SKU: PR.312418660
ISBN 9781598064124. UPC: 680160605828. Octavo inches. English. Text: Spiritual. Spiritual.
From the blog of Opera Roanoke: The four spirituals are densely packed portraits resonant with the black church tradition... Weaving together a fabric of history and presence, pain and struggle, exile and homecoming, Goin’ Home is an engaging musical canvas whose complex palette is challenging as it is rewarding.
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.2001300
ISBN 9790007033262. Key: G dorian. Language: Italian. Text: Marino, Giambattista. Text: Giambattista Marino.
SKU: OU.9780193953949
ISBN 9780193953949. 12 x 8 inches.
For SSATB (with divisions) and organ Following the recent release of a CD of Harry Bramma's church music, the Church Music Society is proud to publish this setting of words of St Augustine of Hippo, written for the Choir of St Martin's, Dorking, to mark the centenary of the birth of Dr William Cole.
SKU: BA.BA02573
ISBN 9790006423125. 27 x 19 cm inches.
Print on demand (POD).
SKU: CA.2005105
ISBN 9790007100476. Key: D dorian. Language: German/English.
Score available separately - see item CA.2005100.
SKU: BA.BA02855
ISBN 9790006426478. 27 x 19 cm inches. Text Language: Italian, German. Translation: Hans Joachim Moser.
SKU: MN.60-7000
UPC: 688670670008. English.
Straight-forward setting of German chorale tune O DASS ICH TAUSEND ZUNGEN HATTE. Choir setting of stanza 2 manageable SSATB.
SKU: CA.2005100
ISBN 9790007089450. Key: D dorian. Language: German/English.
SKU: CA.743400
ISBN 9790007181772. Language: German.
For the 500th anniversary of the Reformation a collection of all 35 hymns by Luther is being released on a double CD for the first time (Carus 83.469). The recorded choral pieces, chorale cantatas and chorale settings come from six centuries and cover a wide stylistic range. This piece was specially written for this collection.
SKU: GI.G-9610
UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.
Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.†I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora†is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.†Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,†which it then does, leaving the sopranos alone on a high G.
SKU: CA.2001100
ISBN 9790007033248. Key: A minor. Language: Italian. Text: Guarini, Giambattista. Text: Giambattista Guarini.
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
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