For SATB choir with piano accompaniment (SATB). Choral. Shawnee Press. Supports: John 10:11-12, Acts 13: 14, 43-52, Revelation 7:9, Psalm 23, Genesis 49:24. Sacred, General, Good Shepherd Sunday, Lent, Eastertide. 12 pages

SATB choir, [basso continuo]

SKU: CA.3410100

Composed by Johann Christoph Friedrich Bach. Edited by Klaus Hofmann. Arranged by Johann Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich lieg und schlafe. Sacred, Motets, Psalms, German; Stuttgart Urtext editions; Occasions: Morning, Midday, Evening, Mourning, Death; Use during church year: Holy Week. Full score. BR JCFB H 100. 40 pages. Duration 15 minutes. Carus Verlag #CV 34.101/00. Published by Carus Verlag (CA.3410100).

ISBN 9790007051860. Language: German/English.

The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.

SATB choir and orchestra - difficulty: moderate

SKU: LP.765762230705

Composed by Traditional English Carol. Arranged by Wayne Haun. Anthem. Christmas, general. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762230705).

ISBN 7-65762-23070-5. UPC: 765762230705.

Reminisce about peaceful days gone by with this beautiful folk arrangement of a traditional English carol. Arranged and orchestrated by Wayne Haun, with lovely harmonies, strings, and a trilling flute, this piece paints scenes of tranquility, rest, and trust in Christ. A sweet addition to your Christmas collection.

Composed by Patti Drennan. For SATB choir, piano. Sacred Anthem, Christmas. Octavo. Published by Lorenz Publishing Company

SATB chorus - intermediate

SKU: XC.2205011

Composed by Pinkzebra. Arranged by Pinkzebra. Choral, School. Sheet music. Octavo. Pinkzebra #2205011. Published by Pinkzebra (XC.2205011).

9 x 12 inches.

“Here I am! is the empowering call at the climax of this thoughtful and inspiring song about the peaceful moments when you begin to wake up and gather your thoughts in the quiet light of your bedroom before rising to meet the day. Perfect for general concerts and graduation ceremonies. Available in multiple versions including a cappella, with piano accompaniment, and with additional string quartet parts. Perform with the accompaniment MP3 or add a string quartet to go with the piano accompaniment. Rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir.

Choral SATB chorus

SKU: XC.SATB2213A

Composed by Franz Xaver Gruber. Arranged by Jamey Ray. Holiday. Holiday. Octavo. Excelcia Music Publishing #SATB2213A. Published by Excelcia Music Publishing (XC.SATB2213A).

9 x 6 inches.

With all the craziness in the world, Christmas is a time to pause and remember the birth of the baby in a manger. This arrangement was created to paint the picture of how the baby in the manger coming to earth helped break through the discord of the world to bring a calm and peaceful existence.

Mixed choir

SKU: FG.55011-567-5

Composed by Alex Freeman. Fennica Gehrman #55011-567-5. Published by Fennica Gehrman (FG.55011-567-5).

ISBN 9790550115675.

Alex Freeman's (b. 1972) Cathedral of Spring for chamber choir (2019) to poems of e.e. cummings and Robert Frost was commissioned and premiered by Somnium Ensemble. The composer tells: For the celebration of the 10th anniversary of Somnium Ensemble (Finland), I was commissioned to write a piece with spring as a central theme. While contemplating that and perusing appropriate poetry, I was inspired by memories of the night-time sky in early spring--the warm air, the teeming, buzzing energy of life all around, and an expansive dome of stars overhead. I then imagined that moment in time as a kind of sacred space; this is the point where the cathedral notion came to mind. The frenetic and joyous poetry of e.e. cummings, from his Epithalamion, gives an exclamatory introduction to the set, followed by his vision of spring from the point of view of giddy children in his iconic poem, [in Just-]. We then take a moment to contemplate the ephemerality of all this beauty (spring giveth and spring taketh away, i.e. an offertorium of sorts); Robert Frost's Blue-Butterfly Day places us in a moment where, by chance, we find ourselves enveloped by a delicately fluttering swarm of butterflies. Peaceful and still, yet in constant flux, we spend a some time taking that phenomenon in, while also experiencing a twinge of the realisation that this is truly fleeting. The final movement, returning to a later stanza from Epithalamion, cummings's sparkling paean to May is set as a kind of final anthem..