SKU: HL.14011728
ISBN 9788759851890. UPC: 888680705817. 10.5x14.5 inches. Danish.
These Four Madrigals by Pelle Gudmundsen-Holmgreen are settings of texts by the Australian author, Les Murray. Two songs were originally written for the Song Company, Australia and two more from his larger work, Sound/Sight for Danish Radio Chamber Choir. All have been arranged here for six voices (SSATBarB) with texts in English and Danish. Duration 16:30.
SKU: CA.721400
ISBN 9790007301989. Key: G minor. Latin.
The Miserere is based on the Prelude and Fugue in B-flat minor from the 1st part of the ĂąâŹĆWell-Tempered ClavierĂąâŹÂ by Johann Sebastian Bach. In his choral version, Heribert Breuer transposes the original down a third and inserts words from the 51st Psalm, one of the seven penitential psalms.
The composer Heribert Breuer conducts the Berlin Bach Academy, which he founded. He is particularly known for his arrangements of instrumental pieces for diverse ensembles. His choral adaptions (e.g., also in our Choral Collection Beethoven and Bruckner. Secular Choral Music) offer a fresh perspective on the originals and are a valuable addition to the repertoire of any interested choir.The Miserere was recorded by the Calmus Ensemble for the CD ĂąâŹĆBach for fiveĂąâŹÂ.
SKU: CA.924000
ISBN 9790007244354. Language: French. Text: Bourget, Paul.
Claude Debussy's romance L'ame evaporee et souffrante is a setting of Paul Bourget's Romance from the collection Les aveux (1882). The song was first published in 1891 with Les cloches, but had probably been composed earlier in 1885. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: JK.00929
Patriotic anthem for mixed chorus (SSATB) and piano, with text adapted from The New Colossus, a poem by Emma Lazarus graven on a tablet within the pedestal on which the Statue of Liberty stands.Composer: David Len Allen Lyricist: Text adapted from The New Colossus by Emma Lazarus Difficulty: Medium Performance time: 3:00.
SKU: CA.924400
ISBN 9790007244392. Key: B flat major. Language: German. Text: Cornelius, Peter.
Sei mein! was written and composed by Peter Cornelius in 1865 for his future wife Bertha Jung. The composer set the poem in short rhyming lines using the scheme aaabcccb, recounting with loving humor what his beloved means to him. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: CA.924100
ISBN 9790007244361. Language: French. Text: Gounod, Charles.
In Charles Gounod's L'absent, composed in 1873, the absent one asks at night time whether the beloved remembers him in the light of the moon and at the sound of the evening prayer bells. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: CA.924500
ISBN 9790007244408. Key: E flat major. Language: German. Text: Morike, Eduard.
Hugo Wolf composed over 250 songs to texts by the greatest poets of his day. One of the best-known of these is Verborgenheit. In Denis Rouger's arrangement it reveals its own momentum which does not conflict with the original masterpiece, but presents new facets alongside it, inviting us to discover something new in the old. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: CA.927600
ISBN 9790007296117. French. Text: Gautier, Theophile.
A prevailing melancholy mood is characteristic of Theophile Gautier's (1811-1872) poetry; a melancholy mood which inspired composers such as Hector Berlioz and Gabriel Faure to compose settings. Tristesse (Sadness) is taken from the 1838 collection La Comedie de la Mort (The Comedy of Death). With over 50 poems this is regarded as Gautier's major Romantic work. Although the narrator in the poem is conscious of the joy and zest for life of spring coming into bloom around him, he cannot share this: Helas! j'ai dans le coeur une tristesse affreuse. (Alas, in my heart I bear a terrible grief.). Faure's setting portrays this effect less as a dramatic sigh than a melancholic unworldliness with peaceful piano accompaniment in the minor key. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist.The songs have been recorded by the figure humaine chamber choir on the CD ... Wo die Zitronen bluhn (Carus 83.514).
SKU: CA.926400
ISBN 9790007261870. French. Text: Victor Hugo.
In his poem Soiree en mer, Victor Hugo describes how the sea can be perceived very differently by two lovers at the same time in the same place. While the man perceives the deepening shadows on the dancing waves, the woman marvels at the stars shining ever brighter in the firmament. In nature, as in the words of the poem, the painful ambiguity that represents life at its core can be experienced. Like no other poet, Hugo captures this almost unbearable simultaneity of living and dying, of love and suffering. Saint-Saens translates this into music - probably the most ephemeral and contemporary of all art forms. His balanced musical form leaves plenty of room for the poetry and his subtle variations in timbre, which also inspired Denis Rouger to his choral arrangement, create a seething motion under the surface of the sea.This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD ...wo die Ztronen bluhn (Carus 83.514).
SKU: HL.49046753
ISBN 9781705154229. UPC: 196288021810.
With the Petrarch settings, I am continuing my preoccupation with classical Italian literature, after setting Michelangelo in 2011 and Ariosto in 2013. The gesture and harmony of the piece are developed entirely from the text and from the sensations that are expressed there. Petrarch's poetry is an exploration of beauty and pain that begins again and again: beauty that lies in pain and pain that is causedby beauty. Anno Schreier.
SKU: UT.TME-1
ISBN 9790215316096. 9 x 12 inches.
Performance Material on Hire[Solo: SAATB - Str - Bc]Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.According to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.
SKU: JK.00935
Doctrine and Covenants 18:10-16, 1 John 2:10.
Beautifully sacred setting from Missa Mormonis, sung as an earnest request for the Lord to be patient with an imperfect child--in words reminiscent of O Divine Redeemer. Arranged for mixed chorus (SSATB) and piano by Lynn S. Lund. Also available for SAB choir (#00562).Composer: Lynn S. Lund Lyricist: Psalms 25 Difficulty: Medium / medium acc. Performance time: 5:30Reference: Doctrine and Covenants 18:10-16, 1 John 2:10.
SKU: HL.1248098
UPC: 196288153252. 6.75x10.5 inches. Psalm 98.
This fresh arrangement of a holiday classic leaps from the page with engaging textures and spirited vocal effects. Suitable for concerts halls and sanctuaries, this modern take on a time-honored carol will leave your listeners asking for more. Well considered choral part writing makes the anthem sound harder than it actually is!
SKU: HL.1437384
UPC: 196288204497.
âThe Listening,â written by Grammy-nominated composer Cheryl B. Engelhardt in December 2017 for VOICES 21C under the artistic direction of AndrĂ© de Quadros, draws its inspiration from Dr. Martin Luther King Jr.'s impactful 1967 speech, âBeyond Vietnam: A Time to Break Silence.â This dynamic, emotion-filled piece expresses King's call to end societal silence. The rhythmic elements in the piece are derived from the poetic nature of King's speech. The inclusion of a children's choir, inspired by the Parkland school shooting and subsequent protests, symbolizes the disruption of childhood peace by violence. Notably, the virtual collaboration, featuring Donzaleigh Abernathy, Dr. King's goddaughter, emphasizes the song's contemporary relevance in addressing social issues, and was featured in PEOPLE. Premiered live at the Massachusetts Music Educators Conference in 2018 by VOICES 21C, and digitally released during Black History month in 2021, âThe Listeningâ stands as a profound anthem for breaking silence and to foster positive change.
SKU: OU.9780193415652
ISBN 9780193415652. 12 x 8 inches.
For SSATB unaccompanied This anthem sets lines from Psalm 139, 1 Thessalonians, and 1 John, moving from an unsettled tonality at the beginning, through anguished false relations and wistful expressivity, to find triumphant resolution in a blazing A major at the end. Like all of McDowall's music, it is well crafted and singable.
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