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Rag\\\\\\\\\\\\\\\\
Choral SATB
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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A Tragic Story (ANDREWS DOUG)
Choral SATB
[Sheet music]
Peters
Par ANDREWS DOUG. A Tragic Story by Douglas Andrews arranged for mixed voice cho...
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Par ANDREWS DOUG. A Tragic Story by Douglas Andrews arranged for mixed voice choir and piano. / Choral Music / Répertoire / Voix Mixtes et Piano
5.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ich Will Den Kreuzstab Gerne Tragen (BACH JOHANN SEBASTIAN)
Choral SATB
[Sheet music]
Barenreiter
Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den ...
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Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56 Cantata for the 19th Sunday after Trinity Bach ’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy, it was probably first performed on 27 October 1726, the nineteenth Sunday after Trinity. Urtext of the New Bach Edition Performance material (BA10056), vocal score (BA10056-90) & study score format 22. 5 x 16cm (TP1056) available for sale/ Répertoire / Basse, Choeur Mixte (SATB) et Orchestre
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Gottes Zeit Ist Die Allerbeste Zeit - Actus Tragicus (BACH JOHANN SEBASTIAN)
Choral SATB
[Sheet music]
Barenreiter
Actus tragicus. Par BACH JOHANN SEBASTIAN. Gottes Zeit ist die allerbeste Zeit (...
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Actus tragicus. Par BACH JOHANN SEBASTIAN. Gottes Zeit ist die allerbeste Zeit (Mighty God, His time is ever best) BWV 106 'Actus tragicus' Cantata for a funeral service. Since there are no original sources or documents concerning the first performance of the funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106, it is impossible to establish the year of origin of this work, called Actus tragicus by Bach. The striking resemblance to the cantatas BWV 131 Aus der Tiefen rufe ich, Herr, zu Dir (presumably 1707), and BWV 71 Gott ist mein König (1708) – both of which were composed in Mühlhausen – suggests that the funeral cantata was also written in Mühlhausen in1707. Urtext of the New Bach Edition Performance material (BA10106), vocal score (BA10106-90) & study score format 22. 5 x 16. 5cm (TP1106) available for sale./ Répertoire / Partition de Poche
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Ich Will Den Kreuzstab Gerne Tragen (BACH JOHANN SEBASTIAN)
Choral SATB
[Sheet music]
Barenreiter
Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den ...
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Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56 Cantata for the 19th Sunday after Trinity Bach ’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy, it was probably first performed on 27 October 1726, the nineteenth Sunday after Trinity. Urtext of the New Bach Edition Performance material (BA10056), vocal score (BA10056-90) & study score format 22. 5 x 16cm (TP1056) available for sale/ Répertoire / Partition de Poche
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Requiem KV 626 (MOZART WOLFGANG AMADEUS)
Choral SATB
SATB, Orchestra
[Score]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xave...
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Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xaver Sussmayr, in its traditional form. Mozart's final work, the Requiem K. 626, was left incomplete and it is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer's early death, truth and legend, fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Sussmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart's thoughts. - Urtext of the New Mozart Edition - Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22. 5 x 16. 5cm (TP152) available for sale - Facsimile edition BVK2346/ Répertoire / Orchestre
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Candles of Grace (NIX BRAD / MARTIN JOSEPH M)
Choral SATB
[Sheet music + Audio access]
Hal Leonard
A Service for Tenebrae. Par NIX BRAD / MARTIN JOSEPH M. . This brief choral cant...
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A Service for Tenebrae. Par NIX BRAD / MARTIN JOSEPH M. . This brief choral cantata is well suited for use during Holy Week as a Tenebrae observance or as a time of reflection. A musical ?service of shadows,? Candles of Grace is filled with emotive texts and deeply expressive music portraying the events of the Passion. A thoughtful orchestration adorns this chamber cantata with refined beauty and grace, giving directors an instrumental or track option for their presentations. From the delicate opening phrases to the fragile whispered ending, this work is essential for remembering and experiencing the suffering of the Lord. Songs include: Prelude (The Shadow Falls); Bring Me to the Cross; The Garden Call; Man of Sorrows, What a Name; Jesus, Lover of My Soul; Keep Me Near the Cross; Scenes from a Solemn Cross; Epilogue. Score and Parts (pno, fl, vn 1-2, va, vc) available as a digital download. For the Accompaniment and Part Dominant Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-02-17/ Répertoire / SATB
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The Choral Collection (WHITBOURN JAMES)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WHITBOURN JAMES. This glorious collection of beautiful choral music by compo...
