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Ti
Choral SATB
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
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Der Erste Ton, Musik Zur Declamation (Wev B.2) - Hymne In Seiner Ordnung Schafft Der Herr (Wev B.8) Wev B.2 U. Wev B.8
Choral SATB
SATB, Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres travaux et a contribué à leur chute de plus en plus dans l'oubli . Certains travaux tels que , Preciosa ', , Oberon , et , Euryanthe ' , les ouvertures, concertos en solo et sonates pour piano , des lieder et chambre oeuvres jouissent d'une grande popularité et ont été largement connus en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19ème siècle . Cependant , toute chance d'une renaissance de Weber et influentoeuvre considérable a été perdu dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff , Hans Pfitzner , Max von Schillings , Fritz Stein et Richard Strauss - a échoué après le troisième volume .Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais que ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter- allemande , la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières mesures concrètes dans les années 1980 . L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et ne pas se séparer de sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux et d'autres la production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratiques .Depuis la réunification des deux - groupes de travail allemands concernés - à la Staatsbibliothek zu Berlin , et au Séminaire Musikwissenschaftliches , Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales ( c. 45 volumes de la série 10 : sacré musique - cantates , des odes et des autres travaux occasionnels- oeuvres scéniques , lieder et des oeuvres vocales - oeuvres orchestrales , musique de chambre , musique pour piano - réductions pour piano - Miscellanea , arrangements et orchestrations , des oeuvres d' attribution douteuse ) . Les journaux (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits ( 2 vol. ) À Detmold .Cette édition complète vise à constituer une base fiable de débat scientifique , ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber . Conforme aux normes d'éditions historico-critiques récentes , le matériau textuel sera basé sur les sources authentiques disponibles , accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail . L'importance musicologique des travaux sera évaluée en les plaçant dans leur contexte historique , la présentation de leur genèse , l'histoire et les commentaires critiques . Les lettres , les écrits et les journaux seront considérés comme interdépendants et pertinente à l'autre dans les commentaires , donc les lecteurs devraient bénéficier d'une foule de renseignements concis et renvois . / Choeur Mixte (SATB) Et Instruments Divers
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Christmas Time Is Here (Choral Medley): SATB: Score
Choral SATB
Hal Leonard
Celebrate the special sentiments of the season in this 30-minute medley arranged...
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Celebrate the special sentiments of the season in this 30-minute medley arranged by Mac Huff with staging suggestions by John Jacobson. Featuring some of the best-known Christmas songs each section stands on its own allowing you to perform the entire medley or create your own unique holiday showcase. I.Christmas Time Is Here: Christmas Time Is Here Silver Bells II. Everyone's a Child at Christmas: Deck the Hall The Christmas Waltz Everyone's a Child at Christmas My Birthday Comes on Christmas I'm Getting Nuttin' for Christmas It's Beginning to Look a Lot like Christmas. III. The White World of Winter: We're Going on a Sleigh Ride Wonderful World of Winter IV. Merry ChristmasDarling: Merry Christmas Darling I'll Be Home for Christmas V. Sing a Christmas Carol: Sing a Christmas Carol Up on the Housetop O Tannenbaum We Wish You a Merry Christmas VI. North Pole Live: Little Saint Nick Frosty the Snowman Rudolph the Red-Nosed Reindeer Santa Baby VII. Christmas Children: Christmas Children Because It's Christmas VII. Christmas Time Is Here - Bows: Christmas Time Is Here. Available separately: SATB SAB 2-Part Preview CD and ShowTrax CD. Performance Time: Approx. 31:30.
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Opela : We Are Here To Sing - Choral Edition
Choral SATB
Helbling Verlagsgesellschaft m.b.h
En Namibie, le chant est omniprésent partout où vous allez. On chante un peu p...
