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Le
Choral SSATB
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Ténor ou Soprano (51)
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Trompette ou Cornet, Cor en Mi… (44)
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Trombone, Organ (44)
4 Parties Mixtes (44)
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Clavier ou Orgue Electronique (43)
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Cor en Fa (43)
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Soprano ou Ténor et Piano (42)
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Hautbois solo (23)
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Pop Choir Classics : The Beatles - With A Little Help From My Friends
Choral SSATB
Bosworth
This unaccompanied SSATB choral arrangement of The Beatles classic With A Little...
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This unaccompanied SSATB choral arrangement of The Beatles classic With A Little Help From My Friends by Carsten Gerlitz includes 10 vocal scores to allow mixed choirs to sing this paean to friendship.One of The Beatles' most popular compositions, it was composed for Ringo Starr to sing, and therefore needed to have just five notes in the melody to accommodate his limited vocal range. The song inspired a number of famous cover versions, most notably Joe Cocker's at Woodstock. / Choeur Mixte (SSATB)
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Messe brève
Choral SSATB
SSATB, Organ
[Sheet music]
Symétrie
Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma ...
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Par CASTAGNET YVES. J?ai composé cette messe dans les premières années de ma présence à Notre-Dame, avant la création de l?association Musique sacrée à Notre-Dame de Paris et la restructuration de la maîtrise sous sa forme actuelle. La maîtrise existait déjà, bien sûr ; on enseigne en effet le chant en ce lieu depuis le Moyen-Âge, à l?époque où la cathédrale était encore en construction, il y a plus de 850 ans. À la fin des années 1980, la maîtrise était bien différente de ce qu?elle est devenue maintenant. Elle était alors dirigée par le chanoine Jehan Revert, maître de chapelle, qui fut pour moi un véritable guide, et dont la mémoire restera toujours dans le c?ur des musiciens de Notre-Dame. C?est donc à cette époque que j?ai composé cette messe qui fut à la fois ma première composition et ma première ?uvre liturgique. Elle est volontairement très courte, d?où son titre, pour répondre du mieux possible aux contraintes liturgiques. Elle est aussi le reflet de mon profond attachement à ce lieu unique et tellement inspirant pour le jeune musicien que j?étais alors. Yves Castagnet / Date parution : 2024-01-10/ Répertoire / Ch?ur Mixte SSATB et Orgue
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Invitation To The Partsong Vol.5 - Madrigals And A Glee
Choral SSATB
SSATB A Cappella
Stainer and Bell
Edited by Geoffrey Bush and Michael Hurd Four glees and madrigals by Pearsall, S...
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Edited by Geoffrey Bush and Michael Hurd Four glees and madrigals by Pearsall, Stafford, Smith, Walmisley and S. Wesley. SSATB CONTENTS PEARSALL, R.L. Why weeps, alas! my lady-love STAFFORD SMITH, J. Blest pair of sirens WALMISLEY, T.A. Sweete floweres! ye were too faire WESLEY, Samuel O sing unto mie Roundelaie
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Sleepsong
Choral SSATBB
Novello & Co Ltd.
Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abili...
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Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge. Released by Secret Garden in 2005, the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit, You Raise Me Up . This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012. The piece is perfect for choruses looking to take their singing forward, with specific directions for staggered breathing throughout offering an added challenge for ensembles. Although designed to be sung A Cappella, the arrangement includes a piano reduction for easy rehearsal. / Choeur SSATBB
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Wende Dich, Herr, Und Sei Mir Gnädig (SCHEIN JOHANN HERMANN)
Choral SSATB
Moseler Verlag
Motette aus dem Israels-Brünnlein. Par SCHEIN JOHANN HERMANN. Motette Aus Dem I...
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Motette aus dem Israels-Brünnlein. Par SCHEIN JOHANN HERMANN. Motette Aus Dem Israels-Brünnlein/ Répertoire / Choeur Mixte (SSATB)
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O Herr, Ich Bin Dein Knecht (SCHEIN JOHANN HERMANN)
Choral SSATB
Moseler Verlag
Motette aus dem Israels-Brünnlein. Par SCHEIN JOHANN HERMANN. Motette Aus Dem I...
