas CommunionScripture: Luke 2:8-9; I Corinthians 11:23-29At the plaintive strains of Silent Night this sensitively designed anthem of reflection rises like a prayer to call thechurch to the grace of God's table. Surrounded by tender music this song delivers candlelit sonorities and cloistered chords to match the contemplative nature of the text. As the final verse issues a challenge for us to take thegift to the world an effective crescendo raises the call before allowing the anthem to end in peaceful calm as it began. Violin (or C-instrument) part included. Duration: ca. 4:16.
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Church Songs (Z Piesni Koscielnych) Vol.2
Choral SATB
SATB A Cappella
Boosey and Hawkes
Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko...
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Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only.The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella
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Georg Friedrich Händel: Theodora HWV 68: Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Barenreiter
Besides the ?Messiah? ?Theodora? is Handel?s only oratorio with a Christian the...
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Besides the ?Messiah? ?Theodora? is Handel?s only oratorio with a Christian theme. In contrast to the ?Messiah? ?Theodora? which was composed in 1749 and premiered in 1750 in London takes a dramatic plot as its basis. The setting for the action is Antioch during the time of the Emperor Diocletian.The Christians refuse to take part in the heathen sacrificial cult preferring to die a martyr?s death. The plot concentrates on the virtuous Theodora whom the Roman governor wants to compel to become a heathen sacrificial victim through forced prostitution. The Roman officer Didymus who is in love with ?Theodora? and hasconverted to Christianity through her rescues her from the Temple of Venus at which point both are sentenced to martyrdom by the governor.?Theodora? is regarded as Handel?s most tender oratorio. The Christians? choruses and arias convey muted colours and Theodora?s arias are distinguished particularly through their moderate to slow tempi and their vocal inflection lost in reverie. In dramatic contrast with this are the stirring arias of the governor Valens and the choruses of the heathens who pay homage to their gods Jupiter and Venus. As so often Handel borrowed musical material from other composers which he elaborated into expressive arias and choruses here. In particular the final chorus of the oratorio which is similar to that in Bach?s ?St. Matthew Passion? in terms of expression is referred to in literature again and again. Handel himself felt that ?Theodora? was his most significant work.- First complete critical edition based on the Urtext of the Halle Handel Edition.- Includes all versions.- Full score (BA4085) & vocal score (BA4085-90) available for sale performance material (BA4085-72 available for hire.
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Church Songs (Z Piesni Koscielnych) Vol.1
Choral SATB
SATB A Cappella
Boosey and Hawkes
Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko...
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Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only. The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella
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The Bruce Springsteen Vault: Illustrated Biography
Choral SATB
SATB, Piano
Omnibus Press
Written by Meredith Ochs, The Bruce Springsteen Vault chronicles The Boss's incr...
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Written by Meredith Ochs, The Bruce Springsteen Vault chronicles The Boss's incredible music career from a humble childhood to his most recent album 'High Hopes', by way of his incomparably successful and critically acclaimed back catalogue. This fantastic hardcover Illustrated Biography features over 100 images including concert photos, album covers and photographs, as well as ten pieces of removable memorabilia, such as ticket stubs and posters.Telling the story of the working-class singer and songwriter who rose to fame with his brand of poetically anthemic Americana, The Bruce Springsteen Vault uses engaging prose and vivid, full-colour photography to take the reader through the decades of Springsteen's career. No ordinary rock biography, this expansive volume features fascinating photographs from the stage, backstage and personal archives, as well as a whole host of other ephemera.Springsteen's early musical beginnings started in New Jersey, before he joined a number of bands as guitarist. His real break came when he formed what would become the E Street Band, exploring a variety of different genres while retaining his aptitude for prolifically poetic lyrics. As his fame grew, so did the scope of his songwriting, incorporating wide influences and starting a trend of epic live performances.His lengthy career has resulted in a fascinating story that is accompanied beautifully by such brilliant photography that is perfect for any Springsteen fan. Also found within The Bruce Springsteen Vault are five envelopes containing ten pieces of removable memorabilia, such as ticket stubs, posters and contact sheets. Author Meredith Ochs is an American radio commentator, DJ writer and musician, whose sparkling prose truly brings the photographs to life. / Livre
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Duke Ellington: Take the A Train: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Russell Robinson always finds a way to take a song and make it accessible for th...
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Russell Robinson always finds a way to take a song and make it accessible for the younger voice and inexperienced ensemble. He continues with this arrangement of Take the A Train. The singer learns the melody in the openingthen is ready to take on the faster movement of the same melody throughout. A great jazz classic for choral groups. Available separately: SATB SAB StudioTrax CD.
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I Was Glad When They Said Unto Me: SATB: Vocal Score
Choral SATB
[Vocal Score]
Spartan Press
Anthem for Mixed Voices and Organ-A setting of these famous words commissioned b...
