SKU: HL.49031779
ISBN 9790001057356. German.
SKU: BT.SCHBB5401170
TTBB (Choral Score). Reger, M.
SKU: BT.SCHBB5401176
TTBB (Choral Score). Herrmann, H.
SKU: BT.SCHBB5401175
SKU: BT.SCHBB5401171
SKU: BT.SCHBB5401173
SKU: BT.SCHBB5401117
TTBB. Reger, M.
SKU: HL.49018914
ISBN 9790001174701. German.
Text in German.
SKU: HL.49018915
ISBN 9790001174657. German.
SKU: SU.YR1117V1
TTBB & piano Composed: 2000 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: HL.1145660
ISBN 9781705185285. UPC: 196288117360. 6.75x10.5x0.036 inches.
From the 1970 movie Scrooge, this beloved song has been covered by many artists ever since: from gospel greats to contemporary stars. The arrangement captures the beauty, strength and scope of the original and may be accompanied by either piano or additional chamber instruments. What a glorious moment for any holiday concert!
SKU: HL.49028178
ISBN 9783920201177. German.
SKU: CA.9184100
ISBN 9790007117870. Key: E flat major. Language: German.
SKU: CA.9184200
ISBN 9790007117887. Key: B flat major. Language: German.
SKU: CA.9184000
ISBN 9790007117863. Key: G minor. Language: German.
SKU: CA.4084011
ISBN 9790007221171. Key: A major. Language: German. Text: von Goethe, Johann Wolfgang. Text: Johann Wolfgang von Goethe.
Score available separately - see item CA.4084000.
SKU: GH.GE-11702
ISBN 979-0-070-11702-9. 185 x 262 mm inches.
For manskor a cappella.
SKU: HL.49003214
ISBN 9790220117282. UPC: 888680784249. 8.25x11.75x0.052 inches. Latin.
Glorious Hill may be performed by a male choir.Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate.Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices.The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace.Gavin Bryars.
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