| Looking Up Choral SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano Vocal Score. Composed by Nico Muhly. Music Sales America. Classical. Softcover. 60 pages. St. Rose Music #SRO10015201. Published by St. Rose Music (HL.277282). UPC: 840126915006. 6.75x10.5 inches. Program note:
Looking Up is a piece for large chorus and orchestra, and is in three sections, played without pause. In the 16th century, a variety of psalters in meter were printed in England, with the idea of making psalm-singing something that could happen easily at home, with the rhyming meter being an aid to memorization. These translations are wonderful exercises in brevity and sometimes clumsy rhymemaking, and were usually prefaced by a lengthy explanation as to their merits; the title of one of the first such volumes in English is: The Psalter of Dauid newely translated into Englysh metre in such sort that it maye the more decently, and wyth more delyte of the mynde, be reade and songe of al men. I thought it would be appropriate to set one of these introductions, and the first section of Looking Up sets the preface to Thomas Ravenscroft's psalter (1621), in which he writes: “The singing of Psalmes (assay the Doctors) comforteth the sorrowfull, pacifieth the angry, strengtheneth the weake, humbleth the proud, gladdeth the humble, stirres up the slow, reconcileth enemies, lifteth up the heart to heavenly things, and uniteth the Creature to his Creator.”
It begins meditatively, but eventually grows agitated and fervent, with a vision of the “quire of Angels and Saints” “redoubling anddescanting” - an ecstatic and terrifying vision of the skies opening up. Ravenscroft then encourages the use of instrumental musicfor worship, at which point, a long, acrobatic orchestral interlude with jagged edges antagonizes the choir, who sing a kind of private, anxious meditation on two pitches.
One of the most delicious biblical texts is an Apocryphal prayer known as the Benedicite or the Prayer of the Three Children (the same who were rescued by an angel after King Nebuchadnezzar tried to have them burnt in an oven for not bowing to his image). The text is repetitive, obsessive, and a gift to composers - each line is an invocation of an element of the natural world, followed by the phrase, “blesse ye the Lord, praise him & magnify him for ever.” In Looking Up, the setting begins with three solo voices, and then grows to include the whole choir, itemizing the whole of creation. The idea that these boys are spared from the furnace and then five minutes later are saying, “O ye the fire and warming heate, blesse ye the Lord...” has always felt very loaded to me, and the orchestra plays with this conflict between joyful praise and a more terrible (in the 16th-century sense) awefor the divine.
The text for the third, and shortest, section is taken from Christopher Smart's (1722-1771) A Song to David, purportedly written during his confinement in a mental asylum. This ode to King David points out how David, as the author of some of the Psalms, observes the whole world from the “clustering spheres” to the “nosegay in the vale.&rdquo. $7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Into the Golden Vessel of Great Song Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418800 No. 4 from Second April<...(+)
Choral SATB Choir and Piano SKU: PR.312418800 No. 4 from Second April. Composed by Eric Ewazen. Octavo. Performance Score. Theodore Presser Company #312-41880. Published by Theodore Presser Company (PR.312418800). ISBN 9781491138151. UPC: 680160640225. Second April, by Edna St. Vincent Millay. Second April for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. Ewazen has long been enamored with her poetry's wonderfully vivid and descriptive imagery of nature and emotions, and its powerful and profound meaning. The final movement, INTO THE GOLDEN VESSEL OF GREAT SONG is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music contrasts turmoil and times of strife with a return to championing the idea of simply overcoming, going forward with hope and determination, with the closing music in major, resonant and strong. . SECOND APRIL for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. I have long been enamored with the poetry of Millay for its wonderfully vivid and descriptive imagery, and its often powerful and profound meaning. Millay’s descriptions of nature, and of feelings and emotions, have always spoken to me. SECOND APRIL consists of four of her poems, each with a distinctive mood, message, and emotional feel. They are vivid, powerful, and beautiful, inspiring me to capture these descriptions of the various scenes she portrays. Song of a Second April uses music to underlie strong feelings, passions, and the tragedies of life. The poem itself is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, and with rapid, spinning notes creating a feeling of powerful, relentless emotions. Melodies, motives, and gestures are tossed between the voices, increasing the feelings of intensity and even desperation. