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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Choral SATB
SATB, Organ
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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The Oxford Book Of French Chansons
Choral SATB
SATB A Cappella
Oxford University Press
Edition de Frank Dobbins 352 pages 220x142mm The 84 chansons in this collectio...
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Edition de Frank Dobbins 352 pages 220x142mm The 84 chansons in this collection are mainly for SATB, and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre. SATB unaccompanied Arcadelt: D'un Extreme Regret Arcadelt: Je Ne Suis Pas Si Tot Beaulaigue: Comme Serait a Moi Benedictus/Appenzeller: Je Ne Me Puis Tenir D'Aimer Bertrand: Hola, Caron Bertrand: Je Suis un Demi'Dieu Boni: Ha, Bel Accueil Boni: J'espere et Crains Bonnet: Francion Vint L'Autre Jour Buus: Douce Memoire Caietain: Une Puce Canis: Mariez Moi Mon Pere Castro: Ah! Je Meurs Castro: Je Suis Quasi Certon: J'espere et Crains Certon: Je Suis Desheritee Certon: La, La, La, Je Ne L'ose Dire Certon: Que N'est Elle Aupres de Moi Clemens: Jaquin Jaquet Clereau: Comme Un Qui Prend Cornet: Avecque Vous Coste: Celle Fillette Costeley: Arrete Un Peu Mon Coeur Costeley: Mignonne, Allons Voir si la Rose Crecquillon/Manchicourt: Un Gai Berger Crecquillon/Manchicourt: Un Doux Regard De Bussy: Qu'heureuse est ma Fortune Du Caurroy: Las! Amour Entraigues: Complainte de la Tourterelle Fevin: petite Camusette Gardane: Douce Memoire Gervaise: Si L'on Doit Prendre Gombert: Changeons Propos Vous Etes Trop Jeune Goudimel: Qui Renforcera Ma Voix Jacotin: A Paris a Trois Fillettes Janequin: Au Joli Jeu du Pousse Avant Janequin: La Plus Belle de la Ville Janequin: Le Chant de Oiseaux Janequin: Or Vien Ca, Vien M'amie Janequin: Pourquoi Tournez Vous Vos Yeux Josquin: En L'ombre d'un Buissonet Josquin: Faute d'Argent Josquin: Mille Regrets Josquin: Petite Camusette Josquin: La Moeulle Josquin: Si Je Maintiens Ma Vie Lassus: Bonjour Mon Coeur Lassus: La Nuit Froide et Sombre Lassus: Quand Mon Mari Lassus: Une Puce Le Blanc: Dames en qui Reluit Toute Beaute Le Jeune: Ce n'est que Fiel Le Jeune: J'aime la Pierre Precieuse Le Jeune: Revoici Venir du Printemps Le Jeune: Susanne un Jour Lupi Second: Une Dame Pour Mieux Venir Lupus/Cadeac: Je Suis Desheritee Maille: A Qui Me Dois Je Retirer? Mauduit: Voice le Vert et Beau Mai Meigret: Un doux Regard Millot: O Ma Belle Maitresse Mittantier: Moins je la veux Monte: Bonjour mon coeur Mornable: Je Ne Me Confesserai Point Mouton: En Venant de Lyon Ninot le Petit: Et la la la Passereau: Il est bel et bon Pevernage: D'Etre Amoureux Phinot: Pleurez Mes Yeux Planson: Puis Que Le Ciel Veut Ainsi Regnard: Las, Je Me Plains Richafort: Trut Avant Il Faut Boire Roussel: Mon Coeur a Vous, Belle, se Recommande Sandrin: Douce Memoire Sandrin: Puisque Vivre en Servitude Sermisy: Jouissance Vous Donnerai Sermisy: Martin Menait Son Pourceau Sermisy: Tant Que Vivrai Susato: Douce Memoire Tessier: Non, Vous N'etes pas Yeux Villiers: Si Vous Voulez Waelrant: D'Amourss Me Va Willaert: Qui la Dira Willaert: Sur le Joli Jonc
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Requiem KV 626 (MOZART WOLFGANG AMADEUS)
Choral SATB
SATB, Orchestra
[Score]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xave...
