SKU: HL.49044237
ISBN 9790001195492. Latin.
With Zwei lateinische Marienmotetten for mixed a cappella choir (SATB) and interlude for organ or string quintet, Andreas Pieper has created two gems of Marian devotion which are perfect for being used in church services. The two four-part chants pay homage to the Virgin Mary and refer to two different solemnities of the Roman Catholic Church celebrated in her honour. Whereas Assumpta est Maria is a motet for the Feast of the Assumption of Mary on 15 August, Benedicta es tu, virgo Maria refers to the Feast of the Immaculate Conception celebrated every year on 8 December. Both choral settings can be easily mastered by ambitious church choirs, and the interlude and postlude for organ or string quintet of Assumpta est Maria, the easier one of the two motets, can be easily performed even by amateur musicians.
SKU: GI.G-005944
Here is a setting of the Advent psalm and Lectionary verses for Year C. The four-part traditional choral writing is simple, lyrical, and effective, the verses flowing smoothly to the refrain's return. Your cantor, soloist, or section will easily learn the verses flowing smoothly to the refrain's return. Your cantor, soloist, or section will easily learn the verses for all four weeks of Advent. Try this one with guitar as the accompanying instrument. It works well.
SKU: WD.080689745171
UPC: 080689745171.
Every director has been faced at one time or another with limited rehearsal time and resources. There's no reason to be unprepared or have worship experiences and rehearsals that aren't fully integrated...even when rehearsal and planning time, people or budgets are stretched. WorshipWorks offers singable arrangements that are easily and quickly prepared, with the bonus feature of devotions, service planning ideas and MediaShout resources (all fully downloadable!). Make your worship work better than ever by creating God-honoring, integrated and uplifting services easily with WorshipWorks.
SKU: HL.35021566
UPC: 747510047339. 6.75x10.5x0.019 inches. Jennifer Dowell/Michael Barrett.
Contemporary ballad; easily learned; This gentle ballad is a fresh invocation to God's constant presence in our lives and worship. The Holy Spirit is always with us-sometimes we just need to be still. Gently contemplative, this choral almost sings itself. Lyricist Jennifer Dowell follows her successful “Jesus and the Children†with a memorable Pentecost text and Michael Barrett contributes a great melody. “SpiritSong†is easily learned and is appropriate for youth and adult choirs. Be still...and know that He is God.
SKU: GI.G-7261
UPC: 785147726104. English, Spanish. Translation: Mary Louise Bringle. Text by Francisco Luis Bernárdez.
This easily sung piece is perfect for celebrations of the Spirit. The simple congregational melody, intertwined with the Latin chant “Veni Creator Spritus†sung by the choir, makes this an effective processional piece. Multiple reprint boxes are included for use with English, Spanish, or bilingual assemblies. Wind quintet part is optional
SKU: CA.221100
ISBN 9790007170639.
Melodious evening songs lend themselves to a quiet ending or an imaginatively accented concert. This choral collection is a selection with about 40 English, German and international lullabies and evening songs of stylistic diversity, with easily singable settings for a mixed choir, some of which include piano accompaniments. The repertoire ranges from Baroque and Romantic works to contemporary works, with settings newly-composed for the collection and well-known lullabies and evening songs. The conductor's volume includes a CD with recordings of selected pieces. The songs chosen are largely from the German and English repertoire, but also include pieces in Spanish, French, and Russian. With well-known compositions by composers such as J. S. Bach, Brahms, Elgar, Mendelssohn Bartholdy, Rheinberger, Scholefield, Stanford, and Sullivan. Ten of the songs have been newly-arranged specially for this collection by leading composers (Ludwig Bohme, Daniel Carter, Ian McDougal, Gunther Martin Gottsche, Reijo Kekkonen, Clifford W. King, Andrej Makor, Giacomo Mezzalira, Christoph Muller, and Peter Schindler). Easy to medium difficulty. Mainly for (S)SATB choir a cappella, a few settings with piano accompaniment. A CD with selected songs is included with the conductor's volume. The choral collection is published as Conductor's volume with CD and editionchor (budget edition for choral singers).