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a Picardy Third in the final chord – maybe a bit of hope! Mariposa is a celebration of nature, wandering through a field with white and blue butterflies appearing almost wondrously. But there’s also a profound feeling of poignancy, noting that as one relishes such a beautiful, magical sight, they should embrace the experience – the fleeting, transient nature of such a perfect vision and of life itself. The music portrays the flying of the butterflies: gentle, beautiful, with rich chords and arpeggios, but stepping back, as the fleeting nature of life is the reality, with gentle, but sombre chords interspersed with the magical flight of the Mariposa.Alms is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is also in minor, yet with moments of playfulness, as a recollection of happy times or moments takes over. This seesaw between emotions is heard throughout the movement, as the music continues to “dance.” And with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. Into the Golden Vessel of Great Song is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music is full of bright and lilting energy; but as the turmoil and times of strife people can sometimes feel or experience, the music becomes intense, dramatic, in a minor key, and with changing rhythms. BUT, there is a return to championing the idea of simply overcoming, going forward with hope and determination, and the music is in major, resonant and strong. . $3.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Isthmus Choral SATB [Score] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679). Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Song of a Second April Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April<...(+)
Choral SATB Choir and Piano SKU: PR.312418770 No. 1 from Second April. Composed by Eric Ewazen. Octavo. Performance Score. Theodore Presser Company #312-41877. Published by Theodore Presser Company (PR.312418770). ISBN 9781491138120. UPC: 680160640195. Second April, by Edna St. Vincent Millay. Second April for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. Ewazen has long been enamored with her poetry's wonderfully vivid and descriptive imagery of nature and emotions, and its powerful and profound meaning. The first movement, SONG OF A SECOND APRIL is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, creating a feeling of powerful, relentless emotions. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a surprise Picardy Third in the final chord – suggesting a bit of hope!. SECOND APRIL for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. I have long been enamored with the poetry of Millay for its wonderfully vivid and descriptive imagery, and its often powerful and profound meaning. Millay’s descriptions of nature, and of feelings and emotions, have always spoken to me. SECOND APRIL consists of four of her poems, each with a distinctive mood, message, and emotional feel. They are vivid, powerful, and beautiful, inspiring me to capture these descriptions of the various scenes she portrays. Song of a Second April uses music to underlie strong feelings, passions, and the tragedies of life. The poem itself is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, and with rapid, spinning notes creating a feeling of powerful, relentless emotions. Melodies, motives, and gestures are tossed between the voices, increasing the feelings of intensity and even desperation. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a Picardy Third in the final chord – maybe a bit of hope! Mariposa is a celebration of nature, wandering through a field with white and blue butterflies appearing almost wondrously. But there’s also a profound feeling of poignancy, noting that as one relishes such a beautiful, magical sight, they should embrace the experience – the fleeting, transient nature of such a perfect vision and of life itself. The music portrays the flying of the butterflies: gentle, beautiful, with rich chords and arpeggios, but stepping back, as the fleeting nature of life is the reality, with gentle, but sombre chords interspersed with the magical flight of the Mariposa.Alms is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is also in minor, yet with moments of playfulness, as a recollection of happy times or moments takes over. This seesaw between emotions is heard throughout the movement, as the music continues to “dance.” And with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. Into the Golden Vessel of Great Song is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music is full of bright and lilting energy; but as the turmoil and times of strife people can sometimes feel or experience, the music becomes intense, dramatic, in a minor key, and with changing rhythms. BUT, there is a return to championing the idea of simply overcoming, going forward with hope and determination, and the music is in major, resonant and strong. . $3.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alms Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April. Composed by Eric Ewazen. Octavo. Performance Score. Theodore Presser Company #312-41879. Published by Theodore Presser Company (PR.312418790). ISBN 9781491138144. UPC: 680160640218. Second April, by Edna St. Vincent Millay. Second April for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. Ewazen has long been enamored with her poetry's wonderfully vivid and descriptive imagery of nature and emotions, and its powerful and profound meaning. The third movement, ALMS is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is primarily minor, yet with moments of playfulness, the recollection of happy times takes over. This seesaw between emotions is heard throughout the movement, and with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. . Program Notes by Eric EwazenSECOND APRIL for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. I have long been enamored with the poetry of Millay for its wonderfully vivid and descriptive imagery, and its often powerful and profound meaning. Millay’s descriptions of nature, and of feelings and emotions, have always spoken to me. SECOND APRIL consists of four of her poems, each with a distinctive mood, message, and emotional feel. They are vivid, powerful, and beautiful, inspiring me to capture these descriptions of the various scenes she portrays. Song of a Second April uses music to underlie strong feelings, passions, and the tragedies of life. The poem itself is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, and with rapid, spinning notes creating a feeling of powerful, relentless emotions. Melodies, motives, and gestures are tossed between the voices, increasing the feelings of intensity and even desperation. