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28
Choral SATB
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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M Gould: Sermon From Quotations With Orchestra: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...
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Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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Robert A. Roesch William Chatterton Dix: Come Unto Me Ye Weary: SATB: Vocal
Choral SATB
Shawnee Press
Inspired by Matthew 11:28-Robert Roesch delivers a highly expressive anthem of a...
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Inspired by Matthew 11:28-Robert Roesch delivers a highly expressive anthem of assurance using the beckoning calls of the Savior as choral invitation. Written with restraint and thoughtfully crafted the music seems to melt effortlessly into the message ofthis hopeful worship canticle. Ideal for Lent communion or as an anthem of response. Lovely!
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Felix Mendelssohn Bartholdy: 28 Choruses Ops.41 48 59 88 100: SATB: Vocal
Choral SATB
SATB A Cappella
Peters
Felix Mendelssohn's 28 Choruses Opp.41 48 59 88 100Â comes complete with twe...
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Felix Mendelssohn's 28 Choruses Opp.41 48 59 88 100 comes complete with twenty eight of Mendelssohn's Unaccompanied Choruses taken from Opp.41 48 59 88 100 arranged for SATB choir a cappella.
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Giles Swayne: Cry For 28 Amplified Voices: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
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Novello & Co Ltd.
Vocal Score of Giles Swayne's 'Cry' for 28 amplified voices. (SATB) a capella. D...
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Vocal Score of Giles Swayne's 'Cry' for 28 amplified voices. (SATB) a capella. Duration 78 minutes. Composed in 1978-79 and first performed by the BBC Singers under John Poole.
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Henry Purcell: Purcell Society Volume 28 - Sacred Music Part 4: SATB: Score
Choral SATB
SATB, Strings
[Sheet music]
Novello & Co Ltd.
Sacred Music Part 4 (Original Engraving)-Purcell Society Edition No. 28. Origina...
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Sacred Music Part 4 (Original Engraving)-Purcell Society Edition No. 28. Original Engraving.
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Patricia Mock Richard A. Nichols: We Are Blessed: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Thanksgiving Scripture: Psalm 128:1 Ephesians 1:3 An anthem of p...
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Uses: General Thanksgiving Scripture: Psalm 128:1 Ephesians 1:3 An anthem of praise this lilting octavo rises naturally like a grateful prayer. Replete with two-part textures the song is easily learned creating a pleasing clarity. The contrasting middle section features a quote from the text of the Doxology to the celebrated Tallis Canon theme. An optional flute part adds a splendid spirit to the overall impact of this brief and effective choral.
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Sphärenmusik / The Music Of The Spheres
Choral SATB
Wilhelm Hansen
Sfærernes Musik / Sphärenmusik / The Music Of The Spheres (BVN 128) was compos...
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Sfærernes Musik / Sphärenmusik / The Music Of The Spheres (BVN 128) was composed by Rued Langgaard in 1916-18. Scored for Soli (Soprano and Alto 1-2) Chorus and Orchestra. Text in German by Ida Lock. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.
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Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
Choral SSATB
SSATB, Orchestra, Basso continuo
[Sheet music]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...
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Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre
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C.E.F. Weyse: O Green And Shimmering Tree Good Day!: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
A concert piece of moderate difficulty for SATB with piano or small orchestra fr...
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A concert piece of moderate difficulty for SATB with piano or small orchestra from Four Christmas Carols: Fum Fum Fum (HMC928) Away In A Manger (HMC925) I Saw Three Ships (HMC928)
17.50 GBP - Sold by Musicroom UK
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Edward Hecht: To The Spring Wind Op28 No.1: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
To The Spring Wind Op28 No.1
2.25 GBP - Sold by Musicroom UK
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Perisson: A Plusieurs Voix PJ 287: SATB: Vocal Score
Choral SATB
SATB
[Sheet music]
Heugel
Trimazo - Chanson Lorraine-Plein Jeu no.287.