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Anthem for Mixed Voices and Organ-A setting of these famous words commissioned by a church in Lisburn a useful alternative to the Parry when choirs are limited or unable to undertake the complexities of the Parry version.
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Duke Ellington: Take The 'A' Train Choral Suite: SATB: Single Sheet
Choral SATB
SATB
[Sheet music]
Novello & Co Ltd.
Novello Voices Choral Suite Arranged by Hywel Davies. Contains: 'Take The 'A' T...
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Novello Voices Choral Suite Arranged by Hywel Davies. Contains: 'Take The 'A' Train 'Satin Doll' 'Lush Life' 'Things Ain't What They Used To Be' and 'Perdido'. Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop.
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Anne Boyd: Jesus Reassures His Mother: SATB: Vocal Score
Choral SATB
[Vocal Score]
University Of York Music Press
Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymo...
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Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests hismother to sing a lullaby but alas knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit ofGabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end oftime there to live in eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narratorwhose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for awork Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work for their 75thanniversary. The parts of the infant Jesus Mary the Narrator and the angel Gabriel are taken by choir soloists: soprano alto tenor and bass. The work is situated in the context of Boyd’s personal musical aestheticwhich she describes as the intersection of Christian Love with Buddhist silence.
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Bob Chilcott: Christmas Oratorio: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
Christmas Oratorio by Bob Chilcott for SATB and soloists (M-S T & B) with Org...
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Christmas Oratorio by Bob Chilcott for SATB and soloists (M-S T & B) with Organ and Flute or small ensemble.With this majestic work Chilcott takes on a landmark of the choral repertory the Christmas Oratorio. Words from St Luke and St Matthew are intertwined with 16th-19th-century poetry to create a compelling retelling of the Christmas story. Five hymn texts are set to new original melodies that take their place among the season's tradition of great hymnody and enable the audience or congregation to join in with the choir. As in the St John Passion much of the narrative is presented by a tenor soloist in the role ofEvangelist with focal points such as the Magnificat and Nunc dimittis and Rossetti's 'Love came down at Christmas' taken by mezzo-soprano and bass soloists. The chorus is integral to the storytelling assuming small character roles and taking centre stage in two unaccompanied movements. A solo Flute characterizes the angels and the mellow tones of the brass ensemble evoke a sense of festive tradition.
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Philip Glass: Philip Glass Another Look At Harmony: SATB: Score
Choral SATB
SATB, Organ
[Sheet music]
Dunvagen Music Publishers
Another Look at Harmony Part 4 was written while Glass was working on Einstein o...
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Another Look at Harmony Part 4 was written while Glass was working on Einstein on the Beach and it is easy to hear similarities between the two works. In Harmony the Voices use solfege and nonsense syllables where in Einsteinrecognizable words are sometimes set non-narratively. There are similar harmonic progressions that the two pieces share though it is less predictable in Harmony. In both works Glass takes all the time he needs to explore histheme. Another Look at Harmony requires approximately one hour to perform with intensity building through the many repetitions over time.American composer Philip Glass is widely known as one of the most celebrated influentialand prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Barry Talley: There Was No One There: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: Good Friday Maundy Thursday Scripture: Matthew 26:36-46 - Luke 23:26-43 A...
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Uses: Good Friday Maundy Thursday Scripture: Matthew 26:36-46 - Luke 23:26-43 A emotional portrait of Jesus' final hours this anthem reminds us of His ultimate sacrifice. Singers and listeners are taken on a journey from Gethsemane to Golgotha and the words Father forgive them are a powerful reminder of His love for us. The cries of Kyrie Eleison in the background add to the poignant depth of the work.
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John Tavener: They Are All Gone Into The World Of Light: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Chester
Composer's Note'The words of this piece are taken from the poem They are all gon...
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Composer's Note'The words of this piece are taken from the poem They are all gone into the world of light by Henry Vaughan. The music came to me after attending the beautiful and moving funeral of MarianneYacoub wife of the eminent heart surgeon Sir Magdi Yacoub who has been such a great support to me over many years.' - JohnTavenerThey Are All Gone Into The World Of LightThey are all gone into the world of light!And I alone sit ling’ring here;I see them walking in an air of glory Whoselight doth trample on my days:My days which are at best but dull and hoary Mere glimmering and decays.Dear beauteous Death! the jewel of the just Shining nowhere but in the dark;Could man outlookthat mark!And into glory peep.Either disperse these mists which blot and fillMy perspective still as they pass:Or else remove me hence unto that hill Where I shall need noglass. - Henry Vaughan
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John Purifoy: Lamentations of the Lamb: Mixed Choir a Cappella: Vocal Score
Choral SATB
Brookfield Press
A Service for Tenebrae-The writing team of John Purifoy and Pamela Stewart have ...
