Nirvana af Michael Bojesen. Version for lige stemmer (SSAA). Tekst af Ole Hyltoft.

Ung Mor was composed for SSAA Choir A Cappella by Michael Bojesen with lyrics by Halfdan Rasmussen.

This thrilling work for women's chorus from Michael Engelhardt will offer something totally unique for your program. A mix of sustained vocal lines and articulated passages along with both counterpuntal and homophonic writing make this a truly remarkable composition. This will be a favorite of your singers. Recording Choir: Pacific Lutheran University Singers; Brian Galante conductor

One of the greatest songs of all time Hoagy Carmichael's classic romantic ballad shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in this superb arrangement. Available separately SATB SSAA and TTBB. Duration: ca. 2:40.

A choral work in four parts by Aulis Sallinen for unaccompanied upper voices. The text has been paraphrased from the Finnish by Michael Hurd and is based on a Finnish folk song and a poem written by the composers two sons.

These two American folk-songs for upper voices form a perfect contrasting pair. The first has a simple and beautiful melody with a stark accompaniment the second is lively and joyful supported by a Banjo-like Harp or Piano accompaniment. Arranged by Michael Neaum for SSAA Chorus and Piano or Harp accompaniment.

Sherwin Manning's A Nightingale Sang In Berkeley Square arranged by Michael Neaum for SSAA Choir with Piano accompaniment.

Stacey Gibbs uses his talent for reimagining the spiritual to set this beautiful version of ?Swing Low Sweet Chariot? for women's choirs. Your women's choir will appreciate the exciting challenge of the vocal writing. Great for festivals and honor choirs. Jo-Michael Scheibe Choral Series.

Bonk'apaphable is a tremendously fun arrangement by South African musicicians Michael Barrett and Mbuso Ndlovu. This celebratory isiZulu song is a quick learn that will pay dividends for audiences and choirs! Add percussion, clapping, and ululations to make the most of this work.

Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions)Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Eachedition contains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes

Text is by Sara Teasdale (1884-1933)Commissioned by the Salt Lake Vocal Artists / Salt Lake Choral Artists, Brady Allred, Conductor.Male choir arrangement commissioned by Michaelhouse Chapel Choir and William Silk, South AfricaFor more on Eriks Esenvalds, please click on his name, above ... / Choeur Mixte (SSSSAATTBB) A Cappella