3.25 GBP - Sold by Musicroom UK
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Charles Harford Lloyd: Psalms Of The 28th Evening: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Psalms Of The 28th Evening
2.25 GBP - Sold by Musicroom UK
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Der Psalter Nach Cornelius Beckers Dichtungen. Erstfassung 1628 (SCHUTZ HEINRICH)
Choral SATB
[Sheet music]
Barenreiter
Par SCHUTZ HEINRICH. Neue Ausgabe Sämtlicher Werke/ Répertoire / SATB
190.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Chris Tomlin Ed Cash Matt Redman: How Can I Keep From Singing: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hope Publishing Company
This prayerful ballad combines ?Spirit Song? with the classic hymn ?Spirit of th...
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This prayerful ballad combines ?Spirit Song? with the classic hymn ?Spirit of the Living God? in a choral expression for Jesus to ?come and fill your lambs.? Ideal for Pentecost and other occasions calling for the Holy Spirit todescend upon the church. (Psalm 28:2 Psalm 63:4 Psalm 103:5 Psalm 107:9 Psalm 147:14 Matthew 3:16 Matthew 11:28-30 Mark 1:10 Luke 3:22 John 1:32 John 4:7-15 John 6:37-51 John 7:37-39 John 10:1-10 Acts 2)
2.95 GBP - Sold by Musicroom UK
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A Holiday to Remember (Medley): SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
A Multi-Traditional Choral Celebration-Everyone will enjoy this sparkling choral...
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A Multi-Traditional Choral Celebration-Everyone will enjoy this sparkling choral show that's a snap to put together and will leave everyone with the holiday spirit! With choreography by John Jacobson it's wonderfully adaptable for everything from holiday concerts to caroling to singing for the local Rotary club. Eight flexible sections include: 1. Happy Holiday 2. Once Upon a Wintertime 3. White Christmas 4. Happy Kwanzaa 5. Feliz Navidad 6. Happy Hanukkah My Friend (The Hanukkah Song) 7. Rockin' Around the Christmas Tree 8. Do You Hear What I Hear. Available: SATB Director's Score SAB Director's Score 2-Part Director's Score SATB Singer's Edition SAB Singer's Edition 2-Part Singer's Edition Director's Kit Preview CD ShowTrax CD. Performance Time: Approx. 28:00.
19.95 GBP - Sold by Musicroom UK
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A Holiday to Remember (Medley): SATB: Score
Choral SATB
Hal Leonard
A Multi-Traditional Choral Celebration-Everyone will enjoy this sparkling choral...
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A Multi-Traditional Choral Celebration-Everyone will enjoy this sparkling choral show that's a snap to put together and will leave everyone with the holiday spirit! With choreography by John Jacobson it's wonderfully adaptable for everything from holiday concerts to caroling to singing for the local Rotary club. Eight flexible sections include: 1. Happy Holiday 2. Once Upon a Wintertime 3. White Christmas 4. Happy Kwanzaa 5. Feliz Navidad 6. Happy Hanukkah My Friend (The Hanukkah Song) 7. Rockin' Around the Christmas Tree 8. Do You Hear What I Hear. Available: SATB Director's Score SAB Director's Score 2-Part Director's Score SATB Singer's Edition SAB Singer's Edition 2-Part Singer's Edition Director's Kit Preview CD ShowTrax CD. Performance Time: Approx. 28:00.
27.99 GBP - Sold by Musicroom UK
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Benj Pasek Justin Paul Ryan Lewis: The Greatest Showman (Choral Highlights):
Choral SATB
Hal Leonard
The Greatest Showman (Choral Highlights). The soundtrack for this movie was #1 o...
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The Greatest Showman (Choral Highlights). The soundtrack for this movie was #1 on the charts for 28 weeks matching The Beatles' Sgt. Pepper's Lonely Hearts Club Band. It continues to remain near the top of the charts, a true testament to the music and message from composers Pasek and Paul. Here is a well crafted medley of the movie's top songs: The Greatest Show, A Million Dreams, This Is Me and Come Alive. The soundtrack for this movie was #1 on the charts for 28 weeks matching The Beatles' Sgt. Pepper's Lonely Hearts Club Band. It continues to remain near the top of the charts, a true testament to the music and message from composers Pasek and Paul. Here is a well crafted medley of the movie's top songs: The Greatest Show, A Million Dreams, This Is Me and Come Alive.
