SATB Choir and Piano

SKU: HL.14025548

Composed by Henry Hugo Pierson. Music Sales America. Classical. Choral Score. Music Sales #NOV400452. Published by Music Sales (HL.14025548).

SATB Choir

SKU: HL.14013963

Composed by Hugo Cole. Music Sales America. Classical. Choral Score. 10 pages. Music Sales #NOV05002005. Published by Music Sales (HL.14013963).

6.75x9.75x0.048 inches.

For SATB Choir A Cappella.

SATB Choir

SKU: HL.14032130

Composed by Hugo Alfven and Percy Faith. Arranged by Otto Leisner and Svend Saaby. Music Sales America. Classical. Vocal Score. Composed 2002. 8 pages. Edition Wilhelm Hansen #WH27371. Published by Edition Wilhelm Hansen (HL.14032130).

ISBN 9788759858127. 7.25x10.25x0.055 inches. International (more than one language).

SATB Choir, Piano - Level 3

SKU: CA.925600

Composed by Hugo Wolf. Arranged by Denis Rouger. Separate edition to the CD. Lieder, Secular choral music. Full Score. Duration 3 minutes. Carus Verlag #CV 09.256/00. Published by Carus Verlag (CA.925600).

ISBN M-007-24918-2. Key: D major. German. Text: Morike, Eduard.

Hugo Wolf set a total of 53 songs by Eduard Morike, all in the year 1888. The composer wrote in a letter: Once you have heard this song, it can only inspire one wish - to die. In the artistic-metaphysical milieu of the late 19th century this was regarded as the highest ideal, especially for Hugo Wolf, who believed in the body as a wretched piano case from which the soul can only break free like harmonies dying away. And yet Fussreise (Journey on Foot) begins as a simple, happy, elated song of travel, revolving around the key of D major over an ostinato piano rhythm. Old Adam believes he senses the bliss of paradise in this, but he continues to be caught in the tension between earthly suffering and eternal longing, as the rest of Hugo Wolf's setting clearly shows: it remains a pious hope that a whole life would be such a morning journey bathed in gentle perspiration. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

SSATB Choir, Piano - Level 3

SKU: CA.925200

Composed by Gabriel Faure. Arranged by Denis Rouger. Separate edition to the CD. Secular choral music. Full Score. Op. 2, No. 1. Duration 2 minutes. Carus Verlag #CV 09.252/00. Published by Carus Verlag (CA.925200).

ISBN M-007-24914-4. Key: A major. Language: French. Text: Hugo, Victor.

The exuberant amorousness of a newly-wed couple pulsates in every note of Gabriel Faure's Dans les ruines d'une abbaye (In the ruins of an abbey). In this piece, the reverent silence of prayer no longer prevails, but within the venerable walls various shouts of joy and sparkling laughter are now heard. The old graves have long been overgrown by stinging nettles, and a new dawn of spring and of love fills the air. Napoleonic post-revolutionary France, which drove the author of the poem, Victor Hugo, into exile, is also building a new world on the ruins of olden days. Although the setting by the composer, 40 years younger than the poet, uses the romanticized backdrop of the old abbey, with its 6/8-meter it reflects the uninhibited happiness of the two lovers, who do not look back. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).

Soli SSSTBB, SATB choir - Level 5

SKU: CA.1001105

Composed by Hugo Distler. Edited by Klaus-Martin Bresgott. This edition: urtext. Stuttgart Urtext Edition. Innovative practice aids, Sacred vocal music, Cantatas, Christmas. Choral Score. Composed 1933. 40 pages. Duration 40 minutes. Carus Verlag #CV 10.011/05. Published by Carus Verlag (CA.1001105).

ISBN 9790007165918. Text language: German.

In its touching tenderness, the Christmas Story op. 10 by Hugo Distler is one of the most beautiful temptations for any a cappella ensemble at Advent or Christmas time. With its scoring for four-part choir, from which all the soloists (Evangelist, Maria, Elisabeth, Herodes, Simeon) can easily be drawn, it is proof that the Christmas message can be conveyed with the same simple, sublime brilliance as with the old masters. The seven variations on Es ist ein Ros entsprungen which run through the work are much more than merely a framework for the story - they are also great music within themselves, making the work an extremely suitable and useful addition to the repertoire. Score available separately - see item CA.1001100.

(Limu, limu, lima). By Hugo Alfven (1872-1960). Arranged by Hugo Alfven. For SATB choir (a cappella). Octavo. Language: Swedish. 4 pages. Published by Gehrmans Musikforlag

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500911

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 1. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/11. Published by Carus Verlag (CA.3500911).

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500919

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 12 minutes. Carus Verlag #CV 35.009/19. Published by Carus Verlag (CA.3500919).

ISBN M-007-25284-7. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB choir, soprano voice solo, tenor voice solo

SKU: GH.SK-12

Composed by August Soderman / Halfdan Kjerulf. Arranged by Hugo Alfven. Octavo. With Language: Danish, Swedish. 4 pages. Gehrmans Musikforlag #SK 12. Published by Gehrmans Musikforlag (GH.SK-12).

185 x 262 mm inches. Text: Zacharias Topelius / Christian Winther.

Tva stycken av August Soderman arrangerade for blandad kor (Sjung, sjung) och sopran- och tenorsoli med blandad kor (Kan det troste) av Hugo Alfven.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500903

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Vocal score. Duration 12 minutes. Carus Verlag #CV 35.009/03. Published by Carus Verlag (CA.3500903).

ISBN M-007-24549-8. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500949

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Organ. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/49. Published by Carus Verlag (CA.3500949).

ISBN M-007-24550-4. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500915

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Basso continuo. Sacred vocal music, Masses, Latin. Single Part, basso continuo. Duration 12 minutes. Carus Verlag #CV 35.009/15. Published by Carus Verlag (CA.3500915).

ISBN M-007-25283-0. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

Kiel Shomrenu - S.A.T.B., A Cappella. By Hugo Weisgall. Text: Anonymous. SATB chorus and keyboard. For SATB, Piano Rehearsal. Choral. Piano/Vocal Score. 3 pages. Published by Theodore Presser Company.