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En Namibie, le chant est omniprésent partout où vous allez. On chante un peu partout, au travail, lors des fêtes, comme un moyen d'exprimer la joie ou de la tristesse, ou comme un moyen de transmettre des histoires traditionnelles par le bouche à oreille. Il ya une répertoire adapté à chaque occasion.Les chansons de Opela, nous sommes là pour chanter sont merveilleusement approprié pour le chant partie sans accompagnement au piano, à la fois pour les chorales d'expériences et pour inexpérimentés '' pas-encore-chanteurs ''. Les mélodies colorées et les arrangements simples mais très animée peut être appris dans un délai très court, puis exécuté immédiatement, par exemple, comme une contribution créative à un service religieux. Dans le même temps, le matériau musical est si riche en contenu que les choeurs d'imagination peut-elle développer en morceaux entraînants de concert. / Choeur Mixte (SATB)
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Opela : We Are Here To Sing - Conductor Edition
Choral SATB
Helbling Verlagsgesellschaft m.b.h
En Namibie, le chant est omniprésent partout où vous allez. On chante un peu p...
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En Namibie, le chant est omniprésent partout où vous allez. On chante un peu partout, au travail, lors des fêtes, comme un moyen d'exprimer la joie ou de la tristesse, ou comme un moyen de transmettre des histoires traditionnelles par le bouche à oreille. Il ya une répertoire adapté à chaque occasion.Les chansons de Opela, nous sommes là pour chanter sont merveilleusement approprié pour le chant partie sans accompagnement au piano, à la fois pour les chorales d'expériences et pour inexpérimentés '' pas-encore-chanteurs ''. Les mélodies colorées et les arrangements simples mais très animée peut être appris dans un délai très court, puis exécuté immédiatement, par exemple, comme une contribution créative à un service religieux. Dans le même temps, le matériau musical est si riche en contenu que les choeurs d'imagination peut-elle développer en morceaux entraînants de concert. Ils vont trouver le CD du Choeur UNAM une riche source d'idées. / Choeur Mixte (SATB)
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Passiontide Masterworks. SATB Unacc. (BROWN TIM)
Choral SATB
[Sheet music]
Faber Music Limited
Brown Tim (Editor). Par BROWN TIM. Sept des paramètres plus remarquables des te...
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Brown Tim (Editor). Par BROWN TIM. Sept des paramètres plus remarquables des textes ensuite des XVIe-XVIIIe siècles, présentés dans les éditions claires, pratiques et faisant autoritées. Idéal pour les programmes de concerts et usage liturgique. / Date parution : 1997-11-20/ Feuillet / SATB
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5 Continents Choral Edition
Choral SATB
SATB, Piano
Helbling Verlagsgesellschaft m.b.h
5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-Ã...
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5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano
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5 Continents - Choral Edition
Choral SATB
SATB, Piano
[Sheet music + CD]
Helbling Verlagsgesellschaft m.b.h
5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-Ã...
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5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano
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The Novello Book Of British Folksongs
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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Thomas Augustine Arne: Rule Britannia Satb: SATB: Vocal Work
Choral SATB
SATB
[Sheet music]
Novello & Co Ltd.
Vincent Novello was a British composer and Organist who gave the Novello publish...
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Vincent Novello was a British composer and Organist who gave the Novello publishing company its first embryonic form. Here he arranges Rule Britannia! for Voice SATB with Piano accompaniment to introduce some contrapuntal interest in the verse.When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featuredeach year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also a statement of civil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protecting a free populace.
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Alan Bullard: The Oxford Book of Flexible Carols: Mixed Choir: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is perfect resource for choirs of all types a...
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The Oxford Book of Flexible Carols is perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range accessible quality material this is a must-have collection for all choirs at Christmas.
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Thomas Augustine Arne: Thomson Rule Britannia: SATB: Vocal Score
Choral SATB
[Vocal Score]
J. Curwen and Sons
When 18th century British composer Thomas Arne included his song Rule Britannia...
