SSAATTBB choir

SKU: C4.9790902257077

Composed by George Henschel. Classical. Score. Crescendo Music Publications #9790902257077. Published by Crescendo Music Publications (C4.9790902257077).

ISBN 9790902257077. 8.27 x 11.7 inches.

Henschel's There were Shepherds is a gorgeously intimate setting of the well-known text of Luke 2: 8-14 and would equally be at home in a carol service or Christmas concert.

SSAATTBB chorus and piano - Medium-difficult / medium acc.

SKU: JK.01299

Composed by Richard W. Smith. Choral SATB, Difficulty Medium, Difficulty Medium Hard, Piano Choir, Seasonal Music Easter, Easter, Jesus Christ - Savior, Resurrection. Christian, Inspirational. Duration 5:00. Jackman Music Corporation #01299. Published by Jackman Music Corporation (JK.01299).

Mark 16:6-7, Mosiah 16:7-9.

Arranged for mixed chorus (SSAATTBB) and piano, from Richard Smith's Women of the Bible.
This setting begins with the women visiting the tomb to anoint the Savior with oil and spices. They find the tomb empty and an angel there. Later, Mary sees the Christ and realizes He has risen.
Composer: Richard W. Smith
Lyricist: Barbara Tanner
Difficulty: Medium-difficult / medium acc.
Performance time: 5:00
Reference: Mark 16:6-7, Mosiah 16:7-9.

SSAATTBB choir divisi choir unaccompanied - Advanced

SKU: EC.9238

Composed by Shara Nova. E.C. Schirmer Publishing #9238. Published by E.C. Schirmer Publishing (EC.9238).

UPC: 600313492389. English.

Another movement from Titration, this piece explores the connection that we all have to one another. Although there is significant divisi, the piece is rewarding to advanced choirs.

By John H. Gower. Arranged by Christine Davis. For SSAATTBB choir Organ. Sacred. Medium. Octavo. Duration 2:40. Published by Jackman Music Corporation

SSAATTBB choir

SKU: C4.9790902257183

Composed by Brooke Shelley. Classical. Score. Crescendo Music Publications #9790902257183. Published by Crescendo Music Publications (C4.9790902257183).

ISBN 9790902257183. 8.27 x 11.7 inches.

Commissioned by Christopher and Nicola Lock for the St James's Church, King Street Organ Replacement & Restoration Appeal in November 2019, this is a beautifully radiant introit, with text taken from a liturgical book of processions, dating from about 1526.

Shelly explains: The format for the plainchant is such that there is a response, a verse, and repetitions of the response. I haven't replicated the format in my work, instead setting it as one 'run-through' of the text in a full choral setting. I've also set it in a way that the ending doesn't sound final. This is deliberate because as an Introit, it is an introduction to the liturgy, and I want the piece to 'lead in' to the rest of the liturgy..