(Medley)-This swingin' arrangement will add a dash of holiday cheer to your concert! Four Christmas favorites combine in a mini-medley for a lively choral showcase.Includes: Frosty the Snow Man Let It Snow! Let It Snow! Let It Snow! A Marshmallow World Ukrainian Bell Carol.Available separately: SATB SAB TTBB 2-Part Instrumental Pak (parts for Trumpet I & II Tenor Sax Trombone Baritone Sax Synthesizer Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 4:00

Eugene Rogers Choral Series-Combining two traditional spirituals Come and go with me and Come and go with me to my Father's House Brandon Waddles has created an arrangement that harkens the sounds of an African-American work song and Southern male gospel quartet. Brandon uses the a cappella style of the spiritual the extended harmonies of jazz and the motivic and rhythmic drive of gospel in this arrangement to make the pairing of these two selections a joyous community expression.

Beginning with a dynamic vocal intro followed by a unison and melodic opening phrase this well-known Longfellow poem is painted with a full range of dynamics melodic turns and tempos all supported by a rippling pianoaccompaniment. A stunning men's selection that is sure to satisfy! Available separately: TTBB PianoTrax CD. Duration: ca. 3:56.

This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes then inthe mid 1950’s he began to expand into modern bitonality and polytonality culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that Lewkovitch had somewhat of a hiatus later returning again to the inspirations of the mid1950’s.

This wonderfully evocative a cappella setting of the Irving Berlin classic features the warm and lovely melody supported by gently pulsing vocal accompaniment sure to create a magical moment in concert! Available separately: SATB SSAA TTBB. Duration: ca. 1:50.

Lord Byron (1788-1824)-An excellent poem for men's chorus set beautifully by Connor Koppin. Attention has been given to melody while the Piano and Oboe give support and add ambiance. Good Vocal part-writing makes this dramatic composition achievable for many choruses.

Jonathan Palant Choral Series-Written for the Utah Valley University Men's Choir with an original text by the composer this sensitive text speaks of the life experiences that make up the tapestry of our lives. With the melody moving seamlessly between voice parts all voices celebrate these experiences in this song of celebration.

This a cappella setting of a traditional South African praise song just bursts with joyful energy. Dynamic contrast percussion and a wide range of layered vocal textures make this an appealing concert choice. Available: SATB a cappella. Performance Time: Approx. 2:15.