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When 18th century British composer Thomas Arne included his song Rule Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden the country home of Frederick Prince of Wales he could nothave imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule Britannia! is widely used in the Royal Navy and British Army and is featured each year at theLast Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing the Dutch actually ‘ruled the waves ’ so this song was more an exhortation than a status report. The lyrics were also astatement of civil liberty. Since Cromwell’s time Britain had had a standing army which could be turned against the native population. A standing navy however existed solely to protect the nation from invaders protectinga free populace.Rule Britannia! has been quoted extensively by other composers among them Beethoven Wagner Strauss and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the Britishnational anthem.This version is arranged by contemporary composer and friend Eaton Fanning who made changes to the famous semiquaver flourishes.
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Ferenc Farkas: Hymnus in honorem Nativitate Christi: SATB: Vocal Score
Choral SATB
-
Intermediate
EMB (Editio Musica Budapest)
Hymnus in honorem Nativitate Christi
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Christmas Time Is Here (Choral Medley): SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
Celebrate the special sentiments of the season in this 30-minute medley arranged...
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Celebrate the special sentiments of the season in this 30-minute medley arranged by Mac Huff with staging suggestions by John Jacobson. Featuring some of the best-known Christmas songs each section stands on its own allowing you to perform the entire medley or create your own unique holiday showcase. I.Christmas Time Is Here: Christmas Time Is Here Silver Bells II. Everyone's a Child at Christmas: Deck the Hall The Christmas Waltz Everyone's a Child at Christmas My Birthday Comes on Christmas I'm Getting Nuttin' for Christmas It's Beginning to Look a Lot like Christmas. III. The White World of Winter: We're Going on a Sleigh Ride Wonderful World of Winter IV. Merry ChristmasDarling: Merry Christmas Darling I'll Be Home for Christmas V. Sing a Christmas Carol: Sing a Christmas Carol Up on the Housetop O Tannenbaum We Wish You a Merry Christmas VI. North Pole Live: Little Saint Nick Frosty the Snowman Rudolph the Red-Nosed Reindeer Santa Baby VII. Christmas Children: Christmas Children Because It's Christmas VII. Christmas Time Is Here - Bows: Christmas Time Is Here. Available separately: SATB SAB 2-Part Preview CD and ShowTrax CD. Performance Time: Approx. 31:30.
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Candles of Grace (NIX BRAD / MARTIN JOSEPH M)
Choral SATB
[Sheet music + Audio access]
Hal Leonard
A Service for Tenebrae. Par NIX BRAD / MARTIN JOSEPH M. . This brief choral cant...
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A Service for Tenebrae. Par NIX BRAD / MARTIN JOSEPH M. . This brief choral cantata is well suited for use during Holy Week as a Tenebrae observance or as a time of reflection. A musical ?service of shadows,? Candles of Grace is filled with emotive texts and deeply expressive music portraying the events of the Passion. A thoughtful orchestration adorns this chamber cantata with refined beauty and grace, giving directors an instrumental or track option for their presentations. From the delicate opening phrases to the fragile whispered ending, this work is essential for remembering and experiencing the suffering of the Lord. Songs include: Prelude (The Shadow Falls); Bring Me to the Cross; The Garden Call; Man of Sorrows, What a Name; Jesus, Lover of My Soul; Keep Me Near the Cross; Scenes from a Solemn Cross; Epilogue. Score and Parts (pno, fl, vn 1-2, va, vc) available as a digital download. For the Accompaniment and Part Dominant Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-02-17/ Répertoire / SATB
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M Gould: Hosanna Amen (from Quotations): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices ...
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Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Bird In Hand From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voice...
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Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Ballads From Quotations: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and W...
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Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Postscript From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...
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Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Early Bird From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...
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Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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Alan Bullard: Oxford Book Of Flexible Carols: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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Joseph M. Martin: Music in the Mountains: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Rising and falling this tuneful anthem in 6/8 celebrates the glory of Creation ...
