The setting of a poem by Kathleen Boland for Unison voices (or soloist) with Piano.

Michael Flanders and Joseph Horovitz. This popular work for unison or two-part voices and piano with optional bass and drums opens with a splendid storm above which God can be heard muttering about the irritations he finds with mankind. Following the Old Testament story God then instructs Noah how to build the ark and select animals. In a profusion of fine solos and lively choruses we learn about the difficulty of living under hatches and the eventual drying-out of the world. Suggestions for vocal solos given in the score. Ideas for semi-dramatic effects or stagings suggest themselves. 26 mins.

This evocative song is full of imagery in its descriptions of the four elements; Earth Air Fire and Water and is Ideal for children and Schools with interesting and charming Unison lines. A Quire Of Elements is a terrific setting of Marian Lines magical words by Betty Roe for Unison Children's Voices with optional Solos for each element.

Scored for solo voice unison chorus and piano The Twelve Apostles was written for Peter Pears and the London Boy Singers. The text was adopted from The Ten Commandments as given in ‘English Folk Songs from the Southern Appalachians’ (1932).

Teddy's Lullaby is a charming little work for Unison Voices and Piano accompaniment intended for small children. It is also suitable for solo performance. English singer composer conductor and musical director Peter Jenkyns (1921-1996) wrote many of his well-known songs with children in mind for the choirs of the schools he was headmaster of to perform at the annual St. Albans Schools' Music Festival. The excellent pieces by this writer of little art songs for the under 12s are well received and much anticipated by audiences and performers alike.

This short cantata set in a jazz idiom makes an ideal end-of-term concert which should be performed strictly for fun! Scored for unison voices with up to four short solos piano accompaniment plus guitar chords. The chorus gives enthusiastic youngsters the opportunity to growl as the lions in the den and click fingers to the blues! The now famous series of Novello pop cantatas originated from this well-known work. Words by Vachel Lindsay.

In time of silver rain. for unison voices and piano This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. Featuring a lilting melodic line, eloquent part-writing, and an effective piano part. Also available inversions for SA and piano, SABar and piano, and solo voice (high/low).

Simple elegant piece for young voices_x000D_Consists of a beautiful melody with long legato lines works well as a solo too would be good for a school remembrance day event._x000D_From the jean Ashworth Bartle Choral Series for treble voices

Suitable to be sung as an Evensong anthem this is a very simple and practical setting for Keyboard and Voice - which might be a solo soprano or treble or unison - of a Victorian children's hymn that can still be found in numerous contemporary collections. Its flowing unforced melody is an ideal counterpart to Sabine Baring-Gould's words which like the poems of Robert Louis Stevenson's 'A Child's Garden of Verses' owe their enduring appeal to the sincere expression of a youthful innocence that rings no less true to the sensibility of adults. The Lullaby was written to celebrate the birth of the composer's godson at the request of his grandparents.

To Music Bent is an anthem for Solo or Unison Voice composed by George Dyson with words drawn from a number of poets including Sir Walter Raleigh Thomas Campion Thomas Heywood and the Sarum Psalter.

As notated in 1724 by Marcello. For unison choir or solo voice with continuo in Hebrew and Italian.

Originally created for Solo Voice this arrangement will give young voices the opportunity to perform a brilliant American Art-song in an idiomatic arrangement with Solo Clarinet.