For Unison upper voices (with optional parts) Brass Quintet and optional Percussion.A Sporting Chance is a fun and lively choral work on the theme of sport games and exercise. Each of the seven movements celebrates a different sport - you'll find running soccer weightlifting and more - and words by the composer provide an entertaining narrative of each event. Look out for exciting choral effects such as panting rapping and grunting as well as active audience participation and even a slow-motion race from the trumpet players. Scored for unison voices with optional extra parts this crowd-pleaser will have both choir and audience cheering for theirhome team and willing the athlete to 'run for gold'!Bob ChilcottBob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.

This selection of rounds has been arranged with care and is a welcome addition to the very familiar set of carols and popular songs of the season.Round singing is one of the simplest forms of polyphony and is an effective tool in teaching music in the classroom as each line can be taught by rote then assembled quickly into harmonies. Music educator Kenneth Simpson was a proponent of the Kodaly Method of music pedagogy and while this book of charming rounds is not a Kodaly publication it certainly fulfills the Method’s goal of using high quality music in short simple forms.

Cobwebs is a delightful little piece taken from Fancy-Fair a collection of eight songs for young children by Peter Jenkyns. It is scored for unison Voices with Piano accompaniment but is also suitable for solo performance. English singer composer conductor and musical director Peter Jenkyns (1921-1996) wrote many of his well-known songs with children in mind for the choirs of the schools he was headmaster of to perform at the annual St. Albans Schools' Music Festival. The excellent pieces by this writer of little art songs for the under 12s are well received and much anticipated by audiences and performers alike.

16 Chorals for the Developing Choir of Any Age. Par GILPIN GREG. Unison singing is one of the first things learned in the choral art. This unique song collection contains 16 chorals that can be used all year long with a variety of themes: Multicultural/Language, Christmas/Holiday, Folk/Spiritual, Inspirational, Patriotic, and Words of Distinction. Online access to full performance and accompaniment only audio recordings is available, along with PDFs for singers and instrumental parts. / Date parution : 2023-06-01/ Recueil / Voix à L'Unisson

This is the key by Alan Bullard for unison voices with optional second part and Piano.This is the key is a dramatic narrative piece perfect for children's and youth choirs. It can be sung in unison throughout or the score contains options for two parts sometimes singing alternating phrases and at other times singing together in two-part harmony. Sections in different tempos and keys create a variety of moods and the continuous piano part features running quavers a rhythmic bass line and shimmering spread chords.

for unison voices-An easy anthem for unison voices (with optional second part). Words and music by John Rutter.

In time of silver rain. for unison voices and piano This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. Featuring a lilting melodic line, eloquent part-writing, and an effective piano part. Also available inversions for SA and piano, SABar and piano, and solo voice (high/low).

Jenkyns’ songs for young singers can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics as in The Snowman are perfectly gauged for their performers. Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with appropriate lyrics. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He was also a highly-regarded Gilbert andSullivan patter-song singer and he founded a local Gilbert & Sullivan society which is still thriving.

Jenkyns’ songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics as in The Five Little Mice are perfectly gauged for their performers. NB The Five Little Mice come to a sad end in this tale courtesy of a watchful cat.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with appropriate lyrics. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He wasalso a highly-regarded Gilbert and Sullivan patter-song singer and he founded a local Gilbert & Sullivan society which is still thriving.

For Congregation (Unison Voice) and Organ. Congregational Part available: NOV954140-01

Suitable to be sung as an Evensong anthem this is a very simple and practical setting for Keyboard and Voice - which might be a solo soprano or treble or unison - of a Victorian children's hymn that can still be found in numerous contemporary collections. Its flowing unforced melody is an ideal counterpart to Sabine Baring-Gould's words which like the poems of Robert Louis Stevenson's 'A Child's Garden of Verses' owe their enduring appeal to the sincere expression of a youthful innocence that rings no less true to the sensibility of adults. The Lullaby was written to celebrate the birth of the composer's godson at the request of his grandparents.

Prayer for Jerusalem was written for the Israel Camerata. First performance on 22nd October 2006 at the Henry Crown Hall Jerusalem by the Israel Camerata and Chorus Musicus Köln conducted by Christoph Spering.

For unison voices and Piano Accompaniment a wonderful little carol with words and music by John Rutter.

Originally written as a solo work this unison setting for treble voices and organ depicts Mary standing at the foot of the cross. In the music the falling phrases represent Mary's weeping – and the rising phrases her grief and great sadness of heart.