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Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue
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Choral Works I (SCHOENBERG ARNOLD)
Choral SATB
[Sheet music]
Schott
Fragments Of Choral Works And Canons, Sketches. Par SCHOENBERG ARNOLD. Arnold Sc...
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Fragments Of Choral Works And Canons, Sketches. Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical du XXe siècle. Sa signification musicale était déjà évidente pendant sa durée de vie, mais son influence à titre posthume a augmenté énormément. Son travail a ouvert la voie à révolutionnaire des changements dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable pour la recherche, ainsi que pour la performance. L'édition est publiée en deux séries : série a en format folio contient des oeuvres tout rempli, toutes les partitions piano préparées par le compositeur lui-même et les oeuvres tout inachevées convenable pour la performance - également des fragments (gros scores) qui sont mieux adaptés pour être imprimées dans un tel format. Série B, au format in-quarto, contient des versions précoces, des croquis, des idées et des fragments ainsi que Genèse et un commentaire critique. / Date parution : 1992-10-06/ Répertoire / Choeur Mixte
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I Will Lay Me Down In Peace (JOLLIFFE EDMUND)
Choral SATB
SATB, Piano
Stainer and Bell
Par JOLLIFFE EDMUND. For parish choirs Edmund Jolliffe offers a fine post-commun...
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Par JOLLIFFE EDMUND. For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and Piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shifting yet unexpected harmonic effects. Immediately appealing, this music will reach out to a range of listeners, both regular worshippers and those for whom occasional church attendance is an opportunity for quiet reflection in words and music. For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and Piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shifting yet unexpected harmonic effects. Immediately appealing, this music will reach out to a range of listeners, both regular worshippers and those for whom occasional church attendance is an opportunity for quiet reflection in words and music./ Feuillet / SATB et Piano
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Wherever You Are - SATB Version (25-Pack)
Choral SATB
SATB, Piano
Novello & Co Ltd.
Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone ...
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Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano
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Wherever You Are - SATB Version (10-Pack)
Choral SATB
SATB, Piano
Novello & Co Ltd.
Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone ...
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Arranged for SATB chorus and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / SATB Et Piano
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Homo Natus De Muliere (HOFMANN LEOPOLD)
Choral SATB
SATB, Orchestra
[Sheet music]
Carus Verlag
Par HOFMANN LEOPOLD. 'Man that is born of woman hath but a short time to live' i...
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Par HOFMANN LEOPOLD. 'Man that is born of woman hath but a short time to live' is one of the central biblical texts dealing with the transitoriness of human existence. Leopold Hofmann, Kapellmeister at St. Stephen's Cathedral in Vienna from 1772 to 1793, where W. A. Mozart was his church music assistant, also set this strongly expressive text. Hofmann's setting, in C minor, offers an austere harmony, characterized by suspensions in a homophonic, through-composed four-part vocal setting (soloists or SATB choir), reinforced only by two trombones and organ continuo. Four concise instrumental transitional passages between the individual verses relieve the pathos laden Viennese church style of this composition. With its tragic air, in some passages it closely resembles Mozart's Requiem K. 626. For this first edition, the two trombone parts are available both in the original clef and in alto clef. The figured bass has been realized so that the piece can also be performed without trombones, with only organ accompaniment. For a performance this piece could easily be combined with the Salve Regina by Pietro Cassati (Carus 27.703) from the Vienna series./ Répertoire / Choeur Mixte (SATB) et Orchestre
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Wherever You Are
Choral SATB
SATB, Piano
[Sheet music]
Novello & Co Ltd.
Arrangé pour choeur SATB et accompagnement au piano. Commandée par Gareth Malo...
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Arrangé pour choeur SATB et accompagnement au piano. Commandée par Gareth Malone pour quatre séries de télévision de la BBC 'The Choir' et la première effectuée par Malone et le choeur des Military Wives 'dans le cadre du Festival La Royal British Legion de commémoration à la Royal Albert Hall le 12 Novembre 2011 à la présence de Sa Majesté La Reine. Un favori pour le numéro 2011 Noël One, avec le soutien de la radio DJ Chris Evans, qui a suggéré à chaque choeur dans le pays devrait chanter cette chanson, c'est la plus grande menace à la domination tableau X-Factor cette année. Le texte est tiré de poèmes, des lettres et des prières écrites par les épouses des militaires, sélectionnés et adaptés par Paul Mealor, et un passage du livre de Jean: Où que vous soyez, mon amour à vous maintenir sûr- Mon coeur va construire un pont de lumière, à travers le temps et l'espace. Où que vous soyez, nos coeurs battent toujours comme l'un, Je vous tiens dans mes rêves chaque nuit, jusqu'à ce que votre tâche est accomplie. Illuminez l'obscurité, mon étoile merveilleuse, Nos espoirs et les rêves, mon coeur et le vôtre, pour toujours briller loin. Illuminez l'obscurité, mon prince de la paix- Que les étoiles brillent tout autour de vous, de votre courage peut jamais cesser. Partout où je suis, je vous aime de jour en jour, Je vais vous garder en sécurité, s'accrocher à la foi, le long de la nuit, chemin obscur. Partout où je suis, je vais tenir toute la nuit- Je prierai chaque jour, un retour en toute sécurité, allons maintenant examiner à la lumière. Grand amour n'a pas de l'homme que cela, que de donner sa vie pour ses amis. Jean 15:13 / SATB Et Piano / 12 pages / Partition
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Pas de deux (SMITH PAUL)
Choral SATB
SATB, Piano
[Sheet music]
Peters
Par SMITH PAUL. Written for SATB choir and piano, with optional audience partici...