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Motette aus dem Israels-Brünnlein. Par SCHEIN JOHANN HERMANN. Motette Aus Dem Israels-Brünnlein/ Répertoire / Choeur Mixte (SSATB)
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Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
Choral SSATB
SSATB, Orchestra, Basso continuo
[Sheet music]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...
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Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre
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Alec Roth: I Will Move Thee: Mixed Choir: Vocal Score
Choral SSATB
[Vocal Score]
Peters
This 5 minute anthem for choir SSATB setting a text by George Herbert was comm...
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This 5 minute anthem for choir SSATB setting a text by George Herbert was commissioned by the Dean and Chapter of The Cathedral and Abbey Church of St Alban to mark the 900th anniversary of the consecration of the Norman Abbey performed at Solemn Evensong 18 October 2015.
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John Tavener: The Fool (Chorus Part): Mixed Choir: Vocal Score
Choral SSATBB
[Sheet music]
Chester
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint ...
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Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.
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Lobt Gott, Ihr Christen Alle Gleich (SCHROTER LEONHART / HERMAN NIKOLAUS)
Choral SSATB
[Sheet music]
Carus Verlag
Tonalité : G-Dur -. Par SCHROTER LEONHART / HERMAN NIKOLAUS. Gattungen: Kirchen...
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Tonalité : G-Dur -. Par SCHROTER LEONHART / HERMAN NIKOLAUS. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SSATB
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Heinrich Schütz: Gib unsern Fürsten und aller Obrigkeit no.5 SWV373: SATB: Vocal
Choral SSATB
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From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Ge...
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From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Gib unsern Fürsten und aller Obrigkeit No.5 SWV 373 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.
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Lieblich Und Schöne Sein Ist Nichts (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Isr...
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Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB
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3 Schöne Dinge Sind (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB
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Ist Nicht Ephraim Mein Teurer Sohn (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB
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Die Mit Tränen Säen (SCHEIN JOHANN HERMANN)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann ...
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Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB
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Rollo Dilworth: The Gift to Sing: Upper Voices a Cappella: Vocal Score
Choral SSATB
Hal Leonard
This gospel-flavored work is a setting of lyrics by famed Harlem Renaissance com...
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This gospel-flavored work is a setting of lyrics by famed Harlem Renaissance composer/poet James Rosamund Johnson depicting the power of music to change darkness to light and sadness to joy. A wonderful selection for combined choirs and festival performances!
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Aus Der Tiefe Ruf Ich, Herr, Zu Dir (SELLE THOMAS)
Choral SSATB
[Sheet music]
Carus Verlag
Aus: Opera Omnia I, Nr. 14. Par SELLE THOMAS. Tonalité : phrygisch - / Mottet ...
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Aus: Opera Omnia I, Nr. 14. Par SELLE THOMAS. Tonalité : phrygisch - / Mottet / Répertoire / Choeur SSATB
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POPCHOIRCLASSICS The Beatles: Let It Be (BEATLES THE)
Choral SSATB
Bosworth
Par BEATLES THE. / Date parution : 2022-04-26/ Répertoire / Choeur SSATB
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Little Drummer Boy, The SSATB A Cap
Choral SSATB
SSATB A Cappella
Alfred Publishing
No Christmas season would be complete without hearing this well-loved song. Kern...
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No Christmas season would be complete without hearing this well-loved song. Kern's fresh a cappella approach, featuring a world-rhythm drum part, really makes the classic shine. 'Pa-rum-pum-pum-pum!? / Choeur Mixte (SSATB) A Cappella
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Cristóbal de Morales: Me Ye Have Bereaved: SATB: Single Sheet
Choral SSATB
SSATB, Piano
[Sheet music]
Novello & Co Ltd.
Single sheet music for SSATB with piano accompaniment.
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Invitation To The Madrigals Vol.8
Choral SSATB
SSATB A Cappella
Stainer and Bell
Eight madrigals by Thomas Morley SATB, SSAT, SSATB and SATTB Edited by E H Fello...
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Eight madrigals by Thomas Morley SATB, SSAT, SSATB and SATTB Edited by E H Fellowes. Revised by Thurston Dart CONTENTS Clorinda false (SATB) Come lovers follow me (SSAT) Fire, fire my heart (SSATB) Leave, alas, this tormenting (SSATB) Love took his bow and arrow (SATTB) Now is the gentle season (with The fields abroad) (SATB) Now is the month of Maying (SATTB) Shoot false love, I care not (SSATB)
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Heinrich Schütz: Verleih uns Frieden genädiglich no. 4 SWV 372: SATB: Vocal
Choral SSATB
Barenreiter
From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Ge...
