Fassung II-J.S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion dem Weihnachtsoratorium dem Magnificat und der h-Moll-Messe zu den großen Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den übrigen oratorischen Werken hat Bach

Kantate zum Reformationsfest [Rekonstruktion: Reinhold Kubik]-J.S. Bach's Ein feste Burg ist unser Gott for SATB and Orchestra.Bach's Reformation cantata based on what is probably Martin Luther's most famous hymn evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716 now missing which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730 Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on in the 1730s or 1740s Bach replaced the introductory chorale movement with achorale setting which was unique spacious and motet-like in its style; this uniquely in this respect incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets timpani as playing score) by Wilhelm Friedemann Bach are available.

Nach Dem 2. Menuett Aus Bachs Partita In B, Bwv 825. Par BACH JOHANN SEBASTIAN / CORNELIUS PETER. based on the 2nd Minuet from Bach's Partita in B flat Major, BWV 825/ Répertoire / Choeur SATB

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Par BACH JOHANN SEBASTIAN. This choral score BA 5037-91 completes the already available performance material for Johann Sebastian Bach?s St. John Passion. The choral score contains no solo parts or piano reduction. For a full vocal score see BA05037-90 / Date parution : 2022-02-10/ Répertoire / SATB sans Accompagnement

Komm Jesu komm-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirs In Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.   Urtext of the New Bach Edition Performance material and choral score (BA5134) available for sale 6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Most of the English-speaking choral singers who make up their country's thriving choirs and choral societies will have sung Bach's great Passions in English at some time or other. This edition is in both English and German giving the individual choir the option of which language to perform in. This book contains a preface by the editor Neil Jenkins and a suggested 'on the day' rehearsal schedule by Sir David Willcocks. St. Matthew Passion was written for solo voices ripieno choir 2 SATB choirs and 2 orchestras. The vocal score contains all voice parts and a piano accompaniment.

Bachs famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts richly enhancing this choral work. A beautiful way to introduce your singers to importantworks of the master composers.

aus Bachs Kantatenwerk. Par BACH JOHANN SEBASTIAN / KUHNAU JOHANN. Seidlitz, Günter (Arr. )/ Répertoire / Choeur Mixte

The cantata is one of the few surviving vocal works which Wilhelm Friedemann Bach composed during the eighteen years which he spent as organist and director of music at the Marktkirche in Halle [1746?1764]. This cantata published here for the first time in more than 250 years was written to introduce the autumn sermons in 1752. A musically and technically demanding composition it consists of two substantial choral movements partly concertante and partly polyphonic based on two biblical utterances. They surround a sensitive while at the same time strictly contrapuntal duet for soprano and alto with basso continuo in which ?God?s sweet teaching for the soul? is described as thetrue ?manna? of the faithful forming a link with the sermons which are to follow. In the compactness of the musical construction and its intensity of expression W. F. Bach was clearly following in the footsteps of his father in this work.

Alfred Mann's scholarly edition of the Gloria from Bach's Magnificat that was first performed for Christmas vespers in 1723Published in connection with Mann's book: Bach and Handel-Choral Performance Practices (HMB184)

Bring a piano masterwork to the choral classroom! Bach's brilliant 'Minuet in G Major' sings beautifully. Precise vocables embody the elegant dance, while the well-placed vocal ranges encourage healthy tone. Perform a cappella, or use the optional piano part for support. Familiar, yet fresh! / Choeur Mixte (SATB) A Cappella

The original version of the popular J.S. Bach Magnificat in D up a semitone. The same work with some slight differences in the familiar choral sections but more importantly the addition of four Christmas 'lauds' here given in English translation by the Editor Neil Jenkins as well as the original German text.

Description Carl Philipp Emanuel Bach's Magnificat for soli, chorus and orchestra, with English text adapted by Henry S. Drinker. This vocal score is edited, and the orchestral accompaniment adapted for piano or organ, by Carl Deis. Songlist Deposuit Potentes (Mighty Ones) Cpe Bach Et Misericordia (And His Mercy) Cpe Bach Fecit Potentiam (His Arm Omnipotent) Cpe Bach Gloria Patri (Glory To Father) Cpe Bach Magnificat Anima (My Heart And Soul) Cpe Bach Quia Fecit Mihi (For The Lord) Cpe Bach Quia Respexit (Lo,He Regarded) Cpe Bach Sicut Erat (As It Was) Cpe Bach Suscepit Israel (His Servant) Cpe Bach

One of Bach's most beloved choral works here Andre Thomas makes the work more accessible for high school voices. For SSAATTBB chorus with continuo or optional instrumental ensemble the motet is a challenging advanced work well worth the time and energy!