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Par SMITH PAUL. Written for SATB choir and piano, with optional audience participation, Pas de deux is a work consisting of five movements by Paul Smith, the co-founder of VOCES8 and author of The VOCES8 Method. The movements can be performed individually or as one complete work. Pas de deux is inspired by the dance duet found in ballet, and the music takes the duet element of the dance to create a relationship between the performers and audience, enabling interaction between them and giving the option for performers and audience to make music together. Suitable for all ages, this piece offers opportunities both to create and to perform, informed by Paul Smith’s expertise in leading participatory music events with hundreds of thousands of people around the world. A five-movement work inspired by the dance, pas de deux Incorporates a wide range of musical styles, from contemporary classical to traditional Zulu Encourages a musical interaction between performer and audience Suitable for singers (and audiences) of all ages Incorporates well-known themes from the ballets of Tchaikovsky Paul Smith’s Pas de deux is part of the Edition Peters Choral Workshop Series. / Choral Music / Répertoire / Voix Mixtes SATB et Piano
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Im Sommerwind (WEBERN ANTON)
Choral SATB
Universal Edition
Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his tran...
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Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: “First of all I had to eliminate all those parts of the source material that had strictly instrumental designs, reducing the work – to quote Wolfgang Rihm – to its singable remnant. What was so surprising, however, was that such a reduction did not lead to a meaningless sequence of fragments, but that the fragments turned out to be – with regard to harmony and motifs – so closely related to each other that the result proved an impressive ‘work within a work’. The reduction uncovered something that could be called the ‘essence’ of the work. In order to make the singable remnant singable, I used fragments from Bruno Wille’s poem Im Sommerwind, which Webern had used as a basis for his composition.”/ Répertoire / Choeur Mixte SATB
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Lully, Lullay (Novello New Choral Series)
Choral SATB
Novello & Co Ltd.
Lully, Lullay was written at the request of Philip Reed, music director of the B...
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Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB
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Ave Verum
Choral SATB
Novello & Co Ltd.
' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday o...
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' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this instance I felt their presence as a fellowship and, having their music in my head while writing, I was encouraged rather than daunted. In fact, if you listen with this in mind, you may hear a phrase or two in homage to the great masters.' - John Duggan An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Born in 1963, John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy, he dreamed of writing in the great European choral tradition of Victoria, Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States, and he composes regularly for film and dance. He has composed for a number of choirs including Commotio, Westminster Cathedral Choir, the Hildegard Choir and Sospiri, and has written commissions for the Edington Music Festival, Crossover Intergenerational Dance Group, Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College, Oxford. / Choeur SATB
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In Whatever Time We Have. SATB (SCHWARTZ STEPHEN)
Choral SATB
[Sheet music]
Hal Leonard
Arrangement: Huff. Par SCHWARTZ STEPHEN. Des paroles exquises et coule des ligne...
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Arrangement: Huff. Par SCHWARTZ STEPHEN. Des paroles exquises et coule des lignes vocales se combinent dans cette ballade Stephen Schwartz prises par un de ses comédies musicales les plus jouées, Enfants d'Eden. 'Il ya des fois où j'ai eu peur ... Puis-je sentir votre main dans la mienne Et il ya du courage dans mon coeur 'Disponible séparément:. SATB, SSAA, TTBB et ShowTrax CD. Temps de Performance: Env. 03:15./ Feuillet / Voix Mixtes
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Threshold Of The Night
Choral SATB
Novello & Co Ltd.
Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation...
