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Choral SSAA
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Franz Schubert: Three Partsongs SSAA: 2-Part Choir: Vocal Album
Choral SSAA
SSAA, Piano
-
Intermediate
Faber Music Limited
These three partsongs together represent some of the best of Schubert's output f...
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These three partsongs together represent some of the best of Schubert's output for groups of female voices including his well-known setting of the Der 23. Psalm Gott In Der Natur and Standchen.
4.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa Brevis In C K.220 Sparrow-Mass: SSAA: Vocal Score
Choral SSAA
Barenreiter
Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of t...
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Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition?.Straightforward Piano reduction.Mozart?s ?Missa in C major? (K. 220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.
10.50 GBP - Sold by Musicroom UK
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Johannes Brahms: Ave Maria Op.12: SSAA: Vocal Work
Choral SSAA
SSAA A Cappella
[Sheet music]
Bosworth
Among the many works for which Brahms is celebrated his Choral oeuvre is signif...
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Among the many works for which Brahms is celebrated his Choral oeuvre is significant. This first Choral work Ave Maria originally written for SSAA and Organ is not mere juvenilia. The flowing 6/8 piece is structured like ashort sonata movement with the two pairs of Voices trading contrapuntal entrances until the parts join their Voices in the pleading ‘Ora pro nobis’ all with Brahmsian harmonies in the accompaniment.Brahms later arranged the workfor SSAA and Orchestra followed by this setting for Chorus and Piano.
3.99 GBP - Sold by Musicroom UK
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Gabriel Fauré: Requiem Op.48: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Barenreiter
A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Re...
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A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.
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Paul Mealor: A Spotless Rose: SSAA: Vocal Score
Choral SSAA
SSAA divisi, A Cappella
Novello & Co Ltd.
A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA d...
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A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA divisi chorus. The sublime harmonies of this piece were released on the album 'A Tender Light' that also featured his piece composed for the Royal Wedding. The moving melodies and dramatic dynamics of the vocal parts in A Spotless Rose create a subtle solemnity in the wash of the beautiful soprano and alto parts. Featuring a Piano part for rehearsal only the unaccompanied soaring of the choir will make a truly lasting impression on any audience. In the September 2015 issue of the Organists' Review DavidLindley writes that this piece 'encompasses a wide dynamic range and some high tessitura for sopranos as the music celebrates 'Mary purest maid' contrasting with the slow-moving chordal setting of the rest of the text.'
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James MacMillan: New-Made For A King: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
-
Easy
Boosey and Hawkes
A setting of a nativity poem from 'Her Maker?s Maker' by Michael Symmons Roberts...
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A setting of a nativity poem from 'Her Maker?s Maker' by Michael Symmons Roberts 'New-made for a king' was commissioned by Andreas Klatt for Farnham Youth Choir. Scored mainly in four parts the choral texture is homophonic the harmony rich yet approachable by young performers with a decorative piano accompaniment. In the mould of a lullaby the piece?s over-riding calm is troubled towards the close by indistinct pp lontano interjections from the piano in response to the poem?s portentous closing words.
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Aulis Sallinen: Songs From The Sea Op.33: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
Novello & Co Ltd.
A choral work in four parts by Aulis Sallinen for unaccompanied upper voices. Th...
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A choral work in four parts by Aulis Sallinen for unaccompanied upper voices. The text has been paraphrased from the Finnish by Michael Hurd and is based on a Finnish folk song and a poem written by the composers two sons.
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Pater Noster: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Boosey and Hawkes
Pater Noster was originally part of Fjellheim’s album Aejlies Gaaltije - ...
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Pater Noster was originally part of Fjellheim’s album Aejlies Gaaltije - The Sacred Source released in 2004. This SSAA choral version was created for the choir Cantus for their album Northern Lights (2017). The idea behind Aejlies Gaaltije - The Sacred Source was to combine parts of the traditional Latin Mass with elements of the Sami yoik tradition other Norwegian folk music and the finnish music tradition.
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Joseph M. Martin: The Awakening: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
This dramatic and best-selling choral classic is now available for women's voice...
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This dramatic and best-selling choral classic is now available for women's voices. This moving work about “the glory of music” is treated with great depth and musical-textual imagery with all its voicings and this newSSAA will certainly be no exception. Available: SSAA (new!); SATB; TTBB; Orchestration Score and Parts; StudioTrax CD.
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Heather Sorenson: Some Things Never Change: Upper Voices and Accomp.: Choral
Choral SSAA
SSAA
Shawnee Press
This song is an inspired reminder of God's faithfulness. Tender and fragile, the...
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This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriteridiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: FullPerformance and Part Dominant MP3's are for the SATB voicing only.
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María Grever Raymond Leveen Horace Heidt: Tipitin: Upper Voices A Cappella:
Choral SSAA
SSAA A Cappella
Alfred Publishing
Tipitin. Written by Mexico's first well-known female composer, María Grever, th...
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Tipitin. Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.
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Joni Jensen: Unsung Saint: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Mark Foster Music
Joni Jensen Choral Series-As the inscription on the statue that greets you as yo...
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Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.
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Brant Adams Joseph M. Martin: A Festive Call to Praise: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psa...
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Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.
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Eha Lõttemõe Harri Wessman: Water Under Snow is Weary: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Walton Music
Vesi Võsyy Lumen Alle-One of the biggest hits of all music composed for the T...