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From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Verleih uns Frieden genädiglich No.4 SWV 372 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.
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Joseph Phibbs: Gaudeamus Omnes: SATB: Vocal Score
Choral SSATB
SSATB A Cappella
Boosey and Hawkes
Introit for the feast of All Saints-'This short celebratory setting originally...
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Introit for the feast of All Saints-'This short celebratory setting originally composed as an introit for the Wells Cathedral Girl Choristers was arranged for SSATB in 2010 (the upper parts unaltered) for the Exon Singes Festival. The text ('Let us all rejoice') exists in a number of versions and here honours 'all the saints at whose solemnly the angels rejoice'. The texture essentially imitative is governed by a syncopated melodic phrase which gives way to softer material in the middle section. The return of the opening idea drives the piece towards a broad jubilant conclusion.'John Phibbs
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Tarik O'Regan: From Heaven Distilled A Clemency: Soprano & SATB: Vocal Score
Choral SSATB
SSATB, Piano
Novello & Co Ltd.
From Heaven Distilled a Clemency is the third movement of Triptych a cantata fo...
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From Heaven Distilled a Clemency is the third movement of Triptych a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings allowing the voices to soar excitedly overheard.
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Nun Danket All Und Bringet Ehr (CRUGER JOHANN / KINZLER BURKHARD)
Choral SSATB
[Sheet music]
Carus Verlag
Par CRUGER JOHANN / KINZLER BURKHARD. Gattungen: Motetten - Reihen bei Carus: ca...
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Par CRUGER JOHANN / KINZLER BURKHARD. Gattungen: Motetten - Reihen bei Carus: carus crossover, Zeitgenössische Chormusik - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand / Mottet / Répertoire / Choeur SSATB
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Wisset, Daß Ihr Nicht Mit Vergänglichem Silber (AHLE JOHANN RUDOLF)
Choral SSATB
[Sheet music]
Carus Verlag
Par AHLE JOHANN RUDOLF. Fastenzeit und Passion - Langue : Allemand/ Répertoire ...
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Par AHLE JOHANN RUDOLF. Fastenzeit und Passion - Langue : Allemand/ Répertoire / Choeur SSATB
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Dietrich Buxtehude: Membra Jesu nostri: Mixed Choir
Choral SSATB
SSATB, Piano
[Sheet music]
Carus Verlag
For Passion in 1680 Dieterich Buxtehude composed his largest work in the style o...
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For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio the cantata cycle Membra Jesu nostri and he dedicated it to his friend the Swedish Court Music Director Gustav Düben. In each of the seven separate cantatas which in principle follow the scheme ?instrumental introduction ? choral movement with biblical texts ? vocal soli (aria) with a sacred text from the Middle Ages ? repetition of the choral movement ? the feet knees hands side chest heart and face of the crucified Christ are interpreted allegorically. The original scoring for strings in No. VI ('Ad Cor') consists of a consort of five gambas. If this group of instruments isnot available then violins I/II can be substituted for gamba I/II and the gamba V parts can be played by the violone (the music for these substitute parts is contained in each respective parts) so that in this case only two gambas (III IV) are needed. For such a performance only two copies of the Gamba performance score (Carus 36.013/16) are required.
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Format Silent Night SSATBb
Français
Choral SSATBB
SSATBB A Cappella
ID Music
Arrangé pour chorale SSATBB A Cappella par Gene Puerling. / Voix / niveau : Int...
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Arrangé pour chorale SSATBB A Cappella par Gene Puerling. / Voix / niveau : Intermédiaire / Partition Séparée
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Brendan Graham Rolf Lovland Secret Garden: Sleepsong (Soprano/SSATBB A
Choral SSATBB
SSATBB A Cappella
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Sleepsong is a rich Celtic-inspired song for choirs looking to test their abili...
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Sleepsong is a rich Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge.Released by Secret Garden in 2005 the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit You Raise Me Up. This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012.The piece is perfect for choruses looking to take their singing forward with specific directions for staggered breathing throughout offering an added challenge forensembles. Although designed to be sung A Cappella the arrangement includes a piano reduction for easy rehearsal.
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