18.75 GBP - Sold by Musicroom UK
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M Gould: Hosanna Amen (from Quotations): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices ...
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Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
7.50 GBP - Sold by Musicroom UK
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M Gould: Bird In Hand From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voice...
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Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK
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M Gould: Ballads From Quotations: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and W...
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Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK
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M Gould: Postscript From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...
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Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - Sold by Musicroom UK
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M Gould: Early Bird From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...
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Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Step By Circle: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
A continuous setting of six poems from George Mackay Brown's Fishermen with Plou...
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A continuous setting of six poems from George Mackay Brown's Fishermen with Plough which concern the traditional ways of life and death in Radwick the village on hoy Orkney where the composer lived for 28 years. The choir issupported throughout the piece by pointing entries and doubling the choral lines within the piano part. The piano part is not just an accompaniment it has it's own discourse and is correspondingly challenging. For SATB Choirwith Piano accompaniment.
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M Gould: Hallelujah Amen From Quotations: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voic...
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Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
17.50 GBP - Sold by Musicroom UK
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M Gould: Walkin On Air From Quotations: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices...
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Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
8.75 GBP - Sold by Musicroom UK
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The Sun Rose on Salvation: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: Christmas EasterScripture: Lamentations 3:22-23; Matthew 28:1-10; Luke 2A...
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Uses: Christmas EasterScripture: Lamentations 3:22-23; Matthew 28:1-10; Luke 2A noble hymn tune is combined with an inspiring new text in this choral concept for groups of any size. Careful craftingof the parts enriches the sound of your group and the inclusion of both Christmas and Easter texts makes this anthem of praise a beautiful and useful addition to your choir's repertoire. Available separately: SATB Handbells(digital 3-4 octaves). Duration: ca. 3:01. Congregation pages available in the “Closer Look” feature.
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Heather Sorenson: Home: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
The Arms of God-Uses: General Lent Social JusticeScripture: Matthew 11:28; II ...
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The Arms of God-Uses: General Lent Social JusticeScripture: Matthew 11:28; II Peter 1:11; Psalm 34:18A touching song of the heart this choral rings with authenticity both musically and spiritually. Peacefulphrases promise rest and hope as the emotive text surrounds the community of faith with the gentle reminders of God's enduring grace. Sensitivity to the words will awake singer and listener alike to the ministry of assurance thatis ours to share. The anthem ends with the warming embrace of “welcome home.” Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion 1 & 2 Harp Piano Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 4:15.
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Douglas Nolan: All Things Work Together: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Scripture: Romans 8:28 From the pages of Scripture comes an anthem...
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Uses: General Scripture: Romans 8:28 From the pages of Scripture comes an anthem of assurance and hope. Written in a pleasing contemporary style this message in music reminds us that the purposes ofGod are perfect for His children of grace. A memorable melody carries this eternal truth forward while a thoughtful piano accompaniment provides a lovely foundation for the choral writing. Available separately: SATB LiteTrax CD.Duration: ca. 3:42.
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Heather Sorenson: Shout! Sing Hallelujah!: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: Christmas Easter Praise Team Youth Choir Scripture: Luke 2:8-18; Matthe...
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Uses: Christmas Easter Praise Team Youth Choir Scripture: Luke 2:8-18; Matthew 28:1-10; Psalm 66:1 Non-stop energy drives this contemporary choral song to dizzying heights. Exciting choral writing gives praise teams and choirs alike the opportunity to be worship leaders. The text celebrates the whole of creation in its adoration of the birth of the Creator and bids us add our voice. An alternate Easter text is provided to make this a two-in-one unforgettable anthem! Rhythm parts (pno gtr b dm) available as a digital download.
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