SKU: BA.BA04045
ISBN 9790006443536. 33 x 26.1 cm inches. Text Language: Italian. Anonymus.
In 1734 Handel provided the pasticcio “ Oreste †for his third operatic enterprise which, following the bankruptcy of the Royal Academy and its successor academy, felt threatened by competition from the newly-founded Opera of the Nobility. Hence, the composer did not compile the work from favourite movements from his own and other composer's pieces as was usual at that time; rather in “ Oreste †he presented a selection of the most beautiful arias and ensembles exclusively from his own operas. In addition, he expanded the ballet and choral scenes which he thought would make a great impact after the move into the newly built Covent Garden Theatre. As most of the singers in his Italian company had been enticed away by the competition, Handel increasingly began to engage English virtuosi. He probably even worked on the new version of the libretto himself in order to place the new stars in the limelight to the best effect. The new vocal score is based on Volume 1 of the Supplement to Series II of the “Halle Handel†Edition edited by Bernd Baselt .
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: OU.9780193528383
ISBN 9780193528383. 11 x 9 inches.
London Town was commissioned and written to be performed by the combined forces of unison children's choir and SATB mixed voices, with piano. The vividly communicative six-movement work, which is accompanied throughout, is full of musical contrasts from the jaunty 'London Zoo' to the solemn 'Lines written in the Tower of London'. The work celebrates London through its six songs and contains texts by Rudyard Kipling, Walter Raleigh, and William Wordsworth alongside new material by Delphine Chalmers and the composer. It has sections for adult voices alone and sections for children's voices alone alongside passages for the two forces to combine as a full choir.
SKU: MN.50-7033
UPC: 688670570339.
New translation of Pange Lingua, Gloriosi (St. Thomas of Acquinas) with sturdy, singable new tune NEW LONDON. Basically homophonic with Unison and voice doublings. Handbell parts included. Handbells 3-4 octaves: 23-26 bells included in score.
SKU: HL.14020995
ISBN 9780711961920.
Study score of The Three Kings, A Christmas Cantata for SATB soli, chorus and orchestra. Texts by George Mackay Brown and mediaeval, anonymous. This work was commissioned by the London Symphony Chorus to commemorate its 30th anniversary. First performed on 15th October 1995 at the Barbican Hall, London. Duration 50 minutes. Vocal Score also available for sale. Conductor's score and orchestral parts are available for hire.
SKU: ST.W217
ISBN 9790220221941.
An expert choral director as well as a highly regarded composer, Ronald Corp has written unaccompanied SATB settings of three famous medieval carol texts, Myn Lyking, The Virgin's Cradle Hymn (Dormi Jesu) and Quem Pastores Laudavere. The idiom is modern yet accessible, with an ear for stylish harmony that includes both modal progressions and colourful added chords, embroidered in some rich yet untaxing divisi writing. The carols may be performed as separate items or as a group, the first two being cradle songs for the Nativity, the third also suited to the celebration of Epiphany on 6 Janaury. Ronald Corp is Founder and Artistic Director of the New London Orchestra and New London Children's Choir, and Musical Director of the London Chorus and Highgate Choral Society.
SKU: BT.MUSM570363612
English.
Commissioned by the New London Chamber Choir and Spitalfields Music, and first performed by the New London Chamber Choir and the London Sinfonietta, conducted by the composer, at the Spitalfields Music Summer Festival, Shoreditch Church, London, on 13th June 2011. Text by Gerrard Winstanley, Ensemble consists of: Clarinet in Bb Alto Saxophone (doubling Soprano Saxophone) Tenor Saxophone Bass Clarinet Violin Viola Double Bass Amplified Guitar Piano .
SKU: OU.9780193412507
ISBN 9780193412507. 12 x 8 inches.
This work sets late texts by Friederich Holderlin. The fragmentary poems have been edited together to create the text. Gedachtnis-Hymne was premiered in November 2010 by the New London Chamber Choir with the Rasher Saxophone Quartet.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: HL.14041792
ISBN 9781780382180. UPC: 884088658663. 6.75x9.75x0.05 inches.
The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah.Such is the strength of Handel's word setting that this empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs.The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked to removetheir swords, and ladies the hoops in their dresses.The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by King George II at the work's opening run in London in 1743.
SKU: WD.080689716171
UPC: 080689716171. Resource Material by Deborah Craig-Claar.
From the dynamic team of David T. Clydesdale and Deborah Craig-Claar comes Let Heaven and Nature Sing!, a top ten collection of all-time favorite traditional Christmas carols that reaches beyond a presentation and invites the entire congregation to rejoice. A must for every church, this classic collection can be used throughout Advent - from Christmas pageants to worship services to candle-lit Christmas Eve services. Calling these carols traditional does not mean that they are ordinary... the masterful orchestrations and rich sounds of the Symphonia of London and Master's College Chorale make them fresh and new expressions of praise. Deborah Craig-Claar adds a whole new level of ministry to these songs with creative ideas and resource material including dramatic programming and staging suggestions right in the choral book. Let Heaven and Nature Sing! will inspire your musicians, and lift up the voices of the entire congregation into a soaring celebration of Christmas worship.
SKU: HL.48024900
ISBN 9781784545475. UPC: 840126930696. 7.25x10.5x0.108 inches.
These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of “Come down, O Love divine†supplies some new harmonic moves to Vaughan Williams' lovely tune “Down Ampneyâ€, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of “God Is Love,†which can also be sung to the supplied words of Charles Wesley's hymn “Love Divine,†again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of “Let all mortal flesh keep silence†is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text “Lord most highâ€. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.
SKU: ST.W201
ISBN 9790220219061.
Rhian Samuel is a co-editor of the New Grove Dictionary of Women Composers and Professor of Music at London's City University. She is an accomplished writer of choral music for amateur and student choirs. Women's poetry is often the inspiration for her work, as is Lovesongs and Observations, six settings of poems by Emily Dickinson.
SKU: GI.G-5083
Text by Isaac Watts.
SKU: OU.9780193371637
ISBN 9780193371637. 12 x 8 inches.
SKU: OU.9780193381483
ISBN 9780193381483. 12 x 8 inches.
SATB unaccompanied This set of Preces and Responses was commissioned by the London Festival of Contemporary Church Music for their 2010 festival. The work is uplifting, beautifully crafted, and perfect for those seeking new material for the liturgy.
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