By J. P. Sweelinck. Arranged by John Rutter. For SSATB choir, a cappella/with ensemble (Instrument 1 in C or Bb, Instrument 2 in C or Bb, Instrument 3 shown in alto and tenor clef, and for Horn in F, Instrument 4 shown in tenor and bass clef), Instrument 5 in bass clef, continuo bass (for cello and optional double bass), organ continuo). This edition: OCCO33. Mixed Voices. Oxford Choral Classics Octavos. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 3'

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Violins/2 Violas/Violoncello/Basses (Violoncello/Contrabass/Organ)). This edition: Paperback, Urtext edition. Replaces BA 4002-90. Psalm 109. Piano reduction. Language: Latin. HWV 232. 93 pages. Duration 40 minutes. Published by Baerenreiter Verlag

By George Frideric Handel ; Watkins Shaw (Editor). For 2 Sopranos, Alto, Tenor, Bass, SSATB Choir, String Orchestra, Continuo. Baroque, Sacred, Choral. Sheet Music. 96 pages. Published by Novello and Co Ltd.

SSATB choir, soprano voice solo, tenor voice solo, baritone voice solo, bass voice solo, organ/harpsichord, cello, double bass (ad lib)

SKU: GH.GE-10485

Composed by Marc-Antoine Charpentier. Choral score. With Language: Swedish. 24 pages. Gehrmans Musikforlag #GE 10485. Published by Gehrmans Musikforlag (GH.GE-10485).

ISBN 9790070104852. 185 x 262 mm inches. Text: Gerd Roman / Eva Akerberg (Swedish).

By S. McBurney / arr. Beebe. Arranged by Robert P. Manookin. For SSATB Choir. Medium

By Anthony Petti. For Soprano, Mezzo-Soprano, Alto, Tenor, Bass. Sacred, Renaissance, Choral. Sheet Music. 48 pages. Published by Chester Music.

Composed by Jaakko Mantyjarvi. For tenor voice solo and SSATBB choir. Published by Sulasol

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Vocal/choral score. MorningStar Music Publishers #56-0002. Published by MorningStar Music Publishers

(From Liebeslieder Polkas [S. 2/4]). By PDQ Bach (1935-). Edited by Peter Schickele. Mixed chorus. For Soprano I, Soprano II, Alto Solo, Tenor, Bass, Piano. Liebeslieder Polkas S. 2/4. Choral. Choral Part(s). Standard notation. S. 2/4. 5 pages. Duration 1:45

Choral (SSATB)

SKU: HL.1197753

Gentry Publications. Octavo. 12 pages. Duration 285 seconds. Gentry Publications #JG2662. Published by Gentry Publications (HL.1197753).

UPC: 196288134831. 6.75x10.5x0.029 inches.

“Death, thou art welcome to my arms attended by a thousand charms...” a text that dates back as far as 1818 speaks to the human desire for a peaceful end to life. This new setting by Richard Burchard provides your tenor-bass choir with an exciting and contemporary approach to this rich traditional hymn melody. In typical Burchard fashion, he has beautifully crafted phrases that combine the hymn text, touches of Latin, and a folk-style solo designed to draw attention to the rhythm, melody, and message of the hymn. Looking for that perfect piece with a special soulful appeal? Look no further; accompanied by cello and percussion, here's the ideal candidate, sure to become a choir and audience favorite.

Composed by Traditional Spiritual And Carol. Arranged by Becki Slagle Mayo. For Soprano 1, Soprano 2, Alto, Tenor, Bass, Keyboard, Optional Percussion. Octavo. 16 pages. Duration 3 minutes, 5 seconds. Published by Carl Fischer

By Philip Stopford. (Sop 1/2 Alto Tenor Bass 1/2). Creating Artistry. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

SSATBB chorus

SKU: HH.HH479-CHS

Composed by Emma Brown. Soprano, Soprano, Alto, Tenor, Bariton, Bass. Choral score. Edition HH Music Publishers #HH479-CHS. Published by Edition HH Music Publishers (HH.HH479-CHS).

ISBN 9790708146902.

O Nata Lux is a six-part, a cappella motet. The anonymous tenth-century text is suitable for inclusion throughout the liturgical year. Evoking a deep sense of longing, this contemplative motet would enhance any concert programme of a capella choral music.