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Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College chapel on 25th November 2006. Written for Advent, the work aims to highlight the yearning that all societies have, in their time of need, for guidance from beyond their community. By coincidence, however, this composition was completed on the eve of 29th August 2006, one year after Hurricane Katrina, one of the deadliest in the history of the United States, made landfall in Louisiana. Looking at Raine's words in this context ('Go back, my child, to the rain and storm', 'I will not go back for sorrow or pain'), the poem can be seen to echo the conflicted and anguished thoughts of displaced New Orleanians. The original Advent sense ofdesired guidance takes on a specific, if unintentional, significance with regards to the tragic outcome of that hurricane - this is emphasized by the bluesinflectedharmonies found throughout Threshold of Night . / SATB
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Procession Of The Sorcerers (BUCKLEY ROBERT)
Choral SATB
[Score and Parts]
-
Intermediate
Fentone Music
Par BUCKLEY ROBERT. Parfois juste au-delà de l'horizon, parfois sous nos pieds....
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Par BUCKLEY ROBERT. Parfois juste au-delà de l'horizon, parfois sous nos pieds. C'est un pays insaisissable fait de crépuscule et de brume, de chimères et lueurs, un monde qui nous intrigue et nourrit notre imagination. Imaginez un cortège coloré de créatures et de personnages tout droit sortis des mythes ancestraux et légendes incroyables : magiciens et sorcières, bouffons et jongleurs, ménestrels et troubadours, échassiers et monocyclistes, lutins et gargouilles, gnomes bruyants et farfadets riants, dragons géants et fées volantes, carrosses rutilants tirés par des licornes caracolantes, tous se dirigent vers le château de Merlin l'Enchanteur.La musique est à l'image du scénario imaginé par le compositeur : originale et lumineuse pour mieux nous livrer les secrets des couleurs médiévales. La percussion ouvre le cortège, puis vient le temps de l'exposition des thèmes avant de les unir dans un subtil mélange aux couleurs de plus en plus intenses jusqu'au tableau final : l'entrée au château du devin et magicien Merlin. / Niveau : 3 / Date parution : 1905-07-01/ Répertoire / SATB
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Procession Of The Sorcerers (BUCKLEY ROBERT)
Choral SATB
[Sheet music]
-
Intermediate
Fentone Music
Par BUCKLEY ROBERT. Parfois juste au-delà de l'horizon, parfois sous nos pieds....
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Par BUCKLEY ROBERT. Parfois juste au-delà de l'horizon, parfois sous nos pieds. C'est un pays insaisissable fait de crépuscule et de brume, de chimères et lueurs, un monde qui nous intrigue et nourrit notre imagination. Imaginez un cortège coloré de créatures et de personnages tout droit sortis des mythes ancestraux et légendes incroyables : magiciens et sorcières, bouffons et jongleurs, ménestrels et troubadours, échassiers et monocyclistes, lutins et gargouilles, gnomes bruyants et farfadets riants, dragons géants et fées volantes, carrosses rutilants tirés par des licornes caracolantes, tous se dirigent vers le château de Merlin l'Enchanteur.La musique est à l'image du scénario imaginé par le compositeur : originale et lumineuse pour mieux nous livrer les secrets des couleurs médiévales. La percussion ouvre le cortège, puis vient le temps de l'exposition des thèmes avant de les unir dans un subtil mélange aux couleurs de plus en plus intenses jusqu'au tableau final : l'entrée au château du devin et magicien Merlin. / Niveau : 3 / Date parution : 1905-07-01/ Répertoire / SATB
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Valet Will Ich Dir Geben
Choral SATB
SATB, Organ
Schott
Valet je vous donnerai - Vous méchant, faux monde ... Après poème spirituel d...
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Valet je vous donnerai - Vous méchant, faux monde ... Après poème spirituel de Valerius Herberger et basé sur la mélodie du choral par Melchior Teschner le compositeur français Naji Hakim (né en 1955) a écrit un ouvrage émouvant pour choeur et orgue. Le 5 Choralvariationen résultat de la joie céleste dans la voix d'un ensemble gracieux pour orgue seul, puis Hakim conduit à un ensemble pour choeur a cappella et un canon pour soprano et alto avec accompagnement d'orgue. Avec une Toccata en mouvement, qui est complété par un adagio expressive dans le milieu, se terminant le travail expressif. / Choeur Mixte Et Orgue
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Valet Will Ich Dir Geben
Choral SATB
SATB, Organ
Schott
Valet je vous donnerai - Vous méchant, faux monde ... Après poème spirituel d...
