SKU: HL.345819

UPC: 840126920833.

Fragments Of Requiem for 12 Voices was composed by Bent Sorensen in 2007. The Requiem also consists of movements by Johannes Ockeghem from his &ldquo,Missa pro defunctis&rdquo, (15th Century). Written for Ars Nova Copenhagen and Paul Hillier, with support from The Danish Arts Council. In addition to the Missa Pro Defunctis by Johannes Ockeghem, to perform the complete work the following separate pieces by Bent Sorensen are required: KP01307 - Recordare WH29967 - Lacrimosa KP01298 - In Paradisum.

SKU: CA.5032104

ISBN 9790007244613. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.

SKU: CA.9700405

ISBN 9790007111489. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. Score available separately - see item CA.9700400.

SKU: CA.2732119

ISBN M-007-25337-0. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

SKU: CA.2732113

ISBN M-007-25437-7. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

SKU: CA.2732102

ISBN M-007-25441-4. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

SKU: CA.2732100

ISBN M-007-24051-6. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

SKU: CA.4049630

ISBN 9790007070670. Key: D flat major. Language: German/English. Text: Hebbel, Friedrich. Text: Friedrich Hebbel.

SKU: CA.9700400

ISBN 9790007113155. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764.

SKU: CA.9700413

ISBN 9790007238834. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. Score and part available separately - see item CA.9700400.

SKU: CA.9700419

ISBN 9790007133764. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. Score and parts available separately - see item CA.9700400.

SKU: CA.9700449

ISBN 9790007238858. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. Score and part available separately - see item CA.9700400.