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There There
Choral SATB
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
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There Is No Rose Of Such Virtue
Choral SATB
Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...
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There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
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Franz Joseph Haydn: Te Deum For Empress Marie Therese: SATB: Vocal Score
Choral SATB
SATB, Keyboard
[Vocal Score]
Carus Verlag
für Kaiserin Marie Therese-Haydn's Te Deum for Empress Marie Therese for SATB.H...
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für Kaiserin Marie Therese-Haydn's Te Deum for Empress Marie Therese for SATB.Haydn made two settings of the Ambrosian song of praise the Te Deum. The second of these was written for the Empress Marie Therese to a commission from the court of Vienna; a work of Haydn?s last period it dates from 1800. Its large orchestra gives this work which makes no use of solo singers a particular splendour of sound skin to that of the choruses in Haydn?s Creation.
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Gregg Smith: O Jeanie Theres Naething To Fear Ye A Cappella: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
The traditional Scottish folk tune O Jeanie There's Naething To Fear Ye arrange...
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The traditional Scottish folk tune O Jeanie There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.
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The Lost Birds
Choral SATB
Boosey and Hawkes
An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial t...
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An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial to bird species driven to extinction by humankind. Sweeping and elegaic, it's a haunting tribute to those soaring flocks that once filled our skies, but whose songs have since been silenced. It's a celebration of their feathered beauty: their symbolism as messengers of hope, peace, and renewal. But it's also a warning about our own tenuous existence on the planet: that the fate that befell those once soaring flocks foreshadows our own extinction. / Niveau : moyen - avancé / Date parution : 2024-02-16/ Répertoire / Ch?ur Mixte et Piano
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Franz Joseph Haydn: Maria Theresa Mass: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
Scored for Soprano Alto Tenor and Bass soli SATB choir and orchestra. Haydn c...
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Scored for Soprano Alto Tenor and Bass soli SATB choir and orchestra. Haydn composed the Maria Theresa Mass in 1799 between the Creation and the Seasons. Revised edition by Michael Pilkington. Latin text.
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The Choral Collection (WHITBOURN JAMES)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WHITBOURN JAMES. This glorious collection of beautiful choral music by compo...
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Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue
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Franz Joseph Haydn: Mass in B-Flat (Theresienmesse): SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
This mass known as the Theresienmesse was the fourth of six masses which Hande...
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This mass known as the Theresienmesse was the fourth of six masses which Handel had been commissioned to write by Prince Nicolaus II in celebration of the name day of his wife Princess Maria Hermenegild (Handel wrote one each year for six years). This work composed in 1799 is for SATB soli SATB chorus with organ/piano accompaniment.Edited and with keyboard reduction by William Herrmann.
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Eric Wetherell: Westminster Bridge: SATB: Vocal Score
Choral SATB
SSATB A Cappella
[Vocal Score]
-
Intermediate
Thames Publishing
Based on a poem by William Wordsworth Eric Wetherell's Westminster Bridge for u...
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Based on a poem by William Wordsworth Eric Wetherell's Westminster Bridge for unaccompanied SSATB choir.
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Edmund Rubbra: Mass in Honour St Theresa Opus 157: SATB: Vocal Score
Choral SATB
[Vocal Score]
Alfred Lengnick
Mass in Honour St Theresa Opus 157
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The Naxos Book Of Carols (with CD) (PITTS ANTONY)
Choral SATB
[Sheet music + CD]
Naxos
Par PITTS ANTONY. The Naxos Book of Carols is collection of both the very old an...
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Par PITTS ANTONY. The Naxos Book of Carols is collection of both the very old and the very new. Commissioned by the leading international classical music label, Naxos, these twenty-four arrangements of traditional and original carols tell the Christmas story - from the hope of Advent and the message of the Angels, to the humble birth of the baby in Bethlehem and the coming of the King of kings. This collaboration between Naxos and Faber Music has brought this volume, containing all 24 carols in four narrative sequences, in new arrangements for SATB choir with minimum divisi. There is a good mix of accompanied and a capella (even the latter have optional accompaniments) and there is practical guidance on how the carols may be used by congregations, as well as choirs with varied resources. The original CD, performed by the award-winning choir Tonus Peregrinus and directed by the composer Antony Pitts, is included within the book making it incredible value for money. / Choral Music / Recueil / Voix Mixtes
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Francis Pott: There Is No Rose Of Such Virtue: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
(Novello New Choral Series)-There is no rose of such virtue is an anonymous medi...
