Choral Highlights-Disneys hit film from 1992 is now a dazzling enchanting and invigorating Broadway musical! With the fabulous classic songs and several delightful new additions this 14-minute medley will be a spectacular concert feature for choirs of all ages.Its Genie-us! Songs include: Overture Arabian Nights Friend Like Me A Million Miles Away One Jump Ahead Prince Ali Proud of Your Boy Somebodys Got Your Back A Whole New World.

A collection featuring several of Paul Mealor's most popular works, as well as some of his more recent pieces, arranged for SATB Choir. This collection follows the matching folio to the bestselling Decca album. / Choeur Mixte (SATB)

A touching setting of an anonymous love poem in broad Scots this part-song was composed for the wedding of some friends of the composer.A welcome addition to the canon of MacMillan's secular choral works the piece displays scoring similar to that in his Burns arrangement 'So Deep': the attractive folk-like melody is clearly stated sometimes with full harmony and in other places picked out by supporting drones. Multiple divisi are scored in all voices and also an optional soprano solo. Suitable for intermediate standard choirs.

Kantate Zum 23. Sonntag Nach Trinitatis, Bwv 139, 1724. Par BACH JOHANN SEBASTIAN. Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout - this is followed by a lively tenor aria 'Gott ist mein Freund” (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria 'Das Unglück schlägt auf allen Seiten” (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello./ Répertoire / Chœur Mixte et Piano

For SATB choir with Piano accompaniment.'In 2000 the poet Tony Harrison to cheer me up during a troubled period of my life sent me a copy of Goethe?s poem. I began to sketch music for it then and finished it in 2003. It is set for mixed chorus and strings. A winding forlorn cello figure like a lost soul leads to a softer tender violin theme that evokes the healing power of music to the troubled spirit. The hushed chorus enters a cappella and the forlorn cello figure is developed as they describe the illusory nature of the ?splendid? world. The ?healing? theme returns now elaborated by the sopranos and the whole chorus joins them building a sustainedmessage of hope and thanks for the regenerative power of music and love.This short piece is fondly dedicated to my friends Jane and David Fanshawe. It was commissioned by the Bournemouth Symphony Chorus and first performed by them in Poole on 17 April 2004.'????????????????????????????????- Richard Blackford