SKU: HL.527056
ISBN 9781705166277. UPC: 196288074991. 6.75x10.5x0.029 inches. Revelation 7:9-10.
Equally suited for both church and school settings, this popular spiritual was originally sung as a protest song denouncing slavery and hypocrisy. The song's energetic melody underscores an uncompromising drive for equality, justice, and freedom. Repeated phrases in the melody and text make the piece an ideal choice for any unison or two-part choir.
SKU: HL.1423341
UPC: 196288199991.
Bullying online--it's a heartbreaking fact that most young people have to deal with (sometimes on a daily basis), and this song just posits, â??what if we don't need this anymoreâ?? Why can't we just accept others for who they really, truly are--and why can't we just say it in a super-cute and indie folk rock kind of way :) ?
SKU: HL.14006275
ISBN 9780711986237. UPC: 884088435141. 7.75x11 inches.
The first complete volume of Henry Purcell's Catches to appear in Purcell Society Edition since 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Cloth edition available: NOV151103-01.
SKU: CA.4071600
ISBN 9790007077013.
SKU: GI.G-10227
UPC: 785147022718. English. Text Source: Text I: Charles William Everest, 1814-1877, alt., Text II: Isaac Watts, 1674-1748, alt. Text by Charles C. Everest.
The tune SEGUNDO is intended specifically for hymn texts in long meter (LM, or 88 88) that can benefit from a sense of gravitas. In performance, the entire hymn may be sung by unison choir, or if desired, the beginning stanzas may be sung by one or more soloists or sections allowing the piece to build over its four stanzas, so that the last stanza, with its soaring descant, pours forth rife with emotion.
SKU: CA.1490100
ISBN 9790007031381.
SKU: CA.300400
ISBN 9790007097974.
SKU: GI.G-3353
English, Spanish. Text Source: adapt. Porter, Thomas. Text by Donna Peña. Scripture: Psalm 25.
SKU: SU.80300244
These seven sacred songs are suitable for treble, mixed, or men's choirs, or for solo performance. The texts are taken from various Sabbath services; many are suitable for use as anthems in Christian worship. While all are easy, each has distinctive features-rhythmic extension of a phrase, shifting meters, or harmonic subtleties-which make the set rank very, very high on the simple does not have to mean stupid scale. Please, before you buy another boring dreidel song, look at these. This blessing in 12/8 time is a setting of Psalm 19:4. Phrases alternate between E Minor and G Major, giving the piece harmonic vitality over a cross-meter piano figure. Unison; piano; Hebrew; Easy. Unison, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: GI.G-3024
Percussion part is for finger cymbals, hand drum, triangle, tambourine optional sacred dance.
SKU: CA.3912705
ISBN 9790007164485. Language: German.
Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score available separately - see item CA.3912700.
SKU: BT.WH32867CD
ISBN 9788759893722. Danish.
15 Motetter Til Juletiden (CD) for Mixed Choir SATB by Thomas Kristian Nielsen . Lyrics by Erik Dybdal Møller. Recorded by Sct. Pauls Cantori , Aarhus, directed by Thomas Kristian Nielsen.
SKU: MN.50-9403
UPC: 688670594038. Scripture: Genesis 1.
Creedal statement suggested by First Article of Credo and Genesis 1. Simple captivating melody in strophic setting meaningful for children.
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