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| Georg Friedrich Händel:
The Lord Is King Above
All Kings (from Saul):
Mixed
Choral SATB
Pavane Publishing
SATB-Beginning with a trumpet-like fanfare the joyful chorus of this anthem fro...(+)
SATB-Beginning with a trumpet-like fanfare the joyful chorus of this anthem from the oratorio Saul enters in antiphonal statements. The closing hosannas propel the tempo with an upward cascading counterpoint climaxing in a typically rewarding Handelian ending.
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| Herb Frombach Lee
Dengler: Hope Is Born:
SATB: Vocal Score
Choral SATB [Vocal Score]
Shawnee Press
Uses: Christmas Christmas Eve Scripture: John 1:9-12 Romans 15:11-13 A delicat...(+)
Uses: Christmas Christmas Eve Scripture: John 1:9-12 Romans 15:11-13 A delicate piano pattern cascades down to touch an opening theme that is simply lovely. Written in an enriching range for voices the warmth of this contemplative text is perfectly set. The refrain opens up to an expressive texture with artful suspensions and gently moving inner voices creating a tapestry of exquisite color. Hope is born this silent holy night.
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| Hauschka: Hauschka: Loss:
SATB: Vocal Score
Choral SATB [Vocal Score]
Bosworth
Loss by German composer Hauschka is the first movement of his larger work Cascad...(+)
Loss by German composer Hauschka is the first movement of his larger work Cascades arranged for unaccompanied SATB Chorus. Hauschka describes his process for Loss's composition how inspiration came from the subject of the 'abandoned place' how Schoenberg and Kandinsky has written a lot about the loss of an old identity and the search for a new one. His three-movement work therefore took into account the three stages of this process with Loss covering the difficult but necessary process of disentanglement that will lead to development and growth.
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| Thea Musgrave: Adam Lay
Ybounden: SATB: Vocal
Score
Choral SATB [Vocal Score]
Novello & Co Ltd.
Thea Musgrave's arrangement of the Anonymous 15th century text Adam Lay YBounden...(+)
Thea Musgrave's arrangement of the Anonymous 15th century text Adam Lay YBounden is scored for Children's Voices SATB Choir and Piano a performance of which lasts around 2 minutes.A review in the September 2016 issue of Organist's Review calls this 'a haunting setting...with a bell-like cascading descant' and that this 'characterful response to the words stands comparison with the well-known Ord and Ledger settings.'
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| Peter Foggitt: From
Heaven on High the Angels
Sing: SATB: Vocal Score
Choral SATB [Vocal Score]
Stainer and Bell
A tour de force of choral energy and expertise in rhythmic precision this is ae...(+)
A tour de force of choral energy and expertise in rhythmic precision this is aerial music fleet and vibrant as voices proclaim Martin Luther's vision of universal peace above a torrent of cascading Organ scales. The brightness of the Lydian mode matches this joyful proclamation intoned chant-like in bold clear intervals recalling the sounds both of medieval music and its refraction through the ears of modern masters like Stravinsky and Tavener. Cunningly constructed too on a four-bar ostinato the music reverses its opening scale figure for a quieter section before building again to an extrovert ending that repeats the chant against new Organ figures in aclinching 'alleluia'.
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| Philip Moore: An Evening
Hymn: SATB: Vocal Score
Choral SATB [Vocal Score]
Stainer and Bell
This setting of Videntes Stellam aims to explore the extremes of emotion surroun...(+)
This setting of Videntes Stellam aims to explore the extremes of emotion surrounding the revelation of Christ. The piece begins by depicting the vision of the star and the journey of the Kings utilising a bright harmonic language in the Organ and emphatic cascading outbursts of praise from the Choir periodically interrupted by more reflective iterations of the text. Following a final declaration of exaltation and joy the piece concludes with a peaceful and reverential picture of the giving of gifts to the infant Jesus fading away as the Organ takes up the original theme under the final statement of '… myrrham' from the Choir.Suitable forevensongs or concerts throughout the whole of the Advent Christmas and Epiphany seasons. Videntes Stellam was the 2013 winner of the New Music for St Paul's Cathedral Composition Competition.
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| Songs of a Starry Night:
SATB: Vocal Score
Choral SATB [Vocal Score]
Hal Leonard
Now available for SATB voices from high school through adult! Three traditional ...(+)
Now available for SATB voices from high school through adult! Three traditional folksongs are artfully combined in this setting opening with cascading vocal lines moving into a tender ballad and closing with a spirited hoedown.Songs include: Bye 'n' Bye Coffee Grows on White Oak Trees Fire on the Mountain. Available separately: SATB 2-Part/3-Part. Duration: ca. 3:00.
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| Sarah Quartel: I Will Be
With You: SSAA: Vocal
Score
Choral SATB
SATB A Cappella [Vocal Score]
Oxford University Press
Sarah Quartel's I Will Be With You for SSAA unaccompanied.I Will Be With You set...(+)
Sarah Quartel's I Will Be With You for SSAA unaccompanied.I Will Be With You sets a reflective text by the composer with a message of enduring solace. Lush harmonies with predominantly homophonic passagework coupled with flowing and cascading lines in every voice part make for a tranquil musical experience. Also available in a version for unaccompanied SATB choir.
Pre-shipment lead time: In Stock |
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| Irving Berlin: Snow:
SATB: Vocal Score
Choral SATB [Vocal Score]
Hal Leonard
from White Christmas-(from White Christmas). Featured in the holiday movie class...(+)
from White Christmas-(from White Christmas). Featured in the holiday movie classic White Christmas here is a wonderful salute to winter! This Irving Berlin favorite features updated harmonies and cascading vocal parts. Fun programming for your seasonal concerts. Available: SATB. Performance Time: Approx. 2:30.
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| Sarah Quartel: I Will Be
With You: SATB: Vocal
Score
Choral SATB [Vocal Score]
Oxford University Press
I will be with you sets a reflective text by the composer with a message of end...(+)
I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies with predominantly homophonic passagework coupled with flowing and cascading lines in every voice part make for a tranquil musical experience. Also available in a version for SSAA unaccompaniedchoir.
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