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(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in
2.99 GBP - Sold by Musicroom UK
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Sing Out! A Cappella - Book - Audio Download
Choral SATB
[Sheet music + Audio access]
Novello & Co Ltd.
Vocal coach and choral director Mark De-Lisser, who has edited and arranged the ...
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Vocal coach and choral director Mark De-Lisser, who has edited and arranged the highly acclaimed Sing Out! series, here turns his attention to the a cappella repertoire, with five uplifting songs for SATB choir in this sixth pop repertoire book in the series.As before, these songs have each been selected for their positive lyrics and heart-warming feel, making them ideal to teach to adults and children. With an enticing selection of pop songs, including Sigma's Higher, Jess Glynne's Don't Be So Hard on Yourself, Ronnie Laws' Always There, Coldplay's Paradise and James Bay's Hold Back the River, this compilation has something for everyone.Arranged for the first time for SATB choir, this book includes a download card with access to full demonstrations and individual rehearsal tracks of each vocal line recorded by members of ACM Gospel Choir. The scores feature keyboard reductions for ease of learning. Helpful hints for performing the pieces and an introduction to beat-boxing are also included in this book, giving you everything you need to learn these well-loved songs. / Choeur Mixte (SATB)
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Andrew Cusworth: There Is No Rose (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
There is no rose may be considered as having three distinct but musically interl...
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There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ
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Mark Cabaniss: And There Is Music: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Joseph Martin has created a rich moving piano accompaniment supporting a lush ...
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Joseph Martin has created a rich moving piano accompaniment supporting a lush choral setting by Mark Cabaniss. “There is harmony and melody in all that we do and there is music inside of you.” This inspiring choralis suitable for any concert or festival. It can be easily prepared and is musically satisfying for singer teacher and listener.
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James Whitbourn: James Whitbourn: Were You There?: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Were You There? was expertly composed by James Whitbourn for SATB Chorus and Org...
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Were You There? was expertly composed by James Whitbourn for SATB Chorus and Organ. The piece was written for Stephen Cleobury and the Choir of King's College Cambridge.British composerand conductor James Whitbourn had an international reputation as a composer from the start of his career as a Programme maker at the BBC; during his time there he produced many award-wining programmes anddeveloped a style that gave him a direct connection with an audience.This well accomplished composer has received many awards for his work including among others two Grammy nominations and a Royal Television SocietyAward.In the June 2015 edition of 'Sunday by Sunday' Were You There? is described as 'effective atmospheric and not too difficult.'
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Don Besig Nancy Price: There is Joy in the House of the Lord: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
“There is joy! There is joy! There is joy in the house of the Lord.”...
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“There is joy! There is joy! There is joy in the house of the Lord.” And there is joy in every note of this bright celebratory anthem. Dancing across the pages this lilting up-tempo octavo sings of fellowship andunity and the great love that is shared by a family of believers. “There Is Joy in the House of the Lord!” is appropriate as a call to worship or general anthem for any Sunday of the year.
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Ryan Murphy: There are angels hov'ring round: Mixed Choir and Accomp.: Choral
Choral SATB
SATB, Piano
Oxford University Press
There are angels hov'ring round. for SATB and piano or orchestra This arrangemen...
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There are angels hov'ring round. for SATB and piano or orchestra This arrangement of a traditional American spiritual conjures a deep fervency, belying its simple appearance. The opening instruction is 'With hushed awe', and that encapsulates perfectly the gentle radiance of the tender lyrics and the music's highly singable lines.
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Pepper Choplin: We Were There: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Inspired by the spiritual “Were You There ” this musical experience ...
