This is a beautiful setting of the simple Prayer Of Saint Francis Of Assisi. Scored for unaccompanied SSAA.

John Tavener's popular setting of The Lord's Prayer is arranged here for Upper Voices and Piano or Organ by Barry Rose. The Lord's Prayer was originallycommissioned by the Guildford Philharmonic for the Tallis Scholars and first performed on 10th March 2000 by them at Holy Trinity Church Guildford.  This arrangement received a positive review fromGeoffrey Webber in the January/February 2016 edition of Choir & Organ.

Selected for the 2015 Pacific International Children's Choir Festival this gentle prayer is gracious and moving. Jude Roldan has been composing music for the world-famous children's choir his wife conducts Hail Mary the Queen Children's Choir for years. While the altos hold on to a pedal tone the voices above construct heart-warming chords. Along with the &ldquo

Uses: General ConcertScripture: Psalm 31:1-5; Psalm 57:8-10; Psalm 101Rising with power and based on Psalm 101 this piece affirms our commitment to praise. The main theme is a syncopated series of declarative gesturestoggling between unison strength and harmonic expressiveness. A prayerful middle section explores a new key and includes a striking minor section. One final alleluia adds a musical exclamation point to this festive statement.

Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.

Walt Whitman's unabashed optimism exuberance and unwavering confidence in our deeper humanity is beautifully portrayed through music in Gjeilo's setting of excerpts of the ?Song Of The Universal? poem.For String Orchestra Piano and Choir this work will be a grand addition to your women's Choir repertoire. Duration: ca. 11:30.

Prayer and Alleluia-The text for this piece is from the opening statement of the liturgical prayer central to Jewish faith The Shema. This arrangement by Barbara Wolfman for four-part treble choir and piano is a gentle flowing interpretation of the prayer. Sung in Hebrew and English.

Written with a boys' choir in mind but cowgirls could do it too! This is a six to seven-minute western set for treble voices: The Old Chisholm Trail Home On The Range and a lesser-known story-song about Mustang Gray ('the hero of his day').

Xhosa Prayer-A traditional Xhosa prayer that almost every black South African grew up singing in church. An authentic and medatative setting by the arranger. Duration: Approx. 3:30.

This beautiful prayer catches your attention with the first opening phrase. The familiar Latin text set by so many composers finds a fresh expression that does not follow the original chant lines. Yet the harmony and form harken back to a traditional time moving in logical sequences that cadence with satisfaction. Appropriate at church or school.

This a cappella Shawnee Press Classic by composer Houston Bright has been a staple in choral libraries for many years. Suitable for developing voices and smaller choirs retaining the vocal finesse. Discover again this greatchoral work. Available separately: SSAB a cappella; SATB a cappela; SSAA a cappella; TTBB a cappella. Duration: ca. 2:17.

Available for mixed chorus a cappella (divisi) or in this accompanied version (no divisi) Dan Forrest sets the well-known text by Methodist founder John Wesley. The piece is excellent for any service of renewal covenant or stewardship.

This famous hymn by Sebastian Temple was arranged for the British classical crossover quartet All Angels and adapts beautifully for four part upper voice choirs! With glorious soaring phrases and heartfelt emotion your singerswill love to perform this lovely setting.