Music by Lionel Daunais Poem by Guillaume Apollinaire-Music by Lionel Daunais. Poem by Guillaume Apollinaire. French poet Guillaume Apollinaire's musing on lost love takes on a quintessential French sound. Easily accessible to a good high school choir. In French with a singable English translation by Jon Washburn. SATB A Cappella Click Here to hear a demonstration

Jon Washburn Choral Series-Incorporating the traditional melody that we all associate with this title Jon Washburn has composed a new melody and overlays the word 'Peace' spoken in 40 languages. Scored for double choir there is a beautifulantiphonal effect that adds to the sense of Peace being encouraged by the choir.

Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. / Choeur SATB Et Orgue (Ou Piano)

from The Hunger Games-From the breathtaking book series The Hunger Games now also a film this simple and beautiful lullaby expresses an emotional impact that truly touches the heart. Choirs of all ages will enjoy the pure melodies and rich harmonies of this setting sung by Katniss in the film and based on the recording by Sting. Available separately SATB SAB SSA and ShowTrax CD. Duration: ca. 3:20.

Vocal Jazz Series-Darmon Meader has achieved international recognition for his work with The New York Voices. Here he arranges this beautiful ballad in the style fitting of this iconic ensemble. Lush contemporary jazz harmonies and styles define this arrangement with each vocal line featured as if they were soloists. Chord symbols are included for the accomplished jazz pianist but the realized piano part is worthy of any player. This is a swing ballad that will leave your audience breathless.

Rütti's increasingly popular contemporary arrangement of this traditional carol, dedicated to Stephen Jackson and the Wooburn Singers. / Choeur SATB Et Orgue

Jon Washburn Choral Series-With a quiet and free opening solo on a single pitch imploring Peace not war the stage is set for a passionate and heart-felt song of peace. Seven statements of peace populate this powerful anthem ending with Si vis pacem para pactem (If you want peace agree to keep the peace).

Jon Washburn Choral Series-Written for SSATB semi-chorus and unison children's choir this is the perfect ending to a concert featuring multiple ensembles.With an original text by the composer this a cappella composition has a sense ofcontemporary pop a cappella style and will instantly become a favorite of singers and listeners.

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB

Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for

From the Accent On Youth series. A spirited Christmas piece for SATB and percussion (finger cymbals or triangle woodblocks and bongos) contains optional handbells

Jon Washburn Choral Series-A playful breezy and energetic setting of the Robert Louis Stevenson poem ?The Swing?. With a gently sweeping piano accompaniment this piece commissioned by Jon Washburn and hisVancouver Chamber Choir has moderate vocal ranges no divisi and will be a concert favorite.

Milburn Price long one of America's foremost choral conductors has set this Timothy Dudley-Smith text for mixed chorus and piano. He even includes a part for the congregation.