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You've Selected:
It\\\\\\\'s
Choral SSAA
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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1 Piano, 6 hands (25)
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Violoncello, Basso continuo (25)
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Hautbois et Quatuor à Cordes (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois, Flûte à Bec F1 ou … (24)
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Trompette 2 Violons 1 Alto 1 V… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Quatuor de Cordes (24)
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2 Violons, Alto, Violoncelle e… (24)
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Trompette 3 Clarinettes Sib 1 … (24)
Flûte Traversière et 4 Clari… (24)
Clarinette ou Trompette ou Vio… (24)
Choeur Mixte (SATTB/SATTB), So… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
String Quintet: 2 violins, vio… (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
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Trombone Solo (23)
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String trio (18)
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Lyrics only (16)
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Xylophone (16)
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Opéra Full Score (16)
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Choeur Mixte et Orchestre (15)
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Gemischter Chor (SSATB/SSATB/S… (15)
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Chorale d'Enfants et Piano ou … (15)
Livret (15)
Trumpet, Trombone (duet) (15)
Guitare (Flatpick) Et Plectre (15)
Clarinette Solo (15)
Clarinette, Violoncelle et Pia… (15)
Saxophone en Mib et Piano (15)
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1 Ou Plusieurs Flûte(s) A Bec… (15)
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Ukulele Ensemble (15)
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Petit Choeur SMsTTBarB, 2 Viol… (14)
3 Violons, Instruments à Cord… (14)
Petit Choeur SSATTB, 2 Violons… (14)
3 Cors, 2 Violons, Alto, Violo… (14)
SATB, (4 InstrumentS Basse et … (14)
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SB, 4 Parties Mixtes et Orches… (14)
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Exemplaire Complet (14)
Solistes STB, Choeur SATB, Tro… (14)
Solistes SATB, Choeur SATB, 2 … (14)
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Octuor Mixte (12)
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Choeur d'Enfants à 2 Parties … (12)
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2 French horns (duet) (12)
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Hautbois 1 Clarinette en Sib 1… (12)
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Octuor à vent (12)
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Quintette Mixte (12)
Clavecin, 2 Violons, Alto et V… (12)
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Violon 1 (12)
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Choeur SSATB, 2 Clarines, 2 Vi… (11)
Choeur SATB, 2 Flûtes Travers… (11)
Solo à (Choeur A), 2 Trompett… (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
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Petit Choeur SSATB, 3 Trombone… (11)
Flute, Clarinet and Bassoon. (11)
Ensemble Divers (11)
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3 Hautbois et Cor Anglais (11)
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Choeur SATB/SATB, (2 HautboiSB… (11)
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Petit Choeur SAT et 2 Violons,… (11)
Petit Choeur SSABar/TTBarB, Co… (11)
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Choeur SATB/SATB et Basse Cont… (11)
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Orgue, 2 Hautbois, Cor Anglais… (10)
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Solo S, Choeur SATB, 2 Clarine… (10)
Baryton et Orchestre (10)
Petit Choeur ATB, 2 Violons, (… (10)
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Petit Choeur SSBar, Grand Choe… (10)
Petit Choeur SSTB, 2 Violons, … (10)
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Choeur SATB/SATB, (Orgue et 8 … (10)
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Orchestre Scolaire (2 Flûtes … (10)
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Choeur SSATTB et 6 Instruments… (10)
2 Choeurs Instrumentaux à 4 P… (10)
Recorder, Bass Continuo (10)
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Orchestre à Cordes et Piano A… (9)
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Béla Bartók: Choral Works: Upper Voices A Cappella: Vocal Score
Choral SSAA
SSAA A Cappella
[Vocal Score]
EMB (Editio Musica Budapest)
For Children's and Female Voices. Béla Bartók Complete Critical Edition (Z. 15...
(+)
For Children's and Female Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.
16.99 GBP - Sold by Musicroom UK
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8 Romantic Partsongs Ssaa Acc. (Cps) (BRAHMS JOHANNES)
Choral SSAA
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Faber Music Limited
Par BRAHMS JOHANNES. Chaleur et lyrisme caractérisent la sortie distingué de B...
(+)
Par BRAHMS JOHANNES. Chaleur et lyrisme caractérisent la sortie distingué de Brahm pour les plus petits chorales. Cette sélection présente ses paramètres enrichissantes plus accessibles pour les chorales de voix supérieure. / Date parution : 1995-11-15/ Répertoire / SSAA
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Felix Mendelssohn Bartholdy: Midsummer Night's Dream: SSAA: Vocal Score
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Mendelssohn’s A Midsummer Night’s Dream incidental music to the pl...
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Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.
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Meredith Willson: It's Beginning to Look Like Christmas: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
Here's a campy doo-wop setting of the Meredith Willson classic. Don't miss it! A...
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Here's a campy doo-wop setting of the Meredith Willson classic. Don't miss it! Available: SATB a cappella SSAA a cappella. Performance Time: Approx. 2:00.
