SKU: KJ.9167
UPC: 084027047057.
This SSAATTBB a cappella setting of All Praise to Thee brings innovative textures and harmonic sonorities to the much-loved tune Tallis Canon. An opening statement of the tune is followed by SATB parts employing traditional canonic treatment, which then expands to 8 parts with sustained chords providing a new textural backdrop for the re-appearance of the hymn tune in augmented form.
SKU: JK.01870
Luke 2.
Thoughtful Christmas piece for double mixed chorus (SSAATTBB), violin, and piano, written in F major (one flat). Violin part is included.Dear, precious Savior, born that holy night...I've no earthly treasure, what have I for thee?...What I have, I offer, I offer thee my heart. Composer: Kay Hicks Ward Lyricist: L. Melvin Ward Difficulty: Medium Performance time: 4:00Reference: Luke 2.
SKU: JK.00804
Numbers 6:23-26.
Arranged for mixed chorus (SSAATTBB) and piano, with text from A Gaelic Blessing and Numbers 6:23-26, sung as a prayer to the Lord to bless us in all we do.Composer: Richard W. Smith Difficulty: Medium-difficult / medium-difficult acc. Performance time: 2:30Reference: Numbers 6:23-26.
SKU: JK.00008
2 Nephi 1:7, Ether 2:12.
Arranged for mixed chorus (SSAATTBB), incorporates all voices with part a cappella arrangement and 4-part men's chorus. Ends with doubled harmony on all parts for a glorious finale.Composer: Henry Crey Arranger: J. Spencer Cornwall Lyrics: Samuel Francis Smith Difficulty: Difficult / difficult acc.References: 2 Nephi 1:7, Ether 2:12.
SKU: OU.9780193378346
ISBN 9780193378346. 12 x 8 inches.
For SSAATTBB and organ This poignant anthem was originally composed to be sung at a funeral. It is a beautifully composed work, sufficiently sombre for such an occasion, but with a celebratory element which is uplifting and comforting.
SKU: OU.9780193954120
ISBN 9780193954120. 12 x 8 inches.
for SSAATTBB and organ (ad lib.) Born 200 years ago this year and orphaned at the age of 3, Sterndale Bennett was brought up by his grandfather in Cambridge, where he sang in the choir of King's College before entering the Royal Academy of Music to study the piano at the age of 10. He was later to become Professor of Music at Cambridge and Principal of the RAM. This fine eight-part setting of verses from Psalm 71, written towards the end of his life, explores imitative and antiphonal textures.
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