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a Picardy Third in the final chord – maybe a bit of hope! Mariposa is a celebration of nature, wandering through a field with white and blue butterflies appearing almost wondrously. But there’s also a profound feeling of poignancy, noting that as one relishes such a beautiful, magical sight, they should embrace the experience – the fleeting, transient nature of such a perfect vision and of life itself. The music portrays the flying of the butterflies: gentle, beautiful, with rich chords and arpeggios, but stepping back, as the fleeting nature of life is the reality, with gentle, but sombre chords interspersed with the magical flight of the Mariposa.Alms is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is also in minor, yet with moments of playfulness, as a recollection of happy times or moments takes over. This seesaw between emotions is heard throughout the movement, as the music continues to “dance.” And with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. Into the Golden Vessel of Great Song is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music is full of bright and lilting energy; but as the turmoil and times of strife people can sometimes feel or experience, the music becomes intense, dramatic, in a minor key, and with changing rhythms. BUT, there is a return to championing the idea of simply overcoming, going forward with hope and determination, and the music is in major, resonant and strong. . $4.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mariposa Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April. Composed by Eric Ewazen. Fold. Performance Score. Theodore Presser Company #312-41878. Published by Theodore Presser Company (PR.312418780). ISBN 9781491138137. UPC: 680160640201. Second April, by Edna St. Vincent Millay. Second April for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. Ewazen has long been enamored with her poetry's wonderfully vivid and descriptive imagery of nature and emotions, and its powerful and profound meaning. The second movement, MARIPOSA celebrates nature, wandering through a field of white and blue butterflies appearing wondrously, with rich chords and arpeggios. Yet also stepping back, the fleeting nature of life is the reality, with gentle, somber chords interspersed with the magical flight of the Mariposa. Program Notes by Eric EwazenSECOND APRIL for S.A.T.B. Chorus and Piano is a four-movement set, based on the poetry of Edna St. Vincent Millay. I have long been enamored with the poetry of Millay for its wonderfully vivid and descriptive imagery, and its often powerful and profound meaning. Millay’s descriptions of nature, and of feelings and emotions, have always spoken to me. SECOND APRIL consists of four of her poems, each with a distinctive mood, message, and emotional feel. They are vivid, powerful, and beautiful, inspiring me to capture these descriptions of the various scenes she portrays. Song of a Second April uses music to underlie strong feelings, passions, and the tragedies of life. The poem itself is dramatic, detailing a time of personal strife and tragedy, perhaps the end of a relationship or even the end of a life. The music is intense, fast, in a minor key, and with rapid, spinning notes creating a feeling of powerful, relentless emotions. Melodies, motives, and gestures are tossed between the voices, increasing the feelings of intensity and even desperation. Little by little, the music almost dies away, getting quieter and quieter, creating a feeling of resignation, but with a Picardy Third in the final chord – maybe a bit of hope! Mariposa is a celebration of nature, wandering through a field with white and blue butterflies appearing almost wondrously. But there’s also a profound feeling of poignancy, noting that as one relishes such a beautiful, magical sight, they should embrace the experience – the fleeting, transient nature of such a perfect vision and of life itself. The music portrays the flying of the butterflies: gentle, beautiful, with rich chords and arpeggios, but stepping back, as the fleeting nature of life is the reality, with gentle, but sombre chords interspersed with the magical flight of the Mariposa.Alms is a fast rondo, intense, bold, and always dance-like. It is about both tragedy and resilience. This music is also in minor, yet with moments of playfulness, as a recollection of happy times or moments takes over. This seesaw between emotions is heard throughout the movement, as the music continues to “dance.” And with Millay’s summing up of “reality being what it is,” the piece ends with strength, boldness, and finality. Into the Golden Vessel of Great Song is an appassionato call to overcome! The poem exhorts us to “sing out” with hope, determination, and strength. The music is full of bright and lilting energy; but as the turmoil and times of strife people can sometimes feel or experience, the music becomes intense, dramatic, in a minor key, and with changing rhythms. BUT, there is a return to championing the idea of simply overcoming, going forward with hope and determination, and the music is in major, resonant and strong. . $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| As the Rain Hides the Stars Choral SATB SATB divisi Hinshaw Music Inc.