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Gartan Mother's Lullaby: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Pavane Publishing
The word lullaby conjures up a gentle bedtime song and true to form Gartan Mot...
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The word lullaby conjures up a gentle bedtime song and true to form Gartan Mother's Lullaby is that and so much more. Under arranger Jaysmith's care there comes an added mystery and caress rich with images of crickets and fog and lambs and such. Delicately written for treble chorus appropriate for high school college and community ensembles. Medium.
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Brad Printz: Holiday Reflection: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Brad Printz has written a gorgeous holiday postcard. It's so very lyrical and le...
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Brad Printz has written a gorgeous holiday postcard. It's so very lyrical and lends itself to teaching phrasing and blend. The text makes it appealing for either holiday concerts or non-holiday winter concerts. The theme of Brad'schoral reminds us to value family and the love of those around us in our lives.
13.75 GBP - Sold by Musicroom UK
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Eddie Pola: It's the Most Wonderful Time of the Year: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
It's the Most Wonderful Time of the Year
13.75 GBP - Sold by Musicroom UK
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Hugh Charles Ross Parker Vera Lynn: We'll Meet Again (Novello Ladies'
Choral SSAA
SSAA
[Sheet music]
Novello & Co Ltd.
We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 19...
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We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.
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Peggy Lee Dave Barbour: It's a Good Day: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Sheet music]
Barbershop Harmony Society
An all-purpose uptune perfect for all audiences and performance settings. Use i...
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An all-purpose uptune perfect for all audiences and performance settings. Use it as a show opener icebreaker even a closer. Lloyd Steinkamp's arrangement is propulsive exuberant and fairly quick to learn. Try this one at youth camps and outreach events -- we offer it in voicings for men's or womens voice's.
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30 Sacred Masterworks for Upper Voices: Upper Voices: Vocal Score
Choral SSAA
SSAA, Piano
-
Intermediate
Faber Music Limited
30 Sacred Masterworks presents a wealth of invaluable original repertoire for Up...
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30 Sacred Masterworks presents a wealth of invaluable original repertoire for Upper Voice choirs selected and edited by Judith Blezzard.Part of Faber Music's acclaimed Choral Programme series this practical resource features many new performance editions from Medieval to Modern Renaissance to Romantic.A vibrant and versatile collection that will cater for services concerts and events throughout the year.
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Otis Redding Steve Cropper: (Sittin'on) The dock of the bay: Upper Voices a
Choral SSAA
SSAA A Cappella
-
Easy
Hal Leonard
Otis Redding's classic ballad was a huge hit in 1968 and still remains popular t...
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Otis Redding's classic ballad was a huge hit in 1968 and still remains popular to this day. A soulful and lazy song that manages to be both uplifting and moving and exemplifies Redding's prestigious talent.This wonderful arrangement by Mac Huff is for an unaccompanied SSAA upper voice choir. A pleasing and effective setting faithful to the original with easy-going vocal harmonies.
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Robert Schumann: Little Folk Song: SSAA: Vocal Score
Choral SSAA
Paterson's Publications
Little Folk Song
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Jacobus Handl Handl: O beata Trinitas: Upper Voices A Cappella: Choral Score
Choral SSAA
SSAA divisi, A Cappella
Oxford University Press
O beata Trinitas. for SSAA double choir unaccompanied. In this compelling motet ...
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O beata Trinitas. for SSAA double choir unaccompanied. In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.
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Aaron Copland: Old American Songs (SA): Children's Choir: Vocal Score
Choral SSAA
SSAA, Piano
Boosey and Hawkes
Choral Suite-Introduce your choirs to the music of America's best known composer...
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Choral Suite-Introduce your choirs to the music of America's best known composer Aaron Copland. Carefully edited and arranged it preserves the original accompaniment and makes an excellent concert feature. For children's or female choir and piano.
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Antonio Vivaldi: Gloria RV 589 - SSAA: SSAA: Score
Choral SSAA
SSAA
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Peter Maxwell Davies: A Dream of Snow: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
-
Intermediate/advanced
Chester
A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the tex...
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A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing forchildren: straightforward tender affectionate yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointillisteallusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown' and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant?
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Witness: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Gentry Publications
Halloran's setting of this spiritual has long been established as the definitive...
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Halloran's setting of this spiritual has long been established as the definitive arrangement. Dick Bolks has revoiced it for SSAA choir and included an accompaniment. Jack's classic edition rings through thanks to Mr. Bolks' superb handling of the task.
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Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Antonio Vivaldi: Kyrie RV 587 - SSAA: Mixed Choir: Vocal Score
Choral SSAA
[VHS]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Jerome Kern: Can't Help Lovin' Dat Man: SSAA: Vocal Score
Choral SSAA
SSAA
[Staff Paper]
Novello & Co Ltd.
Novello Ladies' Barbershop- Can't Help Lovin' Dat Man was a song with music by J...
