Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018609

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. 1x 40.186/21 flute 1, 1x 40.186/22 flute 2, 1x 40.186/23 oboe 1, 1x 40.186/24 oboe 2, 1x 40.186/25 clarinet 1, 1x 40.186/26 clarinet 2, 1x 40.186/27 bassoon 1, 1x 40.186/28 bassoon 2, 1x 40.186/31 horn 1, 1x 40.186/32 horn 2. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut 10. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Set of Orchestra Parts. Composed 1830. MWV. 32 pages. Duration 12 minutes. Carus Verlag #CV 40.186/09. Published by Carus Verlag (CA.4018609).

ISBN 9790007064365. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018600.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018607

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut und Wunden. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Study score. Composed 1830. MWV. Duration 12 minutes. Carus Verlag #CV 40.186/07. Published by Carus Verlag (CA.4018607).

ISBN 9790007092573. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018600.