(Mixed Choir)

SKU: HL.14065228

Composed by Henry Purcell. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC60716. Published by Music Sales (HL.14065228).

SATB, Soloist, Piano Choral; Piano Accompaniment; Voice (SATB)

SKU: HL.49045955

SATB, Soloists, Piano or Organ. Composed by Henry Purcell. Edited by Joerg Abbing. This edition: Saddle stitching. Sheet music. Choral. Classical, General Worship, Sacred. Softcover. 28 pages. Schott Music #ED22869. Published by Schott Music (HL.49045955).

ISBN 9790001167376. UPC: 888680925840. 9.0x12.0x0.078 inches. English.

Henry Purcell wrote several works in honor of Saint Cecilia, patron saint of church music. The best known of these works probably is Hail! Bright Cecilia (1692) the solo part of which was performed by Purcell himself at the world premiere. Welcome to all the pleasures was composed in 1683 on a text by Christopher Fishburn. The work is now published as piano reduction of the score published by Eulenburg (ETP 1062).

By Henry Purcell. For SSAATB soli, SSATB Choir, Piano. Baroque, Sacred. Sheet Music. 28 pages. Published by Novello and Co Ltd.

SATB choir

SKU: CA.221200

Love Songs. Composed by Various. Edited by Frieder Bernius, Friedemann Luz. This edition: paperback. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Choral collections, LIEDERPROJEKT. Chorbuch Liebeslieder. Secular choral music, Wedding. Choir Book. 128 pages. Carus Verlag #CV 02.212/00. Published by Carus Verlag (CA.221200).

ISBN 9790007170776.

In every century, love is probably the most frequently-celebrated theme. The choral anthology for the LIEDERPROJEKT installment brings together 40 love songs from all eras in well-known and new, easy-to-sing settings. The collection contains a wide range of settings from the 16th and 17th centuries, the Romantic period, arrangements of popular music as well as settings of well-known and contemporary love songs specially arranged for this choral collection. * ideal for concerts and weddings * 4-6 part settings, some with piano accompaniment * settings mainly in German, English, and French * contains popular and well-known compositions by composers including Brahms, Dowland, Gluck, Mendelssohn, Monteverdi, Morley, Purcell, Ravel, Tallis, and Tchaikovsky * with numerous new choral movements * with chansons, jazz standards and pop classics such as Autumn leaves, La vie en rose, Sehnsucht and many more * easy to medium difficulty * a CD with selected songs is included with the conductor's volume.

By Henry Purcell. For SATB Choir, Organ. Baroque, Choral. Sheet Music. 4 pages. Published by Novello and Co Ltd.

By Thomas Morley; Henry Purcell. For SATB Choir, Oboe Band, Four Slide Trumpets, Kettle Drums, Military Drums. Baroque, Choral. Sheet Music. 32 pages. Published by Novello & Co Ltd.

By Henry Purcell; Edward J. Dent (Editor). For SATB, Organ Accompaniment. Baroque, Religious, Choral. Sheet Music. 12 pages. Published by Novello and Co Ltd.

By Henry Purcell. For SATB Choir, Organ. Baroque, Choral. Level: Intermediate. Sheet Music. Published by Novello and Co Ltd.

By Henry Purcell. Edited by Bruce Wood. For Soprano, Bass Voice, Countertenor, SATB Choir, Organ Accompaniment. Baroque. Sheet Music. Published by Novello & Co Ltd.

SATB choir

SKU: ST.CN20P

Composed by Rhiannon Randle. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN20P. Published by Stainer & Bell Ltd. (ST.CN20P).

ISBN 9790220224850.

Greatly admiring the poetry of Christina Rossetti, and in particular the elegance and poignancy of her sonnet 'An Echo from Willow-Wood', the composer initially wrote this work as the second of a group of three anthems entitled Echoes from Willow Wood, exploring aspects of hope and despair in love. These are indeed powerful themes throughout Rossetti's oeuvre, and there was a strong creative tension here with another text selected for the collection, her much anthologised 'A Birthday', which is brimming with hope and joy at the prospect of love. By contrast, in On Life's Dividing Sea the poet tugs vainly at the heart-strings of hope and concludes in dejection. Taking its title from line 8 of the poem, the setting focuses on imagery of the sea, an emblem which inspired many of the textures of the central section. Cluster chords, more lyrical gestures, and suggestions of quasi-Purcellian cadences convey a message of youthful, innocent desire being torn apart, while maintaining Rossetti's poised Victorian turn of phrase.