Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, SATB choir, orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) - Level 3

SKU: BA.BA04538-02

The Requiem, completed by Franz Xaver Süßmayr, in its traditional form. Composed by Franz Xaver Süßmayr and Wolfgang Amadeus Mozart. Edited by Leopold Nowak. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. K. 626. Duration 12 hours. Baerenreiter Verlag #BA04538_02. Published by Baerenreiter Verlag (BA.BA04538-02).

ISBN 9790006565320. 31 x 24.3 cm inches. Text Language: Latin. Preface: Leopold Nowak.

How practical! Mozart'sRequiemis now appearing in this handy, soft-cover and affordable full score to complement the substantial linen-bound complete edition volume.

The tried and tested musical text of theRequiemremains the same, whilst the Foreword has been revised and supplemented by an English translation.

About Barenreiter Urtext

MixedCh (SATBB) (Mixed choir (SATBB))

SKU: BA.BA25025

Composed by Johannes Brahms. Edited by Peter Schmitz. This edition: urtext edition. Stapled. Barenreiter Urtext. From Zwei Motetten for 5-part mixed choir a cappella. Choral score. Opus 29. 11 pages. Baerenreiter Verlag #BA25025_00. Published by Baerenreiter Verlag (BA.BA25025).

ISBN 9790006569410. 29.7 x 21 cm inches. Language: German.

The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.

These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 â?? BA 25037).

About Barenreiter Urtext

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“Almira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

SATB choir/basso continuo (2 SATB Choir, Continuo)

SKU: BA.BA10560

Composed by Johann Pachelbel. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 10. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10560_00. Published by Baerenreiter Verlag (BA.BA10560).

ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

SSATB choir/orchestra (SSATB Choir, Orchestra)

SKU: BA.BA10555

Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 5. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10555_00. Published by Baerenreiter Verlag (BA.BA10555).

ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

MixedCh-SATB (Mixed choir (SATB))

SKU: BA.BA25036

Composed by Johannes Brahms. Edited by Peter Schmitz. This edition: urtext edition. Single sheet. Barenreiter Urtext. From Drei Motetten for 4 and 8-part choir a cappella. Choral score. Opus 110. 2 pages. Baerenreiter Verlag #BA25036_00. Published by Baerenreiter Verlag (BA.BA25036).

ISBN 9790006569526. 29.7 x 21 cm inches. Language: German.

The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.

These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 – BA 25037).

About Barenreiter Urtext

MixedCh-SATB (Mixed choir (SATB))

SKU: BA.BA25020

Composed by Johannes Brahms. Edited by Peter Schmitz. This edition: urtext edition. Single sheet. Barenreiter Urtext. From Marienlieder for mixed choir a cappella. Choral score. Opus 22. 2 pages. Baerenreiter Verlag #BA25020_00. Published by Baerenreiter Verlag (BA.BA25020).

ISBN 9790006569366. 29.7 x 21.4 cm inches. Language: German.

The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.

These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 – BA 25037).

About Barenreiter Urtext

SATB Choir (Mixed choir (SATB)) - Level 4

SKU: BA.BA07590-91

Composed by Giuseppe Verdi. Edited by Marco Uvietta. This edition: urtext edition. Stapled. Barenreiter Urtext. Choral score. 63 pages. Baerenreiter Verlag #BA07590_91. Published by Baerenreiter Verlag (BA.BA07590-91).

ISBN 9790006569090. 27 x 19 cm inches. Text Language: Latin.

This choral score completes the performance material for this now well-established Urtext edition of Verdi's monumental funeral mass.

About Barenreiter Urtext

MixedCh-SATB (Mixed choir (SATB))

SKU: BA.BA25022

Composed by Johannes Brahms. Edited by Peter Schmitz. This edition: urtext edition. Single sheet. Barenreiter Urtext. From Marienlieder for mixed choir a cappella. Choral score. Opus 22. 2 pages. Baerenreiter Verlag #BA25022_00. Published by Baerenreiter Verlag (BA.BA25022).

ISBN 9790006569380. 29.7 x 21 cm inches. Language: German.

The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.

These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 – BA 25037).

About Barenreiter Urtext