SKU: CA.211400
ISBN 9790007091934.
With great success Carus-Verlag published the Choral collections Mozart * Haydn Vol. I-III for the Mozart year 2006, with sacred works by the father and son Mozart and the brothers Joseph and Michael Haydn. For the fourth volume, secular choral works for mixed choir a cappella and with accompaniment of a keyboard instrument have been prepared. Original pieces, among them several choral songs by Michael Haydn published here for the first time, are joined by arrangements. Musically and literarily this collection contain a broad and varied repertoire: easily performable music for home or for social occasions, in which cheerful and erotic as well as meditative and pensive themes appear.
SKU: HL.466830
UPC: 196288070580. 6.75x10.5x0.029 inches.
“Living in the moment†is a mantra and goal that is as easily forgotten as it is to pursue. The poem in this motet proclaims its value in colorful ways. Each verse is followed by a Latin phrase that coalesces the thoughts in flowing counterpoint. The middle section plays with the words from which the piece gets its title. This is a lovely and thoughtful piece for high school, college and community choir concerts.
SKU: JK.00550
Galatians 6:2, 9-10, Doctrine and Covenants 11:12-14.
Choral arrangement for mixed chorus (SATB) and organ, but piano can be easily adapted, with the truth that by small things, great things come to pass through the Savior. Highest soprano note: F.Composer: James L. Sorenson Arranger: Michael Howe Lyricist: James L. Sorenson Difficulty: Medium-difficult / medium acc. Performance time: 5:10Reference: Galatians 6:2, 9-10, Doctrine and Covenants 11:12-14.
SKU: HL.49045959
Easily singable arrangements of 4 fresh sprituals and gospels. Content text: I Will Sing, Sing, Sing Deep River Lord, I Want to be a Christian I'm Gonna Ride in the Chariot.
SKU: CF.CM8777
ISBN 9780825850165. UPC: 798408050160. 6.875 X 10.5 inches. Text: Cherry Tadlock. Cherry Tadlock.
An original poetic and prayerful text is set to a simple, hymn-like melody in this piece, which focuses on the unbounded grace of God. Written in a straightforward four-part style, with verses and chorus, the SATB choral is easy to sing, but certainly full in sound. Incorporating an a cappella tag from the chorus of Grace Greater Than Our Sin, by Julia H. Johnson and Daniel B. Townes, this anthem is an expert combination of contemporary sound and traditional church literature. Perfect for any service of worship and easily learned, this is a beautiful addition to the church music repertoire.
SKU: HL.48024554
Composer's note: “Ring the bells was commissioned by the London Philharmonic Choir and its first performance was given by the choir at the Royal Albert Hall, London on 20 December 2017, conducted by Toby Purser. Lively outer sections contrast with a more contemplative middle section based around a chorale theme. The piece should be easily manageable by any good amateur choir.†- Paul Fincham -.
SKU: PR.312418710
ISBN 9781598066265. UPC: 680160618743. Octavo inches. The Devil's Verse.
To celebrate 25 years of excellence and promotion of new concert works, the New York Virtuoso Singers commissioned 25 contemporary composers for 25 new choral works, all of which now appear on their recording, 25 X 25: Twenty-Five Premieres for Twenty-Five Years. Among the 25 is Richard Wernick's The Devil's Game. Here, Wernick uses The Devil's Verse, a Latin palindrome that still puzzles us today as to its meaning, and appropriately embraces repetitive use of the verse in a musical palindrome of his own.The text is a palindrome (in girum imus nocte et consumimur igni), a rather mysterious one called The Devil’s Verse. Its origin is vague (probably Roman, but possibly Medieval) and it does not surrender its meaning easily; many scholars have fussed over it. It is a riddle as well as a palindrome, in other words a puzzle within a puzzle. My preferred translation, without going into the niceties of Latin grammar, is “We enter the circle at night and are consumed by fire.â€This music is also a palindrome, the outer parts of which are homophonic, while the turning around point in the center (where the basses enter for the first time) is a brief double canon.
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