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Valet je vous donnerai - Vous méchant, faux monde ... Après poème spirituel de Valerius Herberger et basé sur la mélodie du choral par Melchior Teschner le compositeur français Naji Hakim (né en 1955) a écrit un ouvrage émouvant pour choeur et orgue. Le 5 Choralvariationen résultat de la joie céleste dans la voix d'un ensemble gracieux pour orgue seul, puis Hakim conduit à un ensemble pour choeur a cappella et un canon pour soprano et alto avec accompagnement d'orgue. Avec une Toccata en mouvement, qui est complété par un adagio expressive dans le milieu, se terminant le travail expressif. / Choeur Mixte Et Orgue
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Daphnis and Chloe Suite 2
Choral SATB
SATB, Orchestra
[Score]
Breitkopf & Härtel
Fragments Symphoniques - Suite Nr. 2. Par RAVEL MAURICE. / Date parution : 2023...
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Fragments Symphoniques - Suite Nr. 2. Par RAVEL MAURICE. / Date parution : 2023-07-31/ Répertoire / SATB et Orchestre
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Fantasia On Christmas Carols (VAUGHAN WILLIAMS RALPH)
Choral SATB
SATB, Piano
[Sheet music]
Stainer and Bell
Par VAUGHAN WILLIAMS RALPH. This Fantasia is founded on the following traditiona...
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Par VAUGHAN WILLIAMS RALPH. This Fantasia is founded on the following traditional English carols: The Truth Sent From Above (Herefordshire) words and tune; Come All You Worthy Gentlemen (Somerset) words and tune; On Christmas Night (Sussex) words and tune; There Is A Fountain (Herefordshire) tune only; together with fragments of other well-known carol tunes. The work is scored for ordinary full Orchestra with Organ and set of bells (ad lib. ), or String Orchestra with Organ or Piano. Alternatively, it may be accompanied by Organ or Piano alone, played from the Vocal score, with an optional solo Cello part (H212). A chorus part for performance bysolo Baritone and TTBB is also available (W41). The chorus is required to sing in four different ways: 1. Singing the words. 2. Singing with closed lips. 3. Singing 'Ah'. 4. Singing with half-closed lips i. e. with a short 'u' sound as in the word 'but'. Watch Pasadena Master Chorale performing Ralph Vaughan Williams ' Fantasia On Christmas Carols :/ Répertoire / SATB, Bar Solo et Piano ou Orgue
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Love Me Sweet
Choral SATB
Novello & Co Ltd.
Love me sweet was composed for the occasion of the composer's wedding in July 20...
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Love me sweet was composed for the occasion of the composer's wedding in July 2010. The text consists of four verses taken from Elizabeth Barrett Browning's ironic poem A Man's Requirements which ends with the couplet, 'I will love thee - half a year - As a man is able.' This setting responds to the purer sentiments of the earlier verses, employing a lilting metre, a harmonic idiom and a piquant sprinkling of dissonance. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Tom Wiggall is a London-based composer writing mainly for voice, stage and screen. In recent years Tom's work has taken in large-scale community opera projects, numerous anthems and songs, and music for film and television including Melvyn Bragg's ITV1 series Faith in the Frame and Channel 4's The Art Show. Tom is also Director of Music at Highgate School. / Choeur SATB
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Pre-shipment lead time:
3-10 days - In Stock Supplier
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Never To Forget (GOODALL HOWARD)
Choral SATB
Faber Music Limited
Par GOODALL HOWARD. Never To Forget is a powerfully emotive choral work written ...
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Par GOODALL HOWARD. Never To Forget is a powerfully emotive choral work written in honour of the NHS health and care workers in the UK who died caring for others during the COVID-19 pandemic. The text comprises their names, each sung separately in turn, in a poignant and moving homage. The piece is designed as a living tribute, to memorialise their dedication and sacrifice through each performance. This is a work of remembrance, respect and gratitude for these courageous workers, never to be forgotten. The work is scored for SATB choir and chamber ensemble, with this vocal score including a piano reduction. Instrumental parts are available to hire from hire@fabermusic.com./ Répertoire / Voix Mixtes et Piano
14.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Format Handel Zadok The Priest Choeur/Piano (7-Part)
Choral SATB
Novello & Co Ltd.
Zadok The Priest est un hymne de couronnement pour le roi George II et a par la ...
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Zadok The Priest est un hymne de couronnement pour le roi George II et a par la suite été entendu à chaque couronnement de la Couronne britannique, au cours du souverain onction. L'entrée choral de l'ouverture du Zadok The Priest est un des moments plus frappants dans le répertoire choral et typique de grand de Handel, secouant les oeuvres. Marque d'accompagnement SSAATBB et Piano ou orgue et délicieusement édité pour cette édition par Donald Burrows. Note : lorsque c'est possible, la division complète des voix tout au long de l'ouvrage doit être observée pour fournir transtitions continuelles, lisses. / Chant Et Piano / 16 pages / Partition Séparée
5.30 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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