Written by Phil Everly of the Everly Brothers this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show! Written by Phil Everly of the Everly Brothers this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show!

A Choral selection with a difference! This selection of pieces from West Side Story contains three numbers for mixed voices one number for 3 part women's voices and one number for four-part men's voices in order to give any performance more colourful and to give performers an opportunity for variety of tone colour and performance style.

A syncopated opening bass lick lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and form, indicative of the great spiritual tradition. Strong choral writing, with some divisi in the women's voices as the impassioned piece unfolds. / Choeur SATB A Cappella

My Country 'Tis Of Thee arranged by Mack Wilberg for SATB Choir and Organ or Orchestra.This noble and patriotic piece is a setting of the well-known tune 'America' (also known as the British National Anthem). Wilberg's setting opens effectively with unaccompanied unison male voices before the accompaniment creeps in quietly. A women's verse then follows before full choral homophony creates an atmosphere of worship and optimism.

This 1981 hit for The Manhattan Transfer is now a hot new choral arrangement from Greg Jasperse. A driving beat leads this chart of fresh new chord changes and rhythmic surprises. Terrific for show jazz or concert choirs and the SSA voicing will thrill your women's groups! Available separately: SATB SSA Digital Instrument Pack (guitar bass drums). Duration: ca. 3:10.

Sweet Honey in the Rock's musical sound has been described in High Fidelity magazine as “breathtaking excursions into harmony singing” and in Down Beat as “neck-hair raising”. This six-memberAfrican-American a cappella women's group has just celebrated its 25th anniversary. This wonderful collection compiled and edited by Ysaye M. Barnwell features three original compositions and one traditional song arrangement byeach of the five singing members. The songs are presented in choral score for easy use by vocal ensembles. Also includes a moving foreword by Harry Belafonte an introduction by Horace Clarence Boyer the group's“Her-story ” a discography with album covers photos and extensive composer's and performance notes. Available: SATB divisi a cappella. Also available: “Singing in the African-American Tradition” taughtby Ysaye M. Barnwell with George Brandon.

from The War-Ken Burns' powerful PBS Series The War featured this contemporary song by Gene Scheer beautifully performed by Norah Jones. The lyrics speak to the sacrifice selflessness and bravery of the men and women who fought onthe front lines and the home front during World War II. This setting is accessible to most choral groups and will be a wonderful tribute to those we seek to honor. Available separately: SATB SAB SSA ShowTrax CD. Duration: ca.3:35.

This edition of Cantate Domino is an arrangement for women's voices in which a relatively broad spread of a men's choir is narrowed down to the more limited sonorous range of a women's chorus. This re-arrangement attempts to preserve something of the solidity and brilliant sonority of Hassler's original arrangement for men. For SSAA a cappella.

Autumn gives a final sigh smoky clouds across the sky. Now the snow begins to fly on the breath of winter. Gorgeous imagery captured in a choral work that is elegant and mysterious accompanied by compelling piano writing. For mixed voices as well as women this simple and poetic choral will be a stunning moment to be remembered.

Based on O Waly Waly-Penny Rodriguez has set a famous Christina Rossetti text to the music of the traditional English O Waly Waly. It is a creative choral work that is simple in its harmonic beauty. Unison singing echoing phrases between menand women's voices and a full homophonic verse all hover above an elegant and light piano accompaniment.

A Proclamation of Hope-Featuring music from an all-star cast of composers: Michael Cox Patti Drennan David Friedman Jill Gallina Alice Gomez W.T. Greer Stefania de Kenessey Rosephanye Powell Joseph M. Martin Robert SeeleySingfor the Cure is a 60-minute 11-song choral collection with full orchestration or piano accompaniment. Based on true stories of breast cancer survivors the individual pieces are powerful enough to be used alone or groupedfor a mini-program. October is Breast Cancer Awareness Month; plan now to honor the members of your community whose lives have been touched by this struggle. The work includes promotional ideas to support this life-changing work.Don't miss the opportunity to Sing for the Cure and celebrate the lives of courageous women in your community!Benefitting Komen for the Cure

Familiar and original words combine with two well-known melodies creating a refreshing and lovely work for Christmas and winter. With ease and grace this choral is a musical setting worthy of any December performance for mixedvoices as well as men's and women's ensembles.

Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship.  At the end of his song he jumps overboard and one of the dolphins carries him to safety.  So Arion’s musical gift gets him into trouble but it is also his salvation.   The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.”  However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there.  Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill.  This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this