The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'. As an individual piece this song arranged for SATB Voices with Piano accompaniment is perfect for Christian settings especially during the Christmas season.

'Cette entente de aria Bertarido de de l'opéra' Rodelinda '(1725) de George Frideric Handel, peuvent être chantées en français ou en italien. L'anglais, cependant, n'est pas une traduction de la version originale en italien par Nicola Haym, mais un tout autre poème de WG Rothery, écrit en 1910. Il a été rendu célèbre par la contralto britannique Kathleen Ferrier.Dans l'opéra, l'aria est chantée entièrement par le soliste. Ici, j'ai donné la partie da capo d'un choeur. La partie de piano est une réduction des cordes d'orchestre et peut être réalisée avec un tel. '- Wayland Rogers, / Choeur Mixte (SATB) Et Piano

George Frideric Handel's Lord I Trust Thee for SATB choir and Organ From The Passion of Christ.

Thrill to the majesty of this brilliant chorus from George Frideric Handel's oratorio Solomon. The skillfully adapted accompaniment is accessible yet richly supportive. The contrasting fluid B section may be performed by solo voices. Your choir will sound its best with this masterful general praise anthem also suitable for Pentecost Christ the King Sunday and World Communion.

This is the Schirmer Edition Vocal Score of George Frideric Handel's Dixit Dominus a work for Soli Mixed Chorus and Piano or Organ accompaniment. This edition has been edited with a Keyboard reduction by William Herrmann.

Vocal score for George Frideric Handel's Joshua for Tonic Sol-Fa and SATB Chorus.

Vocal score for George Frideric Handel's Acis And Galate for Tonic Sol-Fa and SATB Chorus.

The 'Hallelujah' Chorus arguably the most famous choral work of the western classical tradition is the closing number of the second part of Handel's Messiah.Such is the strength of Handel's word setting that this empathic triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected remaining a firm favourite with choirs.The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event held in aid of local causes and in order to get the maximum attendance at Neale's new music hall in Fishamble Street men were asked to removetheir swords and ladies the hoops in their dresses.The tradition of standing during performances of the 'Hallelujah' Chorus still indulged at some performances in Britains is said to have been started by King George II at the work's opening run in London in 1743.

Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale

Croantion Anthem No.1-Zadok The Priest is a Coronation Anthem for King George II and has subsequently been heard at every coronation of the British Crown during the sovereign’s anointing. The opening choral entry of Zadok The Priest is one of the most striking moments in the choral repertory and typical of Handel’s grand rousing works. Scored for SSAATBB and Piano or Organ accompaniment and delightfully edited for this edition by Donald Burrows. Note: where possible the full division of the voices throughout the work should be observed to provide continual smooth transtitions.

Handel wrote his magnificent Zadock the Priest for the Coronation of King George II and Queen Caroline in 1727 and it has been performed at every British coronation since then. It is often used in royal weddings as well and is the television theme for the UEFA Cup champsionships.This Zadock the Priest is scored for SSAATB Chorus and Piano. Its familiar opening no longer carries the surprise element it once did with the mezzoforte String passage leading to a sudden tutti forte entrance with the words ‘Zadok the Priest’ but it retains its effectiveness. The middle passage is a dancelike ¾ rhythm before the work returns to stately 4/4 for the God Save the King alleluiasand amens.