SATB (with Organ). Composed by Alexander L'Estrange. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Choral Octavo. Faber Music #12-057157212X. Published by Faber Music (AP.12-057157212X). 0.49

ST vocal soli, SATB/SATB/SATB/SATB choir, organ

SKU: CA.2708303

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Sacred vocal music, Masses, Latin. Vocal score. FWV. 104 pages. Duration 23 minutes. Carus Verlag #CV 27.083/03. Published by Carus Verlag (CA.2708303).

ISBN 9790007182090. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.

Choral; Organ Accompaniment (SATB AND ORGAN)

SKU: HL.1216624

Composed by Matthew Martin. Choral. Christmas. Octavo. 16 pages. Duration 210 seconds. Novello and Co Ltd. #NOV297543. Published by Novello and Co Ltd. (HL.1216624).

ISBN 9781705195369. UPC: 196288140467. 9.0x12.0x0.069 inches.

The composer writes: â??I was delighted to be asked by Daniel Hyde and King's College, Cambridge to write this year's commission for the Festival of Nine Lessons and Carols. I have chosen to set a familiar text and tune - Angelus ad Virginem - and for it to serve as a tribute to the late great Simon Preston CBE (chorister and later organ scholar at King's). The text suggests something descriptive and exuberant, and this arrangement makes use of the original 13th century carol throughout. A colorful organ part is designed to propel the music forward, sometimes twisting and distorting the melody in unexpected ways, hopefully reflecting something of Simon's wit, vitality and stylish energy.â? - Matthew Martin.

SATB choir & chamber ensemble (2 violins, cello, bass, chamber organ) - Moderately Difficult

SKU: OU.9780193527478

Composed by Francesco Durante. Edited by John Rutter. Choral Works (inc. Oratorios). Oxford Choral Classics. Sacred. Full score. 32 pages. Oxford University Press #9780193527478. Published by Oxford University Press (OU.9780193527478).

ISBN 9780193527478. 12 x 9 inches.

For SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria, Durante's artful Magnificat has long been misattributed to his pupil Pergolesi. Durante's vocally richer five-voice version has been chosen for Sacred Choruses and merits performance as an alternative to the familiar four-voice version.

SATB choir & chamber ensemble (SSATB, 2 violins, cello, bass, chamber organ) - Moderately Difficult

SKU: OU.9780193527485

Composed by Francesco Durante. Edited by John Rutter. Choral Works (inc. Oratorios). Oxford Choral Classics. Sacred. Set of parts. 132 pages. Oxford University Press #9780193527485. Published by Oxford University Press (OU.9780193527485).

ISBN 9780193527485. 12 x 9 inches.

For SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. This complete set contains 4 x vln I, 4 x vln II, 2 x vc, 2 x db, 1 x continuo, and 1 x lute.

Composed by Lloyd Larson. For SATB choir, piano (with optional organ). Sacred Anthem. Octavo. Published by Lorenz Publishing Company

Choir & 3-5 octave handbells

SKU: HP.C5156HB

Composed by Franz Joseph Haydn. Arranged by Barbara B. Kinyon. Piano with Optional 3-5 Oct. Handbell. Sing & Ring Series. Hymntune, General Worship, God's Attributes/Character, Adoration & Praise, Sacred. Handbell score with accompaniment part. Hope Publishing Company #C5156HB. Published by Hope Publishing Company (HP.C5156HB).

UPC: 763628251567. By Joachim Neander & Joseph Haydn. Psalms 31:19, Psalms 33:1-5, Psalms 103:1-4.

Hymn of praise by Joachim Neander & Joseph Haydn This grand hymn of praise has been given a glorious treatment for SATB choir and organ with optional 3-5 octave handbells by Barbara Kinyon. The choral parts are very accessible and well-crafted, and the interplay between the voices, handbells and organ is full of interest and creativity.

Arranged by Hal H. Hopson. (SATB). Scripture References: Genesis 1:1 -- Psalm 19:1-6. Creation, General Worship, God's Attributes/Character, Classics and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

SB vocal soli, SATB choir, violin, oboe, bassoon, recorder, 2 violas da gamba (viola), basso continuo

SKU: CA.3913949

Funeral music. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Organ. Sacred vocal music, Cantatas, Mourning, death. Single Part, Organ. TVWV 4:17. 16 pages. Duration 30 minutes. Carus Verlag #CV 39.139/49. Published by Carus Verlag (CA.3913949).

ISBN 9790007216207. Language: German.

With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata. Score and part available separately - see item CA.3913900.