The Music Of Mary (collection) by Anders hrwall for SATB choir. Available: SATB Instrumental Parts Cassette.

Old carol texts often inspire new tunes as in the case of this piece specially written for DeWald's own high school choir. A great companion piece to Lo How a Rose E'er Blooming.

Wiener Wald! Wie es schallt - Walzer. Par STRAUSS JOHANN (FILS). Wiener Wald! Wie Es Schallt - Walzer/ Répertoire / Choeur Mixte (SATB) et Piano

Embracing the concepts of faith unity and the Christian walk the uplifting message of “Walking in Faith with Our Lord” is perfect for church heritage or unity celebrations or perhaps even the first Sunday of theNew Year. This noble anthem is a confident affirmation of our belief in Christ rich in four-part harmony and sturdy keyboard support and a satisfying choral experience for any time of the year.

Johann Strauss the Younger (1825 - 1899) was a Viennese composer best known for his operettas and dance music especially his waltzes polkas and quadrilles. By the time his father died in 1849 he was alreadywell-established as a renowned composer in his own right.His most famous work is probably the Blue Danube Waltz (Op. 314) written in 1866 which has become famous all over the world with many adaptionsand arrangements. The Blue Danube Waltz has been arranged for SATB choir by John Bateson set to words by Florence Hoare. The vocal score is presented here in Tonic Sol-fa Notation.

The apparent simplicity of God Be In My Head with its repetition of the key phrase suddenly gives way to very effective harmonic sophistication on the word ‘heart’ that lays the path for the twilit ambience of the final phrase. H Walford Davies was a composer and musical director at the University of Wales as well as Organist at among others Temple Church where his student Leopold Stokowski (later one of the leading conductors of the 20th century) assisted him. Davies is best remembered for this work and for the march ‘RAF March Past’. Davies also did much to educate the public about serious music through radio programmes and his writings.

A Tender Light is a collection of new choral music by the Welsh composer Paul Mealor, including the Ubi caritas , made famous by its inclusion in the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton (now TRH The Duke and Duchess of Cambridge) at Westminster Abbey in April 2011. 2.5 billion people (the largest audience in broadcasting history) heard his Motet on that day and since then it has topped the Classical singles charts in the USA, UK, Australia, France and New Zealand and has already entered the standard repertoire for many choirs. For singers wanting to explore further the music of Mealor, this book also contains the luminous She Walks in Beauty , the contemplative O vos omnes and the madrigal sequence Now Sleeps the Crimson Petal. Locus iste and Ave Maria are modern yet timeless settings of well-known texts. This is a must-have collection for any mixed voice choir wanting to explore the latest and best in choral repertoire. 'Serene and Beautful' Gramophone Magazine 'Mealor is the most important composer to have emerged in Welsh choral music since William Mathias' The New York Times Paul Mealor - A Tender Light by DeccaRecords / SATB

New Lovesong Walzes (A Suite)-Here are four selections from Brahms' impeccable Liebeslieder Walzer rearranged for piano two-hands from the original four-hands accompaniment. With texts from poems reflecting on love they form a fine set for choruses atthe high school level and up. A fantastic introduction to music of the Romantic era! In German with English translation selections include: Verzicht O Herz auf Rettung; Finstere Schatten der Nacht; Vom Gebirge Well' aufWell'; Weiche Graser im Revier. Total duration: ca. 5:15.

Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'