For Narrator Children's Choir And Instrumental Accompaniment (Piano Version)-Following on the success of her two operatic works for children and teens – Douce et Barbe Bleue Les Fables Enchantées Little Thummie and Cendrillon (based on Perrault) as well as the adaptation of Maupassant’s short story The Dumpling (2014) – Isabelle Aboulker once again hits the bull’s eye with Myla And The Boat-Tree a commission from the Villecroze Music Academy. In 2015 this musical tale for Narrator Children’s Choir and Instrumental Accompaniment was awarded the “Music for Young Performers Prize” by the French Music Publishers Association. Both in the French version and MarciMeth’s excellent English translation it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity the composer tells the story of a little girl dealing with the death of a person she’d cherished above all: her grandfather. Written for choir in unison this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator Children’s Choir and Piano (AL30732) for Narrator Children’s Choir and Trio (Clarinet in Bb Cello and Piano: AL30733) for Narrator Children’s Choir and Instrumental Ensemble (Flute Oboe Clarinet in Bb Bassoon Horn Trumpet in C Trombone Percussion 2 Violins Alto Cello Bass: AL30734) Choral score: AL30743 Listen to Isabelle Aboulker talking about “Myla and the Boat-Tree”:

Unison Song with Piano Accompaniment arranged from the original figured bass by Percey E. Fletcher.

This is the key by Alan Bullard for unison voices with optional second part and Piano.This is the key is a dramatic narrative piece perfect for children's and youth choirs. It can be sung in unison throughout or the score contains options for two parts sometimes singing alternating phrases and at other times singing together in two-part harmony. Sections in different tempos and keys create a variety of moods and the continuous piano part features running quavers a rhythmic bass line and shimmering spread chords.

Adam-In-Eden is a popular style cantata telling the story of Adam and Eve. The scoring is for unison voices (with divisions) with a small part for narrator. The accompaniment for Piano with Guitar Chord Symbols would suit the addition of Drums and Double Bass if available. 21mins

This is the first known publication of Faure's original instrumentation (oboe harp organ 2 cellos double bass). It may be successfully performed using a string section of only two cellos and one double bass. The trebles sing from the full score.