SKU: SU.80300257
This raucous jazz arrangement with doo-wah patterns goes all over the town in its depiction of a rowdy Christmas feast. Try it as a change of pace at a madrigal dinner! SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.YR4302
Arranged by J. David MooreSSAA & piano Composed: 1996 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: SU.YR4301V3
Holly Near, Jim Scott and Derek NakamotoSSAA & piano Composed: 1989 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: HL.48025426
ISBN 9781835680032. UPC: 196288207559.
Silent night: This arrangement of the traditional carol by Franz Gruber and Joseph Muhr (translated into English by John Freeman Young) was written by Anna Lapwood and the Pembroke College GirlsÂ? Choir for their end of term party for the families of the choristers. The aim was to produce an arrangement manageable for the youngest choristers whilst stretching the older ones with some slightly jazzy harmonies. It was written in one 75-minute rehearsal, and performed to the parents straight after. The choir has written a new pieceat the end of every term since. Gaudete: This arrangement of the 16th-century carol was written during a full weekend of group composition with Anna Lapwood and the Pembroke College Girls' Choir, a process with which they had experimented previously. The choir decided to create rhythmic impetus and drive, which is delivered from the outset in the introductory material. This figure is repeated under the refrain for the first three verses, while the verses themselves are presented in simple unison. The final verse is harmonised and crescendos towards the uplifting key change for the final refrain, giving a sense of climax, which may be highlighted further with an optional tambourine.
SKU: GH.GE-10668
ISBN 9790070106689. Text: John Cameron.
SKU: OU.9780193413207
ISBN 9780193413207. 10 x 7 inches.
For SSAA and piano Originally the second movement of Chilcott's choral work Five Days that Changed the World, this setting of Charles Bennett's text has melodic and interweaving choral parts, with the piano part providing harmonic support for the voices throughout.
SKU: SU.80300138
This romantic, Schubertian song tells of a dove who, in her flight, sees both the world's suffering and the power of singing to heal it: Oh, how the music melts the sadness! Strophic, with metric and major/minor key changes, this setting lingers in the ear. SSAA and piano. Easy/Medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.YR5R11V3
Words by Philip Sydney, 2554-1586. The gender references may be changed to reflect the views of the chorus or the occasion of the performanceSSAA Composed: 2008 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: SU.YR5R11V4
SKU: AP.48974
UPC: 038081562988. English.
Commissioned by Texas AandM University in remembrance of a lost friend and fellow Cadet, this thought-provoking piece is designed to be a conversation starter about mental illness, depression, grief, and suicide. Harmonically rich, musically expressive, and emotionally stirring, singers will be changed and encouraged. What if I could tell you no one has to walk alone?
SKU: SU.80300198
This setting of the Easter morning colloquy between the two angels and Mary Magdalen, based on John 20:13, is a splendid introduction to modern choral techniques: free rhythmic ostinatos, sprechgesang (speech song), enharmonic changes, and varied vibrato are all prepared and supported for the singers. Chosen by Nina Gilbert for the Nina Gilbert Choral Series. Latin, with full translation. SSSAA a cappella. Medium. SSSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: OU.9780193400955
ISBN 9780193400955. 12 x 8 inches.
for SSAA unaccompanied Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to a spirited exchange between the voices. This pattern of contrasts is repeated throughout the piece before the final jubilant chords fade away to pianissimo. This is an approachable and rewarding motet, appropriate for any time of the year and in particular, the Feast of the Blessed Virgin Mary and Eastertide. The original SATB version of Regina Caeli has also been recorded by the renowned American choir, the Phoenix Chorale, and released on a Grammy award-winning CD by Chandos (Spotless Rose CHSA 5066).
SKU: CA.966200
ISBN 9790007167677. Language: Latin.
Matsushita's setting of a hymn for Pentecost is a dialog between women's choir and piano: while the choir develops its melodies from the Gregorian hymn, the piano provides a counterpoint with the minimalistic sounds of fourth and fifths, together with short independent motives related to the text of the hymn. Corresponding to the chorale, the meter changes continually, as if floating. The choir is treated homophonically throughout and, in preparation for the climax of the piece it is briefly divided into six parts at the words pacemque dones protinus (true peace bring unto us). One again Matsushita proves himself a master of economy in his use of compositional means; thus his works of new church music are appealing, effective, and they express humility.
SKU: C4.9790902257145
ISBN 9790902257145. 8.27 x 11.7 inches.
Written for Chis Watson and the Choir of Trinity College, Melbourne, these fine settings augment the familiar tunes with changes in form. They have been recorded by the Choir of Trinity College under the direction of Christopher Watson on Walking on Waves (ACIS; 194-660-710-178).
SKU: OU.9780193954014
ISBN 9780193954014. 12 x 8 inches.
For SSAATB unaccompanied One of Tomkins's most striking works, this setting of an anonymous devotional text appears in print for the first time. The work is distinctly madrigalian, with several sudden shifts of tonality, changes of texture, and decorative passages.
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