SKU: JK.01062
Moses 4:1-2, Alma 42:14-15.
Hymn arrangement combining original melody by Jon Holloman with the beloved lyrics of Eliza R. Snow--arranged for mixed chorus (SSATTBB) and piano accompaniment. Highest soprano note: F. Composer: Jon G. Holloman Lyricist: Eliza R. Snow Difficulty: Medium Performance time: 3:20Reference: Moses 4:1-2, Alma 42:14-15.
SKU: JK.01071
2 Timothy 2:3, 2 Timothy 4:7-8, Ephesians 6:10-18.
Triumphant choral anthem for double mixed chorus (SSAATTBB) and piano, sung with a marching spirit as if by the Battalion, as recorded by the Wasatch Choral (www.uvcs.org). Composer: Robert Millett Lyricist: Robert Millett Difficulty: Medium-difficult / difficult acc. Performance time: 2:40References: 2 Timothy 2:3, 2 Timothy 4:7-8, Ephesians 6:10-18.
SKU: GI.WJMS1159
UPC: 785147003465. Latin. Text Source: Traditional Latin. Text: Traditional Latin.
A rhythmic and exiting setting that captures the joyful spirit of this traditional Latin text. Fantastic vocal writing that will be a nice challenge for your choir. Jo-Michael Scheibe Choral Series. Recording Choir: Gwang Myeong City Choir, Young Jin Kim, conductor.
SKU: JK.00741
Doctrine and Covenants 39:17-24, Doctrine and Covenants 133:7-10.
Joyful anthem arranged for mixed chorus (SSATTBB) and piano, on the Savior's Second Coming.Composer: Lyndell Leatherman Lyricist: Henry Alford Difficulty: Medium-difficult / medium-difficult acc. Performance time: 3:15Reference: Doctrine and Covenants 39:17-24, Doctrine and Covenants 133:7-10.
SKU: BA.BA25009
ISBN 9790006568031. 29.7 x 21 cm inches. Language: German.
Separate edition from BA 5902, â??Geistliche Chor-Musicâ?? SWV 369-380, The six and seven-part motets, nos. 13-29:In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled â??Geistliche Chor-Musicâ? (Sacred Choir Music). Here, the term â??Chorâ? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.154015
UPC: 888680098247. 6.75x10.5 inches.
A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.
SKU: CA.9201000
ISBN 9790007125547. Key: A major. Language: Latin.
SKU: OU.9780193954335
ISBN 9780193954335.
For SSATTB Suitable for remembrance services, Ramsey's six-voiced setting of 'How are the mighty fall'n' is one of the finest sacred madrigals of the early 17th century, alongside works such as settings of 'When David heard'.
SKU: CA.2038205
ISBN 9790007034832. Key: G dorian. Language: German/English.
Score available separately - see item CA.2038200.
SKU: CA.4049660
ISBN 9790007105938. Key: B flat major. Language: German/English. Text: Ruckert, Friedrich. Text: Friedrich Ruckert.
SKU: CA.2038505
ISBN 9790007089726. Key: D dorian. Language: German/English.
Score available separately - see item CA.2038500.
SKU: BA.BA03520
ISBN 9790006436361.
Print on demand (POD).
SKU: GI.G-004011
UPC: 641151040110. Latin.
A masterful a cappella choral work by the highly respected composer and musician Robert Kreutz (1922‚1996). This sophisticated setting begins with wonderful use of motivic imitation, which occurs through all the voice parts and proceeds to take us on a musical journey that employs intriguing shifts in tonality, meter, and tempo. These compositional techniques serve to place the emphasis first and foremost on the text throughout the piece.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version