Composed by Elaine Hagenberg. Hinshaw Music. Octavo. 12 pages. Hinshaw Music ...(+)
Composed by Elaine
Hagenberg. Hinshaw Music.
Octavo. 12 pages. Hinshaw
Music Inc. #HMC2523.
Published by Hinshaw Music
Inc.
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Small, Dancing Light: A Choral Service for Advent (Choral Score) Choral SATB MorningStar Music Publishers
Composed by Taylor Scott Davis. Multi-Movement/Large Choral Work. Christmas, ...(+)
Composed by Taylor Scott
Davis. Multi-Movement/Large
Choral Work. Christmas,
Advent, 21st Century. Choral
score. MorningStar Music
Publishers #70-015. Published
by MorningStar Music
Publishers
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Like a River Glorious Choral SATB SATB, Strings Hinshaw Music Inc.
Composed by John Cornish. Hinshaw Music. Sacred. Octavo. Hinshaw Music Inc. ...(+)
Composed by John Cornish.
Hinshaw Music. Sacred.
Octavo. Hinshaw Music Inc.
#HMC2641. Published by
Hinshaw Music Inc.
$2.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rivers of Living Water (Choral Score) Choral SATB [Octavo] - Intermediate MorningStar Music Publishers
Composed by Karen Marrolli. 21st Century, Healing. Octavo. Published by Morning...(+)
Composed by Karen Marrolli. 21st Century, Healing. Octavo. Published by MorningStar Music Publishers (MN.50-8740).
$2.85 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Velvet Shoes Choral SATB [Octavo] Carl Fischer
Composed by Drew Collins. For SATB choir, piano, optional flute and cello. Octav...(+)
Composed by Drew Collins. For SATB choir, piano, optional flute and cello. Octavo. 12 pages. Duration 4 minutes, 11 seconds. Published by Carl Fischer
$2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tis well with him who on the Lord (Wohl dem, der sich auf seinen Gott) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Bass...(+)
Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Basso continuo SKU: CA.3113903 Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Vocal score. Composed 1724. BWV 139. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.139/03. Published by Carus Verlag (CA.3113903). ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr. Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Chimes (Перезвоны): 2. The Death of a Robber Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9373 On Reading V. Shukshyn—Choral ...(+)
Choral SATB choir SKU: CF.CM9373 On Reading V. Shukshyn—Choral Symphony—Action. Composed by Valery Gavrilin. Edited by Elena Sharkova. Fold. Performance Score. With Standard notation. 12 pages. Carl Fischer Music #CM9373. Published by Carl Fischer Music (CF.CM9373). ISBN 9780825889196. UPC: 798408089191. 6.875 x 10.5 inches. Key: D minor. Russian. Russian composer Valery Gavrilin (b. 1939, Volodga; d. 1999, St. Petersburg) completed his thirteen movement composition Chimes in 1982 and subtitled it Upon Reading V. Shukshyn Miracle Play - Choral Symphony. Throughout the piece one finds the image of an endless road - as a river of life - travelled by generation to generation. The tenor solo and narrator are pivotal in this dark story-telling second movement while the chorus repeatedly responds with tolling bells and ticking clocks. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Grosse Mariazeller Messe in C Choral SATB SATB, Orchestra Carus Verlag
Missa Cellensis in honorem BVM. Cacilienmesse. Composed by Franz Joseph Haydn ...(+)
Missa Cellensis in honorem
BVM. Cacilienmesse. Composed
by Franz Joseph Haydn (1732-
1809). Edited by Leonhard
Riedel. This edition: urtext.
Stuttgart Urtext Edition:
Joseph Haydn, Sacred vocal
music. HAYDN: GROssE
MARIAZELLER-MESSE IN C
XXII:5. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Choral Score.
Composed 1766. Hob. XXII:5.
Duration 68 minutes. Carus
Verlag #CV 40.604/05.
Published by Carus Verlag
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| We Have Seen the Light Choral SATB Brookfield Press
Composed by Heather Sorenson. Brookfield Christmas Choral. Advent, Sacred. Oct...(+)
Composed by Heather Sorenson.
Brookfield Christmas Choral.
