Unison, Piano

SKU: SU.80300242

For Unison, Piano. Composed by Karen A. Tarlow. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300242. Published by Treble Clef Music Press (SU.80300242).

These seven sacred songs are suitable for treble, mixed, or men's choirs, or for solo performance. The texts are taken from various Sabbath services; many are suitable for use as anthems in Christian worship. While all are easy, each has distinctive features-rhythmic extension of a phrase, shifting meters, or harmonic subtleties-which make the set rank very, very high on the simple does not have to mean stupid scale. Please, before you buy another boring dreidel song, look at these. The text, from Psalm 96 (the basis for the Venite canticle), exhorts all creation to rejoice. The irregular rhythms and harmonic-melodic minor patterns in the choral part give the piece tremendous energy, as does the syncopated and wide-ranging piano accompaniment. Unison; piano; Hebrew; Easy-Med. Unison, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

Unison, Piano

SKU: SU.80300245

For Unison, Piano. Composed by Karen A. Tarlow. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300245. Published by Treble Clef Music Press (SU.80300245).

These seven sacred songs are suitable for treble, mixed, or men's choirs, or for solo performance. The texts are taken from various Sabbath services; many are suitable for use as anthems in Christian worship. While all are easy, each has distinctive features-rhythmic extension of a phrase, shifting meters, or harmonic subtleties-which make the set rank very, very high on the simple does not have to mean stupid scale. Please, before you buy another boring dreidel song, look at these. This benediction prays for protection during the night, and peace. Its swaying rhythms in 4/4, and section sung to the syllables dai, dai, encourage the singers to experience the music very directly, in almost trance-like fashion. Unison; piano; Hebrew; Easy. Unison, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

Unison, Piano

SKU: SU.80300241

For Unison, Piano. Composed by Karen A. Tarlow. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300241. Published by Treble Clef Music Press (SU.80300241).

These seven sacred songs are suitable for treble, mixed, or men's choirs, or for solo performance. The texts are taken from various Sabbath services; many are suitable for use as anthems in Christian worship. While all are easy, each has distinctive features-rhythmic extension of a phrase, shifting meters, or harmonic subtleties-which make the set rank very, very high on the simple does not have to mean stupid scale. Please, before you buy another boring dreidel song, look at these. Flowing ¾ meter and a pentatonic tune make this morning prayer a heartfelt invocation. (By the way, this piece is a natural for Kodaly teaching.) Unison; piano; Hebrew; Easy. Unison, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

Composed by Christopher Hogan. Sacred anthem. Rote to Note. General. Octavo. Published by Chorister's Guild (LO.CGA1483).

Choir

SKU: CA.3124505

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Choral Score. Composed 1749. BWV 245. 64 pages. Duration 120 minutes. Carus Verlag #CV 31.245/05. Published by Carus Verlag (CA.3124505).

ISBN 9790007162030. Language: German/English.

With the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score available separately - see item CA.3124500.