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Inspired by the spiritual “Were You There ” this musical experience is based on several monologues by those who were at the cross. The work leads us through many emotions: from the Holy Love shown to Mary Magdalene tothe intimacy of Mother Mary's “Still My Son ” to the regret of Peter in “It Should Have Been Me.” The musical can be of almost any length since each momologue and anthem may be used independently. However“We Were There” is used it will provide a powerful Holy Week resource for years to come. Maximum length if all pieces are used: 53 minutes.Includes: Were You There • Holy Love • Christ Is Our Brother• Surely This Was the Son of God • How Can It Be? • Still My Son • It Should Have Been Me • We Were There • At the Cross.
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Don Besig Nancy Price: There Is a Child: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
An exquisite melody is at the heart of this moving anthem. Perfect text for Chri...
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An exquisite melody is at the heart of this moving anthem. Perfect text for Christmas or Epiphany this easily learned choral is a “must do” for the season. Lovely vocal writing and an expressive piano part will assuresuccess for your choir. The Don Besig/Nancy Price team at their creative best – “There Is a Child.”
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Peter Lawson: Tunes From The Trenches: SATB: Vocal Score
Choral SATB
[Vocal Score]
Goodmusic Publishing
Peter Lawson's Tunes From The Trenches - Songs From World War One for Choir and ...
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Peter Lawson's Tunes From The Trenches - Songs From World War One for Choir and Orchestra or Concert Band or Choir and Piano.A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a Choir with either an Orchestra band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and for those with a shortage of male voices SA Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.Therecruiting song 'Your King and Country Want You' starts us off followed by 'Goodbye Dolly Gray' as the soldiers leave for war. 'Belgium put the Kibosh on the Kaiser' is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - 'Three German Officers crossed the Rhine' and 'They were only playing Leap-Frog'. 'The Bells of Hell go Ting-a-ling-a-ling' leads to strains of 'Stille Nacht' recalling the Christmas truce. 'When this Lousy War is Over' and 'There's no place like Home' are balanced by 'Land of Hope and Glory' before the Americans arrive with 'The Caissons go Rolling Along' and 'Over There'. 'It's a Long Way to Tipperary' brings us towards a rousing finish save for an optional 'Last Post-lude' to end reflectively.
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John McCabe: Woefully Arrayed for Twelve Voices: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourte...
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Arranged for SSSAAATTTBBB the lyrics are from an anonymous writer of the fourteenth century and have been adapted by the composer.The composer says: 'Woefully arrayed is a supreme choral setting by William Cornysh Junior who died in 1523 of a text usually regarded as of anonymous composition though there have been some attributions to John Skelton. It is a thoughtful powerful meditation on Christ on the Cross and though Cornysh’s setting has remarkable intensity and contrapuntal artistry I felt a strong wish to add my own response to this fine text. The different versions of it have different verses that used by Cornysh has three verses (plus therefrain) while there are others with four or even five (one attributed to Skelton has five). I have chosen to restrict myself to the three used by Cornysh using my own adaptation of the modernised words which yet incorporates some archaisms a deliberate choice for reasons of rhythm and verbal sound. This setting was commissioned by the Three Choirs Festival 2009 for Stile Antico to whom it is dedicated.''Difficult to perform but not difficult to listen to this 2009 Three Choirs Festival commission was first performed by Stile Antico who have since toured it. It is a heartfelt response to the fourteenth-century text passionate and anguished Christ is on the cross ‘woefully arrayed’. Although written for a secular choir it is a piece that could be sung by many cathedral and collegiate choirs: there is considerable doubling between the sixteen lines and a keyboard reduction to help the initial sorting out. Above all it is dramatic and would communicate directly to audiences if given a chance to hear it.' - James L Montgomer RSCM review
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Beatles Here There And Everywhere SATB/Piano
Choral SATB
SATB, Piano
Amsco Wise Publications
Quel bonheur que les éditions Amsco Wise existent car elles ont permis à cette...
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Quel bonheur que les éditions Amsco Wise existent car elles ont permis à cette chanson Beatles Here There And Everywhere Satb/Piano de Beatles The d'exister en version séparée sans être obligé d'acheter un recueil complet. Vous qui êtes un grand amateur de Mélodie/Vocal/Piano (MVP) n'hésitez plus et commandez cette partition qui a pour référence AM32608. / Voix / 12 pages / Chanson En Séparée
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The Novello Book Of British Folksongs
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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