SKU: BT.USH0123-250
English.
SKU: CA.635000
ISBN 9790007012816. Language: German.
SKU: JK.01170
Powerful arrangement for mixed chorus (SSATB) and piano, in A flat (3 flats), - inspiring all men and women to declare God's word:Go forth in the service of God and follow the ways of the Lord. For He is the Light, the Life, and the Way. Who can stay the great pow'r of His word?Composer: Betsy Lee Bailey Arranger: Betsy Lee Bailey Lyricist: Betsy Lee Bailey (text inspired by words of Gordon) Difficulty: Medium.
SKU: CA.1520100
ISBN 9790007031428. Language: German.
SKU: OU.9780193415652
ISBN 9780193415652. 12 x 8 inches.
For SSATB unaccompanied This anthem sets lines from Psalm 139, 1 Thessalonians, and 1 John, moving from an unsettled tonality at the beginning, through anguished false relations and wistful expressivity, to find triumphant resolution in a blazing A major at the end. Like all of McDowall's music, it is well crafted and singable.
SKU: GI.G-005856
UPC: 641151058566. Text by St. John of Damascus.
SKU: GH.CG-6219P
ISBN 9790070039765. A4 inches. Text: Jan Arvid Hellstrom / Ingemar von Heijne / Anders Ohrwall.
SKU: MN.50-8800
UPC: 688670588006.
Based on WYLDE GREEN with inclusive language version ofPraise We Now Famous Men text. Patriotic occasions, Memorial Day, Independence Day, Thanksgiving Day and All Saints Day. Mostly Unison and SATB, grandiose ending.
SKU: GI.G-8398
English. Text Source: Anonymous, English, 15th c.
Bring new life to your Lessons and Carols service through the ancient beauty of this 15th-century English text, which reflects on the mystery of the sin of Adam that led to Mary’s queenship—thanks be to God! A pronunciation guide and paraphrase are provided.
SKU: CA.100100
ISBN 9790007000011. Language: German.
SKU: HL.1437384
UPC: 196288204497.
“The Listening,” written by Grammy-nominated composer Cheryl B. Engelhardt in December 2017 for VOICES 21C under the artistic direction of André de Quadros, draws its inspiration from Dr. Martin Luther King Jr.'s impactful 1967 speech, “Beyond Vietnam: A Time to Break Silence.” This dynamic, emotion-filled piece expresses King's call to end societal silence. The rhythmic elements in the piece are derived from the poetic nature of King's speech. The inclusion of a children's choir, inspired by the Parkland school shooting and subsequent protests, symbolizes the disruption of childhood peace by violence. Notably, the virtual collaboration, featuring Donzaleigh Abernathy, Dr. King's goddaughter, emphasizes the song's contemporary relevance in addressing social issues, and was featured in PEOPLE. Premiered live at the Massachusetts Music Educators Conference in 2018 by VOICES 21C, and digitally released during Black History month in 2021, “The Listening” stands as a profound anthem for breaking silence and to foster positive change.
SKU: JK.01660
Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
Original arrangement for mixed chorus (SSATB), about our Father in Heaven and our fathers on earth: From soothing hands under quiet skies, to the reflection of wond'ring eyes. He gently hums heaven's lullaby. Beautiful harmony between the voices.Composer: Julie Webb Lyricist: Julie Webb Difficulty: Medium Performance time: 2:30Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
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