SKU: HL.345822
UPC: 840126920864.
Sostrene - Suite Fra 'Den Lille Havfrue' for Girl's Choir SSAA was composed by Bent Sorensen in 2006, for the Danish National Girl'sChoir. Text by Peter Asmussen based on 'The Little Mermaid' by H. C. Andersen.
SKU: BT.WHKP01783
ISBN 9788759877128. Danish.
Søstrene - Suite Fra 'Den Lille Havfrue' for Girl's Choir SSAA was composed by Bent Sørensen in 2006, for the Danish National Girl's Choir. Text by Peter Asmussen based on 'The Little Mermaid' by H. C. Andersen.
SKU: SU.80300162
1. Oh, the Beautiful Treasure; 2. We Will Walk with Mother and Mourn; 3. Hop Up and Jump Up. Explore the American heritage of Shaker hymnody with these three settings of lesser-known, very appealing Shaker spirituals. Each brief setting grows from its underlying melody to make an exceptionally unified arrangement. With a different technique as the focus for each arrangement, these minute-long pieces make fine vocalises for your choir. Oh the beautiful treasure, with its square rhythms, horn calls, and harmonic texture opening out and closing, is excellent for teaching chord tuning. We will walk with Mother and mourn, with its smooth, stepwise, rising and falling melody, is a fine exercise for legato singing. Hop up and jump up, with its crisp rhythms and phrase fragments tossed from part to part, calls for rhythmic clarity and clean entrances and cutoffs. SSAA a cappella; 13 pages, plus editorial notes; duration: 3:15 min.; range: g to f; difficulty: easy-medium; from the Nina Gilbert Choral Series. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.50002220
Published by: Seesaw Music Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8.
SKU: HL.14021007
ISBN 9781844492893. 8.5x11.0x0.088 inches.
A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing for children: straightforward, tender, affectionate, yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointilliste allusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown', and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant?
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