Includes: 2 Vln Vla Cello Bass Continuo And Full Score. Instrumentation (Hmb190a): 2 Hn 2 Vln Vla Continuo And Full Score. Luigi Boccherini(1743-1805) Was The Product Of An Artistic Family (his father was a cellist his brother a dancer andpoet his sistera ballet dancer) and followed in his fathers footsteps as a cellistin his native town of Lucca Italy. His Gloria may have been composedbetween 1764 and 1766 possibly written under the influence of thecomposers roman teacher Costanzi when in service at the palatinechapel of Lucca. However this work may possibly be along with theKyrie part of the opus 59 mass composed in 1800 (now lost). Thecomposition is divided into six movements:1. Gloria In Excelsis - Chorus2. Laudamus - Soprano And Tenor Duet3. Qui Tollis - Chorus4. Qui Sedes E Quoniam - Bass Aria5. Cum Sancto I - Chorus6. Cum Sancto II - Chorus

Instrumental Accompaniment Set-Includes: 2 Violins Viola Cello Bass Continuo and Full Score

Instrumental Accompaniment Set-Includes: 2 Violins Viola Cello Bass Continuo and Full Score

Instrumental Accompaniment Set-Instrumentation: 2 Horns in G Violin 1 Violin 2 Cello Bass and Continuo

The spontaneity and charm of Mozart are evident in this brief choral work. Contrasting sections allow considerable space for musical interpetations. Two violins and cello or continuo help to create an authentic and stylistic performance. Originally written for the best soloists and instrumentalists in Munich this delightful work by the 19 year old prodigy is a joy and a challenge for any fine choir.

For chorus (SSATB) 2 clarinets 4 violins violoncello contrabass and basso continuo.

Banner's edition of Albrechtsberger's 'Te Deum in D' is of slightly more than medium difficulty. Performance time: approximately 10mins. _x000D_Instrumentation available (HMB16a): 2 Tpt Timp 2 Vln Cello Bass and_x000D_Continuo and Full Score.

Capellchor 2-Concerto for four-part select (solo) choir two four-part ripieno choirs (ad lib) a three-part solo Violin ensemble a three-part solo Trombone ensemble and Basso continuo (Cello or Organ).My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.Our full score contains a comprehensive preface (German English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation ofthe Latin text.- Full score and performance material available for sale (BA4334)