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Novello Ladies' Barbershop- Can't Help Lovin' Dat Man was a song with music by Jerome Kern and lyrics by Oscar Hammerstein composed for the musical 'Showboat'. Associated with many of the greatest singers ever this beautiful work about forbidden love is a touching and heartbreaking ballad. Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two staves for easy Piano rehearsal. The sound of a Ladies' Barbershop singing this smooth tune with romantic overtones and heart rendingundertones would be a memorable event for all involved. It's a fun song to sing and the bittersweet harmonies make it all the more emotional. A series of outstanding songs taken from the bestselling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs.
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Pierre Passereau: He's A Pretty Cuckoo: SSAA: Vocal Work
Choral SSAA
SSAA, Piano
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Il Est Bel Et Bon (SSAA) English/French-Renaissance French composer Pierre Passe...
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Il Est Bel Et Bon (SSAA) English/French-Renaissance French composer Pierre Passereau was a popular creator of chanson rustiques in Paris and at court the early 1500’s. The songs that survive are almost all of a hearty style with plenty of onomatopoeia double entendres puns and occasional indelicacies employing graceful melody polyphony and sometimes chordal passages.Il es bel et bon has retained popularity almost since it was written. There is evidence that this song was sung as far away as Venice in the 1500's. Here composer Helen Cockburn makes the most of the delightful clucking cuckooing passages and the English words have retained most of the original’s consonants to good effect.
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Andrea Ramsey: Puer Nobis Nascitur: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Boosey and Hawkes
score for voice and/or instruments-Alternating chant style with up-tempo rhythm...
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score for voice and/or instruments-Alternating chant style with up-tempo rhythmic sections this piece written for the Allegro Community Children's Choirs of the greater Kansas City area is an ideal work for combining choruses of varied levels.
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John Corigliano: One Sweet Morning: Children's Choir: Vocal Score
Choral SSAA
SSAA
[Sheet music]
Schirmer
Transient Glory Series-The composer writes: Set to a text by E.Y. Yip Harburg l...
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Transient Glory Series-The composer writes: Set to a text by E.Y. Yip Harburg lyricist of the film The Wizard of Oz and the musical Finian's Rainbow this work looks forward to one sweet morning when out of the flags and the bones buried under theclover spring will bloom and _x001A_Peace will come. It is an exalted prayer for the future and when sung by young people who are the future has special meaning.
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Rebecca Clarke: Chorus from Shelley's 'Hellas': Women's Choir: Vocal Score
Choral SSAA
SSAA A Cappella
[Vocal Score]
Oxford University Press
for unaccompanied five-part women's chorus (SSSAA) Although quite short this is...
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for unaccompanied five-part women's chorus (SSSAA) Although quite short this is one of Clarke's boldest and in some respects most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.
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5 Spanish Christmas Songs
Choral SSAA
SSAA
Schott
Le compositeur espagnol-allemand Raquel Cristobal, déjà fait avec votre pièce...
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Le compositeur espagnol-allemand Raquel Cristobal, déjà fait avec votre pièce gagnante du Concours de Composition de l'Association Chorale NRW 'To the Moon' (C 55497) pour attirer l'attention, nous donne au moment de Noël nouveaux arrangements de chansons populaires de Noël à son domicile espagnol dans diverses professions.Le nouveau genre pour chaque chorale sélection composée de morceaux exquis est un enrichissement du répertoire de Noël international. Pour fournir ce pays est toujours airs inconnus plutôt une alternative parfaite aux nombreux chants déjà souvent entendu et sera sûrement bientôt morceaux préférés pour son prochain concert de Noël! / Choeur De Femmes A Cappella
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David Dickau E.E. Cummings: i carry your heart with me: Upper Voices a Cappella:
Choral SSAA
[Vocal Score]
Walton Music
Already a success with advanced high school and college choirs in its mixed and ...
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Already a success with advanced high school and college choirs in its mixed and men's versions this impressive yet romantic piece in a new treble chorus setting is well-suited for festival high school college and beyond. Beautiful and expressive! Also available for SATB and TTBB. Duration: ca. 4:00.
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Bent Sørensen: Søstrene - Suite Fra 'Den Lille Havfrue': SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Wilhelm Hansen
Søstrene - Suite Fra 'Den Lille Havfrue' for Girl's Choir SSAA was composed b...
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Søstrene - Suite Fra 'Den Lille Havfrue' for Girl's Choir SSAA was composed by Bent Sørensen in 2006 for the Danish National Girl's Choir. Text by Peter Asmussen based on 'The Little Mermaid' by H. C. Andersen.
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David Bednall: Let all the world in every corner sing: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Boosey and Hawkes
Let all the world in every corner sing was commissioned by Colston?s Girls? Scho...
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Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status. Â It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.
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Hugo Cole: Magnificat: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
Hugo Cole (1917-1995) was a British composer cellist and music critic. He stud...
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Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.
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