Advent, Sacred. Octavo. 20
pages. Published by
Brookfield Press
$2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Down to the River to Pray: A Song of Celebration (Piano/Choral Score) Choral SATB - Intermediate Schirmer
Composed by Gwyneth W. Walker (1947-). 21st Century, Americana, Baptism, Fait...(+)
Composed by Gwyneth W. Walker (1947-). 21st Century, Americana, Baptism, Faith, Folk Song. Piano/choral score. Duration 3 minutes, 30 seconds. Published by E.C. Schirmer Publishing (EC.8476).
$2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Evening Waterfall Choral SATB SATB A Cappella Peermusic Classical
Mixed Choir a Cappella [SATB] SKU: BT.PMC4516 Mixed chorus (SATB) a ca...(+)
Mixed Choir a Cappella [SATB] SKU: BT.PMC4516 Mixed chorus (SATB) a cappella. Composed by Russell Horton. Choral Score. Composed 2020. 12 pages. Peermusic Classical #PMC4516. Published by Peermusic Classical (BT.PMC4516). Evening Waterfall comes from a cycle of eleven a cappella choral pieces derived from Early Moon, a collection of poetry by Carl Sandburg. The images in these simple, direct lyrics have a depth and resonance that all but cry outfor musical expression. Evening Waterfall is one of the easiest, certainly the most diatonic, of the Early Moon pieces. Imagine yourself, or perhaps, your childhood self, sitting in a tree or lying on the grass in the gloaming ofa summer's evening. The sounds of birds, the feel of wind on your skin, the sight of early stars: all seem to conspire to give you a name...to call you by your real name. But such knowledge--a kind of certainty about one's selfand place--is ephemeral. It cannot be willed to appear, or to stay. We are left alone, wondering what was the name you called me? and why did you go so soon? $3.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Contre Qui, Rose Choral SATB SATB, Piano Peermusic Classical
SATB Choir and Piano SKU: BT.PMC3297 From Les Chansons des Roses. ...(+)
SATB Choir and Piano SKU: BT.PMC3297 From Les Chansons des Roses. Composed by Rainer Maria Rilke. Arranged by Morten Lauridsen. Choral Score. 8 pages. Peermusic Classical #PMC3297. Published by Peermusic Classical (BT.PMC3297). In addition to his vast output of German poetry, Rainer Maria Rilke (1875-1926) composed nearly 400 poems in French. His poems on roses struck me as especially charming, filled with gorgeous lyricism, deftly crafted and elegant in their imagery. These exquisite poems are primarily light, joyous and playful, and the musical settings are designed to enhance these characteristics and capture the delicate beauty and sensuousness of the poetry. Distinct melodic and harmonic materials recur throughout the cycle, especially between Rilke''s poignant 'Contre qui, rose' (set as a wistful nocturne) and his moving 'La rose complète.' The final piece, 'Dirait-on,' is composed as a tuneful chanson populaire, or folksong, that weaves together two melodic ideas first heard in fragmentary form in preceding movements. 'Les Chansons des Roses' was premiered and recorded in 1993 by Portland, Oregon ''s celebrated chamber choir, Choral Cross-Ties, conducted by Bruce Browne. The complete cycle has been widely performed since then and also recorded by the Los Angeles Master Chorale, Los Angeles Chamber Singers, Nordic Chamber Choir and tonight's performers, the Donald Brinegar Singers. (Morten Lauridsen). $3.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| One Flame Choral SATB SATB [Octavo] Hope Publishing Company
By Allen Pote / Thomas Long. For SATB choir. Scripture References: Matthew 4:16 ...(+)
By Allen Pote / Thomas Long. For SATB choir. Scripture References: Matthew 4:16 -- John 1:5 -- Psalm 98 -- Philippians 2:10. Christmas, Hymntune, Sacred. Choral octavo. 12 pages
$3.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Deep in the night Choral SATB SATB A Cappella Oxford University Press
Composed by Jussi Chydenius (1972-). Secular Choral - Mixed Voices. Voice Junc...(+)
Composed by Jussi Chydenius
(1972-). Secular Choral -
Mixed Voices. Voice Junction.
Vocal score. 12 pages.
