Viva La Musica! ( Long Live Music!) is a wonderful theme for any concert. And David Brunner has crafted a wonderful concert opening with a strong, bold, unison exclamation to open the piece. Originally a top selling SATB voicing (BHI 48137) this is a welcome addition to the women's repertoire. / Choeur SSAA A Cappella

Craig Hella Johnson Choral Series-Written for the Paideia Women's Chorus from the Paideia School in Atlanta Craig Hella Johnson sets the words of the poet-mystic Dorothy Walters. With four movements incorporating a variety ofmusical styles including a 3rd movement that uses aleatoric techniques for singers and pianist this is stunning and sophisticated set for a good high school or college women's chorus.

Five choral songs. Par SCHONHERR CHRISTOPH. Since his earliest childhood, Christoph Schönherr has been fascinated by all things nautical. His cycle Von Schiffen, Meer und Wind (Of Ships, Sea and Wind) brings together verses by different poets that explore the sea in its various guises. The work's selected poems describe the vast ocean that can fill us with a deep sense of tranquility, but can also bring mortal danger with its storms and destructive waves. Boats, and especially sailing ships, are often associated with freedom, a sense of weightlessness, and security. But if we are caught in a storm at sea, we suddenly find ourselves at the mercy of nature. We are made painfully aware of our own insignificance in the greater scheme of things.According to the composer and passionate sailor: ?In the five choral songs I attempt to characterize the atmosphere of the texts and the emotions they contain. My experiences at sea, for example in storms or when simply contemplating the motionless water, guided me in my search for a suitable means of musical expression.? / Date parution : 2023-06-01/ Répertoire / SSAA

De la phrase d'ouverture poignante l'unisson grâce à la superbe déroulement de la chaleur à couper le souffle choral, ce paramètre est une ballade a cappella à ne pas manquer! Harmonies romantiques Lushly va créer une vague musicale inoubliable. Disponible: SATB a cappella, SSAA a cappella. Temps de Performance: Env. 03:00. / Choeur (Unisson), Voix Hautes Et Voix Egales

Sarah Quartel's Snow Angel for SSAA solo Cello Djembe and Piano. Already a firm favourite with choirs across the world Snow Angel is an evocative five-movement choral work that explores themes of love rebirth and beauty through the eyes of children and the heavenly army of angels that watch over them yearning to make a difference to their lives. The work may be performed with narration in which three angels present their perspectives on their earthly charges. Sarah Quartel weaves a haunting and poignant Cello line throughout the work and a vibrant part for Djembe in movement four 'Sweet child' carriesthe listener from the ethereal and mystical realm the work predominantly inhabits into an emphatic anthem with a distinctly African feel. The musical language is emotive and pictorial allowing performers to play an active role in the storytelling. Snow Angel is also available in a version for SATB.

Mbiri Kuna Mwari-This is an original composition with text from the Shona Mass. It is based on musical styles native to Shona culture and poeple. The rhythmic feel of this music is primary and can be enhanced through movement by the singers. Scored for SSAA a cappella.

Dale Warland Choral Series-The American composer William Schuman (1910-1992) wrote works in virtually every musical genre each mirroring his strong personality in their sharply defined sense of structure line and dynamism. This short wordlesscomposition for women's chorus and Piano dates from 1942 and was written for the Sarah Lawrence Chorus.

Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored for SSAA Upper Voice Chorus with a Piano reduction provided for rehearsal purposes. It has been translated into English by the composer Frederick Corder (1852-1932). Anton Arensky (1861-1906) was a Russian composer pianist and pedagogue. He studied composition at the St Petersburg Conservatory with Rimsky-Korsakov before becoming a Professor at the Moscow Conservatory and later director of the Imperial Choir. His musical style was initially dismissed as being unoriginal and heavily reliant on Tchaikovsky but has recently been re-evaluated and hischamber music is now experiencing a revival.

The expressive ballad from the musical Wicked by Stephen Schwartz in a setting for unaccompanied SSAA voices takes on new richness and meaning with solo lines and full vocal ranges. An outstanding selection with a deep and emotional message. Duration: ca. 4:30.

This work by the Basque composer represents the beautiful tender musical feeling of Busto's sacred works. Available: SSAA a cappella.

Voiced for both SSAA and SATB Kevin Memley displays again his command for expressing poetry in song. The musical lines take us into Christina Rossetti's poem into her dream and speaks for all of us at the same time. High school community and college choirs will embrace the artistry in this concert selection. Medium.

'Defying Gravity' is the signature song from the hit musical Wicked Composed by Stephen Schwartz.Arranged by Deke Sharon for SSAA This piece combines a solo two small duets and a chorus part in the end in which the citizens of Oz sing. This piece is heavily cinematic and gradually comes to a grand climax for the final verse.

Rodgers & Hammerstein's Preludium from the wonderful true-life musical The Sound Of Music arranged for SSAA chorus and piano.

The Storm Hound is a fantastic musical fable for Narrator Upper Voices Percussion and Piano. With the libretto by Marian Lines and Music by Betty Roe this is another fabulous musical experience by this influential and productive partnership. This Vocal Score contains all the narrated parts and the Vocal and accompaniment scores with full lyrics.

?Hey Brother? ?Levels? and ?Without you? are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono they artfully intertwine from one passage to the next. However for all their sophistication the arrangements remain manageable and easy to learn displaying the typical groove of each Avicii song within a multi-layered texture.