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A Service for Tenebrae-The writing team of John Purifoy and Pamela Stewart have crafted a brief work for Maundy Thursday or Good Friday suitable for use as a Tenebrae service. Told from the historical perspective of the Gospels as well as from the Old Testament laments that foreshadow them Lamentations of the Lamb takes us on a journey through the final days in the life of Christ. Each anthem itself is a plaintive lament taken from these combined narratives. With a final stirring lamentation offered by creation here is a powerful ending to Holy Week in preparation for Easter. Songs include: A Gathering of Shadows The Table of Forgiveness Forsaken in the Garden In the Twilight of My Sorrow Come Ye Disconsolate Lamentation for the Lamb. Score and parts (fl ob vc) available on CD-ROM.
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Samuel Sebastian Wesley: All The Earth Doth Worship Thee: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
This anthem by Samuel Wesley one of the most important composers of the classic...
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This anthem by Samuel Wesley one of the most important composers of the classical period in England takes the text from verse 2 of Te Deum Laudamus from the Anglican service of Morning Prayer. The musical treatment is typical eighteenth century English polyphony.
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Lloyd Larson: Our Lord Endured the Cross: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
With the first melodic notes delivered by lower voices this sober anthem shares...
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With the first melodic notes delivered by lower voices this sober anthem shares the sacrifice of Christ with sensitive and emotive music. Lyrical strains carry the inspired words forward and rich four-part harmonies take the memorable chorus into the heart of the listener. Reverent and worshipful! Duration: ca. 4:09.Uses: Holy Week Good FridayScripture: Hebrews 12:2; Galatians 6:8-11
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Larry Shackley Timothy Dudley-Smith: O Come to Me The Master Said: SATB: Vocal
Choral SATB
Shawnee Press
Here is a modern text inviting all to take the living bread and wine and to know...
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Here is a modern text inviting all to take the living bread and wine and to know the goodness of the Lord. Set by the composer as a lyrically flowing song of worship this anthem is ideal to accompany a communion processional. Newsounds and fresh imagery for choirs everywhere!
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Judith Clurman: Ki Hineih Kachomer [Honor the Covenant]: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series-Judith Clurman'...
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Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series-Judith Clurman's Ki Hineih Kachomer takes the form of a piyut a spiritual poem from the 12th century and is inspired by Jeremiah 18:3-6 and Isaiah 64:7. The poets draw on a vivid array of metaphorsfrom everyday life - potters masons glass-blowers sailors - all shaping and guiding their work with their hands and forming the material into new and more beautiful forms.This arrangement by Ryan Nowlin is forSATB choir.
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Bill Staines: A Place in the Choir: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
De Haske Publications
SATB with piano-Here is a perfect lighter selection or encore for adult or commu...
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SATB with piano-Here is a perfect lighter selection or encore for adult or community choir! Bottom middle and top every part gets to shine as all your singers take their places in the choir. What fun! Available: SATB. Duration: ca. 2:45.
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Dan Whitaker Mary McDonald: In the Father's Hands: Mixed Choir a Cappella: Vocal
Choral SATB
[Vocal Score]
Daybreak Music
A rare find... a Father's Day offering that is very special call to purpose for ...
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A rare find... a Father's Day offering that is very special call to purpose for dads. Using Jesus' earthly father Joseph as a model the text explores a variety of ways that we can nurture spiritual excellence in our children. Set to the well-known hymn tune MARYTON the alternate text of O Master Let Me Walk with Thee is provided so that the octavo can be used at other times as well. Two anthems in one!
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Eric Thiman: Draw Nigh And Take The Body Of The Lord: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Anthem for SATB Choir and Organ. Text translated from the Bangor Antiphonary.
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Luther Vandross: Everybody Rejoice: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate
Shawnee Press
Songs from The Wiz-A Song from the Broadway Musical The Wiz. Arranged for SATB C...
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Songs from The Wiz-A Song from the Broadway Musical The Wiz. Arranged for SATB Choir and Piano by Hawley Ades.Although based on L. Frank Baum's Wizard of Oz in which a little girl named Dorothy is abducted from her home by a Tornado and transported to the Land of Oz The Wiz takes the classic fairy tale in an all-new direction with an all-black cast an exciting rock score and a decidedly modern libretto that reframes the story in such a way that it seems somehow more relevant.
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Don Besig Steven W. Kupferschmid: Take These Wings: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Kupferschmid Take These Wings Satb Flute-Opt
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Edward C. Bairstow: The Promise Which Was Made: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
The Promise Which Was Made Unto The Fathers is an anthem for Easter. First publi...
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The Promise Which Was Made Unto The Fathers is an anthem for Easter. First published in 1903 it is scored for SATB Choir with Organ accompaniment. It takes its text from passages of the Book of Acts The Song of Solomon and Psalm 145.Edward Bairstow (1874-1946) was a British composer organist and conductor. He studied under Frederick Bridge at Westminster Abbey and later became Organist at York Minster and Professor of Music at the University of Durham. He is best remembered for his settings of the Anglican liturgy as well as anthems such as Blessed City Heavenly Salem and Let All Mortal Flesh Keep Silence.
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