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Vesi Võsyy Lumen Alle-One of the biggest hits of all music composed for the Tapiola Choir based on the Kalevala melody in the Finnish folk tradition. Finnish and English texts. Available: SSAA Instrumental Score and Parts String Parts.
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Antonio Vivaldi: Gloria RV 589 - SSAA: SSAA: Score
Choral SSAA
SSAA
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Gustav Holst: Tears Idle Tears From 'Songs From The Princess': SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
The intertwining of women’s voices in Gustav Holst’s Tears Idle T...
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The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.
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Kumbaya: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
This a cappella gem starts with a vocal rhythm pattern behind a solo gradually ...
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This a cappella gem starts with a vocal rhythm pattern behind a solo gradually building in intensity into a duet a trio and finally a triumphant SSAA 4th verse. All the parts have interesting vocal lines the drama is constant and the lyrics are inspiring - a unique and powerful arrangement! Available for SSAA. Performance Time: Approx. 2:45.
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Ein Lied Zur Wallfahrt Nach Jerusalem
Choral SSAA
SSAA A Cappella
Schott
This work will become a permanent fixture not only in church services, but also ...
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This work will become a permanent fixture not only in church services, but also as grand opening piece of a sacred concert. The piece is not overly difficult and mostly in four parts while nevertheless bringing out the full sound of a women's choir. / Choeur SSAA A Cappella
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Joseph M. Martin: Come to the Music: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Commissioned for a premiere performance at the Texas Music Educators Association...
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Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyfultext. Optional percussion and piccolo accompaniment (parts in the choral) enhance the medieval dance quality of this exciting piece.
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Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Joseph M. Martin: Goin' to the Holy City: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Begi...
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Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.
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Here Comes Santa Claus: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
Right Down Santa Claus Lane-Gene Autry's famous Christmas song from 1948 is a bo...
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Right Down Santa Claus Lane-Gene Autry's famous Christmas song from 1948 is a bona fide holiday classic and gets a vocal jazz makeover in this swingin' setting that will showcase your singers at their best! Perfect for all kinds of concerts! Availableseparately: SATB SAB SSAA ShowTrax CD. Rhythm parts available digitally (gtr b dm). Duration: ca. 4:30.
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Sarah Quartel: This Endris Night: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Oxford University Press
This Endris Night by Sarah Quartel for SSAA unaccompanied or with optional Handb...
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This Endris Night by Sarah Quartel for SSAA unaccompanied or with optional Handbells Percussion or Organ.Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this carol for upper Voices. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody in 6/8 metre through each of the Voice parts with each verse ending in the lilting refrain 'Lully by by lullay'. The carol may be sung unaccompanied though for added sparkle there is an optional part for Handbells (or Percussion or Organ).
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David Bednall: Let all the world in every corner sing: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Boosey and Hawkes
Let all the world in every corner sing was commissioned by Colston?s Girls? Scho...
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Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status. It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.
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Ola Gjeilo: Tundra: SSAA: Vocal Score
Choral SSAA
SSAA
[Sheet music]
Walton Music
Scenes from Gjeilo's majestic native Norway inspired this contemporary poem. Wor...
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Scenes from Gjeilo's majestic native Norway inspired this contemporary poem. Words and music are fused in a poignant yet lyrical work with a pulse of its own. An excellent festival choice for mature women's choirs.Optional String Quartet (or Ensemble) Parts also available Catalogue #: HL08501794Listen to a performance of Tundra by New Zealand's Marlborough Girl's College conducted by Robin Randall below:
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Antonio Vivaldi: Kyrie RV 587 - SSAA: Mixed Choir: Vocal Score
Choral SSAA
[VHS]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Robert Schumann: Die Lotosblume (The Lotus Flower): SSAA: Single Sheet
Choral SSAA
SSAA, Piano
[Sheet music]
-
Intermediate
Shawnee Press
Jill Gallina has done a masterful job of arranging this piece of classic literat...
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Jill Gallina has done a masterful job of arranging this piece of classic literature in a new lush arrangement for women's voices. This pristine setting of Schumann is a wonderful spring concert piece. Arranged for two sopranos and two alto vocal parts.
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Mark D. Sanders: I Hope You Dance: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
Introduce your choir to the fun of a cappella singing with this accessible arran...
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Introduce your choir to the fun of a cappella singing with this accessible arrangement of the Lee Ann Womack hit that topped the charts in 2001. Crafted for success this setting gives all the parts a chance to sing the melody while the background vocals are easy and create a perfect stylistic texture. Available separately: SATB a cappella SSAA a cappella. Duration: ca. 2:45.
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Alan Greene Malvina Reynolds: Turn Around: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Mark Foster Music
This beautiful song by Malvina Reynolds is delicate and poignant and perfect for...
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This beautiful song by Malvina Reynolds is delicate and poignant and perfect for an advanced women's choir. It is scored for SSAA choir with piano and flute. However the optional full score for Harp flute and bassoon make this a centerpiece for your concert. Contemporary style is written into the vocal parts making the story feel natural and complete.
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Imagine Dragons: Radioactive: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
Imagine Dragons topped the charts with this pounding alt-rock hit offered here ...
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Imagine Dragons topped the charts with this pounding alt-rock hit offered here evoking the mesmerizing vocal version by the group Pentatonix with violin. Stark lyrics over a pulsing pop groove make this a super pop showcase! Available separately: SATB SAB SSAA ShowTrax CD. Instrument Parts available as a digital download (vln cello gtr b drm). Duration: ca. 3:45.
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