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Rising and falling this tuneful anthem in 6/8 celebrates the glory of Creation and the many ways it sings to us the mystery and majesty of God. Lilting with joyful alleluias the music sprinkles strong unison sections in with full SATB writing. Some division in the choral parts creates special tone painting moments and the orchestration offers instrumental and track options for churches needing those resources. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-3 tba perc 1-2 timp pno hp vn 1-2 va vc db) available as a digital download.
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M Gould: Hallelujah Amen From Quotations: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voic...
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Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Walkin On Air From Quotations: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices...
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Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Sermon From Quotations With Orchestra: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...
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Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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David Angerman Joseph M. Martin: God Is Gone Up with a Shout: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Ascension Christ the King EastertideScripture: Psalm 47The poet...
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Uses: General Ascension Christ the King EastertideScripture: Psalm 47The poetic imagery of this Psalm makes it usable not only as a general anthem but also for Ascension Eastertide or Christ theKing Sunday. The festive brass and percussion parts added to the organ make this an anthem of great impact. Mixed meter sections dance with more lyric passages as the anthem develops and a very special “wall of sound”section is an outstanding moment of choral virtuosity. We are proud to now offer this proven winner for men's voices! Score and Parts (tpt 1-2 hn tbn tba timp) available as a Printed Edition.
13.75 GBP - Sold by Musicroom UK
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Arvo Pärt: The Beatitudes - Seligpreisung: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Universal Edition
Composed in 1990 and revised in 1991 for SATB Choir or soloists with Organ acc...
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Composed in 1990 and revised in 1991 for SATB Choir or soloists with Organ accompaniment Part’s setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also falling into that category) composed in English. Taken from Jesus’ Sermon on the Mount as found in Matthew 5:1-12 The Beatitudes provide a fitting structure for Part’s setting. Each verse states a godly quality and the blessing attached to it; all except the last verse begin with the word ‘blessed’.The Beatitudes was premiered on 25 May 1990 at the Nathanaelkirche Berlin by the Theatre of Voices choir conducted by Paul Hillier.
15.99 GBP - Sold by Musicroom UK
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Let Christians All With Joyful Mirth
Choral SATB
SATB, Organ
Novello & Co Ltd.
This lively carol for SATB and organ won the under-18s category in the 'A Carol ...
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This lively carol for SATB and organ won the under-18s category in the 'A Carol for Christmas' competition.Full of catchy rhythms, Let Christians All With Joyful Mirth has the chorus and organ imitating rhythms and themes that are sure to stick in the memory. / Choeur Mixte (SATB) Et Orgue
7.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Joseph M. Martin: A Servant's Psalm: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General PentecostScripture: Psalm 134; Matthew 24:26For choirs seeking a ...
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Uses: General PentecostScripture: Psalm 134; Matthew 24:26For choirs seeking a challenge this anthem offers scope and power. Thick divided chords offer a sonorous depth to the timbre of the anthem and the mixed meter characteristics of the rhythmic writing delivers a festive energy worthy of the finest ensembles. The final section springs forth with a rustic abandon concluding with antiphonal pyrotechnics that takes theanthem to dizzying heights!
13.75 GBP - Sold by Musicroom UK
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Joseph M. Martin: Of Faith and Freedom (Collection): SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
SATB-Celebrate our legacy of liberty and the foundations of our faith with this ...
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SATB-Celebrate our legacy of liberty and the foundations of our faith with this thoughtful new choral collection from the pen of Joseph Martin. Newly composed chorals and arrangements mingle with bestsellers to create a work ofuncommon power and emotion. Included in this inspiring compilation are optional religious and civil service suggestions to make your presentation a meaningful and affirming declaration of our treasured values. Titles include: Songfor the Unsung Hero • God of Our Fathers • Faith of Our Fathers • Prayer for our Time • Once to Every Man and Nation • and more. Consider this collection essential repertoire for God and countrycelebrations.
9.99 GBP - Sold by Musicroom UK
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