Roland C30 Digital Harpsichord including stool. Experience the elegance of baroque music.While producing authentically exquisite centuries-old harpsichord sounds and drawing inspiration from 21st century ingenuity the Roland Classic Series C30 Digital Harpsichord uses digital technology to enhance playability and expressiveness. Whether you are a virtuoso or a novice the C30 makes it possible for you to spend as much quality time as you want with the harpsichord. Taking up little space the styling of the C30 is modelled on the virginals. With an authentic wooden cabinet and a high-quality mahogany finish the traditional and simple styling will beright at home in a classic or modern interior. The period styling is enhanced by stained glass on the stand and the decorative panel on the keyboard lid. The C30 can easily switch between the built-in French and Flemish types of harpsichord. Both of these have four dispositions— 8’ I (back eight) 8’ II (front eight) 4’ (upper octave) and lute (buff mute) — and each disposition has its own dedicated selection button. You can play with a single disposition or layer more than one. The C30 also has an excellent fortepiano sound and has two admirable sampled organ options - 8' flute (ideal for solo accompaniment) and 8'+4' Principal which is ideal for use with a choir. The digital C30 doesn’t need tuning and you can simply switch the pitch from a=440 to baroque (415 Hz) and French baroque (392 Hz). If for ensemble playing you need to match the C30 to other instruments fine pitch adjustments can be made. You can easily take the C30 with you to group rehearsals and live performances. Even if the temperature and humidity vary you can be sure that the pitch will remain accurate. Time-consuming maintenance is a thing of the past. Now you can just turn on and play. As well as equal temperament you can select Werckmeister Kirnberger Vallotti and Meantone tuning

John Rutter Blow, blow, thou winter wind Vocal score Forces or Category: SATB (with divisions) & piano/small orchestra Orchestration: 2fl, hp, harpsichord, strings John Rutter Anniversary Edition for SATB (with divisions) and piano or small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang.

Vocal score/Piano reduction for Poul Ruders' Prologue To Dido And Aenas by Henry Purcell (2011). Text by Nahum Tate. Commissioned by The Danish National Vocal Ensemble / DR Scored for Mixed Choir (SATB) String Quartet Percussion Theorbe and Harpsichord.Score available: WH31460Parts available: WH31460A

A wonderful Advent anthem with a jazzy feel written for SATB mezzo solo vibraphone harpsichord cymbal and string bass_x000D_*The instrumental accompaniment may be adapted to any other suitable_x000D_instrumentation i.e. handbells piano or organ

from Ceremony of Candles-Uses: Advent Christmas Eve Christmas Epiphany ConcertScripture: Isaiah 60:1; Daniel 12:3Alive with shining energy this time-honored carol tune is given new poetic clothing and adorned with atreasury of musical delights. From the opening dance-like gestures in the accompaniment to the more classical styled interludes this octavo is a “tour de force” for your holiday concerts. A surprise middle sectioncontrasts with a quote from Jesu Joy of Man's Desiring before surrendering once again to the almost jocular happiness of the theme. For Advent Christmas or Epiphany this anthem will be a festive favorite. Availableseparately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & Parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Harp Harpsichord Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 3:21.

Buryl Red arranged this Gustav Holst for for mixed voices (SATB). Obligato parts I and II are optional. Part I may be played on flute violin harp celesta piano harpsichord or synthesizer. Part II may be played on violoncello pedal organ or synthesizer.

The Lass Of Richmond Hill was first composed in 1790 for SATB choir. It has been transposed to the key of C Major and arranged with a Piano reduction by the English composer and conductor Henry Leslie(1822-1896) who was well known for supporting amateur choral groups. The lyrics were written by Leonard McNally (1752-1820) and tell the story of a girl who lives on Richmond Hill whose ?charms all other maids?surpass?.James Hook (1746-1827) was a British composer organist and harpsichordist. He was born in Norwich but spent his working life in London teaching giving recitals and composing operas and other vocalworks. His music was often performed at both Drury Lane and Covent Garden.

Music: Ariel Ramirez. Spanish liturgical text: Osvaldo Catena Alejandro Mayol Jesus Gabriel Segade. English text: Louise Dobbs. Arrangement for chorale: Père Jésus Gabriel Segade. Instrumentation: Piano or Harpsichord Guitar Double-Bass Percussions (3) 2 Tenor Drums 2 Tom-Tom Triangle Jingles Small Gong Temple Wood Blocks Snare Drum Brushes.

Christmas Cantata (Sinfonia Sacra) the most famous piece by Daniel Pinkham composed in 1957 is a church composition for Chorus Double Brass and Organ. Written in Latin this version of the piece contains the Chorus score (SATB) with the Organ reduction. Accessible to good high-school and college singers the opening statement is sung by the whole SATB followed by the rhythmically complex Allegro section. The middle section is sung by Sopranos and Altos while the Rondo which is part of the final part is sung by the whole SATB its verses being interpreted by the different groups. Daniel Pinkham (1923-2006) is anAmerican composer organist and harpsichordist. Most of his compositions were related to church music and his best known works are the Christmas Advent and Wedding Cantatas.