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Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xaver Sussmayr, in its traditional form. Mozart's final work, the Requiem K. 626, was left incomplete and it is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer's early death, truth and legend, fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Sussmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart's thoughts. - Urtext of the New Mozart Edition - Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22. 5 x 16. 5cm (TP152) available for sale - Facsimile edition BVK2346/ Répertoire / Orchestre
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Coronation Gloria In Bb
Choral SATB
SATB, Organ
Stainer and Bell
The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coro...
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The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coronation of HM King George V on 22 June 1911. It was an occasion of some note in the annals of British music, for Elgar's Coronation March and Parry's grand festival Te Deum were also heard for the first time that day. In addition, there was music by Thomas Tallis, Orlando Gibbons and Sir John Stainer, as well as by the Master of the King's Music and organist of St George's Chapel, Windsor, Sir Walter Parratt. It was published the following year as part of Stanford's Opus 128, the Festal Communion Service for voices and orchestra, which was also made available withthe accompaniment arranged by the composer for organ. However, such was the popularity of the Gloria, a magnificent and wholly representative example of Stanford's genius for church music, that it soon became popular as a separate piece, either with organ or orchestral accompaniment, and it was included in the orders of service for the coronations of HM King George VI on 12 May 1937 and HM Queen Elizabeth II on 2 June 1953./ Recueil / Choeur Mixte (SATB) et Orgue
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Sing Pop A Cappella - Book Three - Book - Audio Download
Choral SATB
SATB A Cappella
[Sheet music + Audio access]
Novello & Co Ltd.
Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop ...
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Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano
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Lallegro, Il Penseroso Ed Il Moderato (HAENDEL GEORG FRIEDRICH)
Choral SATB
[Score]
Barenreiter
Oratorio in three parts. Par HAENDEL GEORG FRIEDRICH. In quite characteristic fa...
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Oratorio in three parts. Par HAENDEL GEORG FRIEDRICH. In quite characteristic fashion for the times, Handel's opera ; Alessandro looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel's opera is Alessandro being in love with two women, Lisaura and Rossane, who compete for his favour. In addition, his claim to be of divine parentage is underlined, occasioning him to demand the subservience of his followers, which meets with vigorous disapproval. Handel composed ; Alessandro for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King's Theatre in London on 5 May 1726. ; Alessandro was the first of five operas for the Royal Academy, operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni. Ortensio Mauro's libretto ; La superbia d'Alessandro, which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title ; Il zelo di Leonato but with numerous alterations, served as the source text for Handel's ; Alessandro. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced, yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view, it made good sense, for such rivalry would surely increase public interest in the opera. It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33, Handel made substantial revisions to the opera: six numbers were deleted in their entirety, the finale in part as well, and the recitatives were made much shorter, with the parts of Cleone and Leonato omitted / Oratorio / Répertoire / Choeur Mixte
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Da pacem Domine (PART ARVO)
Choral SATB
Universal Edition
Par PART ARVO. Arvo Pärt wrote the prayer of peace 'Da pacem Domine' to fulfil ...
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Par PART ARVO. Arvo Pärt wrote the prayer of peace 'Da pacem Domine' to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004 as his personal tribute to the victims. Since then 'Da pacem Domine' has been performed every year in Spain to commemorate the victims of this terrorist attack. Even while originally composing this four-voice piece, Pärt made allowances for variable scorings. As a result, it exists in several versions, not only for voice but also entirely for instruments. Wolfgang Sandner Da pacem Domine in diebus nostris quia non est alius qui pugnet pro nobis nisi tu Deus noster. Give peace, O Lord, in our time because there is no one else who will fight for us if not You, our God./ Répertoire / Choeur Mixte SATB
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Little Lamb Who Made Thee? (ROREM NED)
Choral SATB
SATB, Organ
Boosey and Hawkes
Par ROREM NED. / Feuillet / Choeur Mixte et Orgue
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Joyful Praise
Choral SATB
SATB, Organ
Kevin Mayhew
/ Choeur Mixte Et Orgue
28.40 EUR - Sold by LMI-partitions
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The Novello Book Of Hymns
Choral SATB
Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...
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The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
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Lord, Who Hast Made Us For Thine Own. Psalm 148 (HOLST GUSTAV)
Choral SATB
[Sheet music]
Stainer and Bell
Par HOLST GUSTAV. SATB and organ./ Répertoire / SATB
5.30 EUR - Sold by LMI-partitions
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