Duration 3'. Oxford
University Press
#9780193397323. Published by
Oxford University
$3.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Spacious Firmament Choral SATB [Vocal Score] Oxford University Press
Composed by Gabriel Jackson (1962-). For SATB choir, brass quintet, organ. New H...(+)
Composed by Gabriel Jackson (1962-). For SATB choir, brass quintet, organ. New Horizons. Vocal score. 52 pages. Duration 11 minutes. Published by Oxford University Press
$18.25 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Gracious Gift Choral SATB SATB A Cappella Oxford University Press
Composed by Alan Bullard (1947-). Christmas Songs and Carols - Mixed Voices. ...(+)
Composed by Alan Bullard
(1947-). Christmas Songs and
Carols - Mixed Voices.
Christmas. Vocal score. 4
pages. Duration 1.5'. Oxford
University Press
#9780193366398. Published by
Oxford University Press
$2.85 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hear Us, Holy Jesus Choral SATB SATB, Organ Sacred Music Press
SATB choir, organ SKU: LO.CE57 Composed by Douglas E. Wagner. Choral, can...(+)
SATB choir, organ SKU: LO.CE57 Composed by Douglas E. Wagner. Choral, cantatas. Holy Week, Lent. Choral score. Sacred Music Press #CE57. Published by Sacred Music Press (LO.CE57). UPC: 000308002423. Hear Us, Holy Jesus is an extended choral work for Lent or Holy Week, especially appropriate for Good Friday. In addition to choir and organ, the presentation includes congregational participation, a narrator (reading scripture), and optional handbells. $8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing to the Lord a new song (Singet dem Herrn ein neues Lied) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Cor, 2 Trb (organ, Vl), Arpa (Cemb), 2 Vl, Bc SKU: C...(+)
Soli SATB, SATB Choir, 2 Cor, 2 Trb (organ, Vl), Arpa (Cemb), 2 Vl, Bc SKU: CA.3914012 Psalm 98. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Telemann-Archiv. Singet Dem Herrn Ein Neues Lied.Ps 98. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Single Part, Violin 2. TVWV 1:1345. 4 pages. Carus Verlag #CV 39.140/12. Published by Carus Verlag (CA.3914012). ISBN 9790007216238. Language: German. Great Baroque church music full of color and powerful imagery! Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas shall rage, and the whole world and the rushing waters rejoice. This is such an ideal text for Telemann: The voices rejoice and praise together with the horns, harp, and trombones; and the choir and instruments make the sea roar, the earthquake tremble and the rivers and mountains exult. Score and part available separately - see item CA.3914000. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sing to the Lord a new song (Singet dem Herrn ein neues Lied) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Cor, 2 Trb (organ, Vl), Arpa (Cemb), 2 Vl, Bc SKU: C...(+)
Soli SATB, SATB Choir, 2 Cor, 2 Trb (organ, Vl), Arpa (Cemb), 2 Vl, Bc SKU: CA.3914011 Psalm 98. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Telemann-Archiv. Singet Dem Herrn Ein Neues Lied.Ps 98. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Single Part, Violin 1. TVWV 1:1345. 8 pages. Carus Verlag #CV 39.140/11. Published by Carus Verlag (CA.3914011). ISBN 9790007216221. Language: German. Great Baroque church music full of color and powerful imagery! Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas shall rage, and the whole world and the rushing waters rejoice. This is such an ideal text for Telemann: The voices rejoice and praise together with the horns, harp, and trombones; and the choir and instruments make the sea roar, the earthquake tremble and the rivers and mountains exult. Score and part available separately - see item CA.3914000. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To the Field of Stars Choral SATB SATB, Strings [Vocal Score] Oxford University Press
Composed by Gabriel Jackson (1962-). For SATB choir, percussion and cello. Vocal...(+)
Composed by Gabriel Jackson (1962-). For SATB choir, percussion and cello. Vocal score. 104 pages. Duration 30'. Published by Oxford University Press
$19.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let the Trumpets Sound Choral SATB [Score and Parts] Shawnee Press
Choral (SATB) SKU: HL.421304 Nashville First Baptist Church Choral Ser...(+)
Choral (SATB) SKU: HL.421304 Nashville First Baptist Church Choral Series. Composed by Joseph M. Martin. Shawnee Sacred. General Worship. Octavo. 16 pages. Duration 290 seconds. Published by Shawnee Press (HL.421304). UPC: 196288061199. 6.75x10.5x0.036 inches. Hebrews 12:1-2, I Chronicles 13:8, Numbers 29:1. Celebrate the community of faith with resounding instruments and choir in this festive anthem. Filled with imagery of church heritage, this rousing number is epic in its impact. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a digital download. $2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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