Sarah Quartel's Snow Angel for SSAA solo Cello Djembe and Piano. Already a firm favourite with choirs across the world Snow Angel is an evocative five-movement choral work that explores themes of love rebirth and beauty through the eyes of children and the heavenly army of angels that watch over them yearning to make a difference to their lives. The work may be performed with narration in which three angels present their perspectives on their earthly charges. Sarah Quartel weaves a haunting and poignant Cello line throughout the work and a vibrant part for Djembe in movement four 'Sweet child' carriesthe listener from the ethereal and mystical realm the work predominantly inhabits into an emphatic anthem with a distinctly African feel. The musical language is emotive and pictorial allowing performers to play an active role in the storytelling. Snow Angel is also available in a version for SATB.

Par CHILCOTT BOB. for SSA and piano In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience together in a celebration of all that unites us. Also available in its original scoring for mixed voices and piano. / Date parution : 2022-11-08/ Recueil / Choeur SSA et Piano

It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind.The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity.Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound. / Choeur De Femmes (SSAA) A Cappella

John Tavener's popular setting of The Lord's Prayer is arranged here for Upper Voices and Piano or Organ by Barry Rose. The Lord's Prayer was originallycommissioned by the Guildford Philharmonic for the Tallis Scholars and first performed on 10th March 2000 by them at Holy Trinity Church Guildford.  This arrangement received a positive review fromGeoffrey Webber in the January/February 2016 edition of Choir & Organ.

Uses: General Lent Scripture: Psalm 55:22: I Peter 5:7 Now available for women's voices! From the initial sounds of a beloved spiritual to the jazzy original tune that forms the body of the piece this energetic anthem is a proven crowd pleaser! The theme is quickly learned and the fun accompaniment adds just enough spice to make this piece a recipe for success. For general or concert use you just can't go wrong!

The poem by Yeats that serves as the text for this Ron Kean piece has been set by many fine composers. Ron's approach is unique bringing in overtones through whirlies to add an ultra-spiritual dimension to the impact of the work. Ron's vocal writing is always careful pulling lines into one another with suspended results. Singers simply love to sing them because everyone is equally important. Selected for the Iris Levine Treble Chorus Series this piece fits any general program for advanced treble high school college and community choir. Medium.

We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.

This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriteridiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: FullPerformance and Part Dominant MP3's are for the SATB voicing only.

Based on a cantillation melody collected by the composer's father in the 1920s this short work suggests ancient origins. The tonality reflects very little of the modes we often associate with oriental or Middle Eastern music. Themelismas are restrained and discreet and the prevailing atmosphere of the music is quietly loving pure and exalted.

Silent Night-Jackson Berkey's fantastic 1995 setting of Franz Gruber's Christmas classic now available in a SSAA arrangement. The music fuses two Christmas themes: Still Still Still and Silent Night. With Harp or Piano accompaniment. Also available for SATB and TTBB choirs.

O Saviour of the World. Composed for unaccompanied SSATB with an English text from the Book of Common Prayer. This five-minute anthem was written for the UK?s Thomas Tallis Society, having in mind Tallis?s famous work for 5 voices with latin text, Salvator Mundi. The music matches the sense of anguish in the text.

This is every performer's anthem! From the Broadway classic A Chorus Line this a cappella setting will leave your audience spellbound! Available for SATB SSAA TTBB a cappella. Performance Time: Approx. 3:40.

Psalm 98:4-8-Upbeat and uptempo this joyous anthem could be used in both worship and concert. Its accessible Vocal writing alternates between unison and harmonic passages and a straightforward Piano part further supports the choir making this a perfect choice for church or school mixed choirs.

Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.